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Author: Christina Maranci
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 306
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Book Description
The monuments of medieval Armenia have been interpreted variously over the centuries as Gothic, Byzantine, Iranian, and "Saracen". However, few scholars have offered satisfactory answers regarding their origins and relations to other architectural traditions. This study examines the scholarship on the subject in East and West and offers a persuasive explanation for the current scholarly impasse. Maranci highlights Josef Strzygowski (1865-1941), a prominent figure in the Vienna School of art history, who was closely allied to the pan-German movements of the early twentieth century. Using unpublished archival materials as well as Strzygowski's numerous publications, the author shows how the ideology of race and nation pervaded Strzygowski's theories of art, and how his ideas and persona have informed - and inhibited - subsequent generations of scholars. The concluding chapter outlines a revised study of Armenian architecture, moving from issues of architectural style to contextual inquiries of patronage and crosscultural exchange. As a detailed survey of medieval monuments and as a historiographical case study, the work addresses a broad audience: not just art historians but all readers interested in how ideology shapes our critical faculties. Christina Maranci received her Ph.D. from the department of Art and Archaeology at Princeton University for a dissertation on Armenian architecture. Recipient of Gulbenkian and Mellow Fellowships, she has taught Armenian and Byzantine art at the University of Chicago, the University of Michigan at Ann Arbor, and Boston University. She is currently a professor of medieval art at the University of Wisconsin, Milwaukee.
Author: Christina Maranci
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 306
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Book Description
The monuments of medieval Armenia have been interpreted variously over the centuries as Gothic, Byzantine, Iranian, and "Saracen". However, few scholars have offered satisfactory answers regarding their origins and relations to other architectural traditions. This study examines the scholarship on the subject in East and West and offers a persuasive explanation for the current scholarly impasse. Maranci highlights Josef Strzygowski (1865-1941), a prominent figure in the Vienna School of art history, who was closely allied to the pan-German movements of the early twentieth century. Using unpublished archival materials as well as Strzygowski's numerous publications, the author shows how the ideology of race and nation pervaded Strzygowski's theories of art, and how his ideas and persona have informed - and inhibited - subsequent generations of scholars. The concluding chapter outlines a revised study of Armenian architecture, moving from issues of architectural style to contextual inquiries of patronage and crosscultural exchange. As a detailed survey of medieval monuments and as a historiographical case study, the work addresses a broad audience: not just art historians but all readers interested in how ideology shapes our critical faculties. Christina Maranci received her Ph.D. from the department of Art and Archaeology at Princeton University for a dissertation on Armenian architecture. Recipient of Gulbenkian and Mellow Fellowships, she has taught Armenian and Byzantine art at the University of Chicago, the University of Michigan at Ann Arbor, and Boston University. She is currently a professor of medieval art at the University of Wisconsin, Milwaukee.
Author: Christina Maranci
Publisher: Brepols Publishers
ISBN: 9782503549002
Category : Architecture, Armenian
Languages : en
Pages : 0
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Book Description
This book opens to the reader the world of early medieval Armenia: its sacred landscapes, striking churches, and rich literary and religious traditions. Examination of three sculpted and inscribed monuments, produced during the global wars of the seventh century, demonstrates the close engagement of Armenia with Byzantine imperial interests and with contemporary events in the Holy Land. The dramatic context of the military frontier, and the apocalyptic expectations of its contemporaries, shaped a vibrant visual culture with ties to both the Byzantine and Sasanian worlds. The seventh-century monuments of Armenia are important not just as an extraordinary moment of local cultural production; they fill a crucial gap in our knowledge about the medieval traditions of the Christian East at a time from which little survives from Constantinople and the imperial heartland. East of Rome, North of Jerusalem is the first English-language book devoted to the subject.
