Author: Maxwell Armfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
Book Description
Memorial Exhibition of Works by the Late Joseph Edward Southall... 1861-1944. The Galleries of the Royal Water-colour Society, June 6th-23rd 1945. [Introductory Notes by Maxwell Armfield.].
Memorial Exhibition of Works by the Late Joseph Edward Southall, 1861-1944
Author: Maxwell Armfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
Memorial Exhibition of Works by the Late Joseph Edward Southall ... 1861-1944 ... 27th March-24th April, 1945
Author: Birmingham Museums and Art Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Sixty Works by Joseph Southall, 1861-1944 from the Fortunoff Collection
Author: Joseph E. Southall
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
Illustrated throughout with works by Southall formerly in the Fortunoff Collection. They show a wide variety of work produced by Southall during his lifetime. As well as superb watercolours of England, there are also scenes from the Italian lakes and Tuscany, and several images of sailing barques in the harbour at Fowey in Cornwal.
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
Illustrated throughout with works by Southall formerly in the Fortunoff Collection. They show a wide variety of work produced by Southall during his lifetime. As well as superb watercolours of England, there are also scenes from the Italian lakes and Tuscany, and several images of sailing barques in the harbour at Fowey in Cornwal.
Joseph Southall, 1861-1944
Author: Joseph E. Southall
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 128
Book Description
Tempera Painting 1800-1950
Author: Patrick Dietemann
Publisher: Weidenfeld & Nicolson
ISBN: 9781909492592
Category : Tempera painting
Languages : en
Pages : 226
Book Description
The papers and posters in this volume were presented at the conference 'Tempera painting between 1800 and 1950 Experiments and innovations from the Nazarene movement to abstract art held at the Doerner Institut, in cooperation with the Academy of Fine Arts, Munich. They explore the revival of tempera painting between 1800 and 1950 from the perspectives of art history, technical art history, conservation and scientific analysis.
Publisher: Weidenfeld & Nicolson
ISBN: 9781909492592
Category : Tempera painting
Languages : en
Pages : 226
Book Description
The papers and posters in this volume were presented at the conference 'Tempera painting between 1800 and 1950 Experiments and innovations from the Nazarene movement to abstract art held at the Doerner Institut, in cooperation with the Academy of Fine Arts, Munich. They explore the revival of tempera painting between 1800 and 1950 from the perspectives of art history, technical art history, conservation and scientific analysis.
The Artist's Handbook of Materials & Techniques
Author: Ralph Mayer
Publisher:
ISBN: 9780774028851
Category : Artists' materials
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780774028851
Category : Artists' materials
Languages : en
Pages : 0
Book Description
The Book of the Art of Cennino Cennini
Author: Cennino Cennini
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 338
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 338
Book Description
The Royal Academy of Arts
Author: Algernon Graves
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 524
Book Description
Painting in Tempera, C. 1900
Author: Karoline Beltinger
Publisher: Archetype Publications
ISBN: 9781909492448
Category : Chromatographic analysis
Languages : en
Pages : 0
Book Description
This co- publication of Archetype Publications Ltd with Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA) is a collection of essays by an international group of scholars which provides access to an important chapter of technical art history: the rise in the popularity of temperas as an alternative to oil paints in Europe in the 19th and early 20th century. The term 'tempera' designated media that were generally water-soluble and which could include components as wide ranging as egg, gums, glues, soaps, waxes and resins. Revered as the technique of the ancients, it possessed both historical cachet and aesthetic and practical advantages, such as luminosity of colour, short drying times, and resistance to yellowing and cracking. Although interest in tempera paints was not limited to any one country, their industrial manufacture was concentrated in the region of present-day Germany, while in Italy a distinct tradition of artisanal production evolved. Developments in these two regions are surveyed, lending insight into the academic polemics surrounding temperas, the varied range of products on the market, their composition and their use by specific artists for easel paintings, murals and decorative schemes alike. Based upon source material, conservation research and technical studies of paintings as well as scientific approaches to the analysis of historical temperas, a vivid depiction of this complex artistic period emerges.
Publisher: Archetype Publications
ISBN: 9781909492448
Category : Chromatographic analysis
Languages : en
Pages : 0
Book Description
This co- publication of Archetype Publications Ltd with Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA) is a collection of essays by an international group of scholars which provides access to an important chapter of technical art history: the rise in the popularity of temperas as an alternative to oil paints in Europe in the 19th and early 20th century. The term 'tempera' designated media that were generally water-soluble and which could include components as wide ranging as egg, gums, glues, soaps, waxes and resins. Revered as the technique of the ancients, it possessed both historical cachet and aesthetic and practical advantages, such as luminosity of colour, short drying times, and resistance to yellowing and cracking. Although interest in tempera paints was not limited to any one country, their industrial manufacture was concentrated in the region of present-day Germany, while in Italy a distinct tradition of artisanal production evolved. Developments in these two regions are surveyed, lending insight into the academic polemics surrounding temperas, the varied range of products on the market, their composition and their use by specific artists for easel paintings, murals and decorative schemes alike. Based upon source material, conservation research and technical studies of paintings as well as scientific approaches to the analysis of historical temperas, a vivid depiction of this complex artistic period emerges.