Mei Lanfang and the Twentieth-Century International Stage

Mei Lanfang and the Twentieth-Century International Stage PDF Author: M. Tian
Publisher: Springer
ISBN: 1137010436
Category : Social Science
Languages : en
Pages : 500

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Book Description
The first book-length study in any language of the presence and influence of Mei Lanfang, the internationally known Chinese actor who specialized in female roles on the twentieth-century international stage. Tian investigates Mei Lanfang's presence and influence and the transnational and intercultural appropriations of his art.

Mei Lanfang and the Twentieth-Century International Stage

Mei Lanfang and the Twentieth-Century International Stage PDF Author: M. Tian
Publisher: Springer
ISBN: 1137010436
Category : Social Science
Languages : en
Pages : 500

Get Book Here

Book Description
The first book-length study in any language of the presence and influence of Mei Lanfang, the internationally known Chinese actor who specialized in female roles on the twentieth-century international stage. Tian investigates Mei Lanfang's presence and influence and the transnational and intercultural appropriations of his art.

Mei Lanfang

Mei Lanfang PDF Author: Ling Li
Publisher: Shanghai Book Traders
ISBN: 9781602208001
Category : Operas, Chinese
Languages : en
Pages : 0

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Book Description
This book recounts the opera roles of Mei Lanfang, and consists of mostly illustrations that were distributed in scrolls or programs distributed to American audiences.

Peking Opera and Mei Lanfang

Peking Opera and Mei Lanfang PDF Author: Zuguang Wu
Publisher:
ISBN:
Category : Chinese drama
Languages : en
Pages : 186

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Book Description


The Changing Room

The Changing Room PDF Author: Laurence Senelick
Publisher: Routledge
ISBN: 113472201X
Category : Performing Arts
Languages : en
Pages : 566

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Book Description
The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines: * tribal rituals and shamanic practices in the Balkans and Chinese-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage of China, Japan and England * the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator * artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls. Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.

Performing "Nation"

Performing Author: Doris Croissant
Publisher: BRILL
ISBN: 9004170197
Category : Social Science
Languages : en
Pages : 465

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Book Description
Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930s. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies.

Chinese Theatre and the Actor in Performance

Chinese Theatre and the Actor in Performance PDF Author: Jo Riley
Publisher: Cambridge University Press
ISBN: 9780521570909
Category : Drama
Languages : en
Pages : 372

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Book Description
This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.

Drama in the People's Republic of China

Drama in the People's Republic of China PDF Author: Constantine Tung
Publisher: SUNY Press
ISBN: 9780887063893
Category : Performing Arts
Languages : en
Pages : 376

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Book Description
This is the first book ever published in the West on drama in the People's Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qing's drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsen's Peer Gynt and Viennese operettas; and from a historical play glorifying Mao's supremacy to a playwright calling for individualism and women's rights. This book not only depicts aspects of drama in the People's Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.

Arts-Based Education

Arts-Based Education PDF Author: Tatiana Chemi
Publisher: BRILL
ISBN: 9004399488
Category : Education
Languages : en
Pages : 239

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Book Description
Arts-Based Education: China and Its Intersection with the World investigates the field of arts-based educational practices and research.

In Search of Admiration and Respect

In Search of Admiration and Respect PDF Author: Yanqiu Zheng
Publisher: University of Michigan Press
ISBN: 0472904477
Category : History
Languages : en
Pages : 268

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Book Description
In Search of Admiration and Respect examines the institutionalization of Chinese cultural diplomacy in the period between high imperialism and the international ascendance of the People's Republic of China. During these years, Chinese intellectuals and officials tried to promote the idea of China's cultural refinement in an effort to combat negative perceptions of the nation. Yanqiu Zheng argues that, unlike similar projects by more established powers, Chinese cultural diplomacy in this era was not carried out solely by a functional government agency; rather, limited resources forced an uneasy collaboration between the New York-based China Institute and the Chinese Nationalist government. In Search of Admiration and Respect uses the Chinese case to underscore what Zheng calls "infrastructure of persuasion," in which American philanthropy, museums, exhibitions, and show business had disproportionate power in setting the agenda of unequal intercultural encounters. This volume also provides historical insights into China's ongoing quest for international recognition. Drawing upon diverse archival sources, Zheng expands the contours of cultural diplomacy beyond established powers and sheds light on the limited agency of peripheral nations in their self-representation.

The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance

The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance PDF Author: Min Tian
Publisher: Taylor & Francis
ISBN: 1000737837
Category : Performing Arts
Languages : en
Pages : 282

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Book Description
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies.