Medonte, Re di Epiro. Dramma per musica [in three acts and in verse], da rappresentarsi nel Teatro alla Scala il Carnevale 1790, etc. [By G. de'Gamerra.] PDF Download
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Pages : 64
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![Medonte, Re di Epiro. Dramma per musica [in three acts and in verse], da rappresentarsi nel Teatro alla Scala il Carnevale 1790, etc. [By G. de'Gamerra.] PDF](https://books.google.com/books/content/images/frontcover/gDdRt1OuY0sC?fife=w80-h100)
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Pages : 64
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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 648
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Author: Jean Berenger
Publisher: Routledge
ISBN: 1317895738
Category : History
Languages : en
Pages : 353
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This is the eagerly awaited second volume of Jean Bérenger's history of the Habsburgs. It covers the last two centuries of their rule and provides a compelling account of the fluctuations of Habsburg dynastic power and its disintegration after World War One. Bérenger gives a rich portrait of Habsburg greatness under Maria Theresa and Joseph II and shows how their successors proved more adroit at riding the tide of nationalism in their multi-ethnic empire than is often recognised.
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Category : Opera
Languages : en
Pages : 912
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Author: Ronan Deazley
Publisher: Open Book Publishers
ISBN: 190692418X
Category : Law
Languages : en
Pages : 438
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What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.
Author: Antonio Pio
Publisher:
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Category : Ballets
Languages : it
Pages :
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Author: Ferdinando Gasparo Bertoni
Publisher: Palala Press
ISBN: 9781378497449
Category : History
Languages : en
Pages : 66
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Languages : en
Pages : 48
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