Author: Dweezil Vandekerckhove
Publisher: BRILL
ISBN: 9004417419
Category : History
Languages : en
Pages : 282
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Book Description
In Medieval Fortifications in Cilicia Dweezil Vandekerckhove offers an account of the origins, development and spatial distribution of fortified sites in the Armenian Kingdom (1198-1375). Despite the abundance of archaeological remains, the Armenian heritage had previously not been closely studied. However, through the examination of known and newly identified castles, this work has now increased the number of sites and features associated with the Armenian Kingdom. By the construction of numerous powerful castles, the Armenians succeeded in establishing an independent kingdom, which lasted until the Mamluk conquest in 1375. Dweezil Vandekerckhove convincingly proves that the medieval castles in Cilicia are of outstanding architectural interest, with a significant place in the history of military architecture.
Author: Christina Maranci
Publisher:
ISBN: 0190269006
Category : Art
Languages : en
Pages : 273
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Book Description
The Art of Armenia offers a sweeping survey of the arts of Armenia from antiquity to the eighteenth century C.E., addressing a range of media including architecture, sculpture, works in metal, wood, and ivory, manuscript illumination, and ceramic arts.
Author: Zara Martirosova Torlone
Publisher: John Wiley & Sons
ISBN: 111883268X
Category : Literary Criticism
Languages : en
Pages : 687
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Book Description
A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity
Author: Robert Bevan
Publisher: Reaktion Books
ISBN: 1861896387
Category : History
Languages : en
Pages : 252
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Book Description
Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war.
Author: Alt?nöz, Meltem Özkan
Publisher: IGI Global
ISBN: 1799894401
Category : Social Science
Languages : en
Pages : 329
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Book Description
Cultures around the world have recently become more isolated and aggressive in defending their socio-cultural domain. However, throughout history, many civilizations have established extensive and long-term cultural ties with diverse cultural groups. Despite ideological schisms that emerged between civilizations from time to time, our hunger for cultural encounters and coexistence shines through. Cultural Encounters and Tolerance Through Analyses of Social and Artistic Evidences: From History to the Present sheds light on different histories and presents evidence of cultural encounters, coexistence, and acculturation. This publication presents cultural assets as more mobile than ideologies across boundaries as it can be more often seen in the cultural arena. Covering topics such as the effects of colonialism, geometrical forms, and architectural heritage, it serves as an essential resource for architects, art historians, cultural historians, students and professors of higher education, sociologists, anthropologists, researchers, and academicians.
Author:
Publisher: BRILL
ISBN: 9004400990
Category : History
Languages : fr
Pages : 483
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Book Description
This book is dedicated to an outstanding architectural monument of medieval Armenia – the church of the Holy Cross, built in the tenth century on the island of Ałt‘amar on Lake Van, and a UNESCO world heritage site. This jewel of architecture has been researched mainly from an art historical perspective. The current multi-author volume offers diverse studies aimed at placing the construction of the church in its proper historical, political, religious, and spiritual context. It explores the intellectual climate in the Kingdom of Vaspurakan during the reign of its founder, King Gagik Arcruni, the Kingdom’s relations with Byzantium and the Abbasids, analyzes local historiography, biblical exegesis, hagiography, veneration of the True Cross, and royal ideology. Novel interpretations of architectural features and sculptural decorations close the volume. Le livre est consacré à l'un des plus importants monuments architecturaux de l'Arménie médiévale, l'église de la Sainte-Croix construite au Xe siècle sur l'île d’Ałt‘amar sur le lac de Van. Elle est inscrite sur la liste du patrimoine mondial de l'UNESCO. Ce joyau de l'architecture arménienne a été étudié principalement dans la perspective de l’histoire de l’art. Le présent volume multi-auteurs propose une diversité d’approches qui placent la construction de cette église dans le contexte historique, politique, religieux et spirituel. Il étudie l’ambiance intellectuelle du Royaume du Vaspurakan durant le règne de son fondateur, le roi Gagik Arcruni, les relations du Royaume avec Byzance et les Abbassides, il analyse l’historiographie locale, l’exégèse biblique, l’hagiographie, le culte de la Vraie Croix et l’idéologie royale. De nouvelles interprétations des particularités architecturales et des décors sculptés achèvent le volume. Contributors are Krikor Bélédian, Jean-Claude Cheynet, Patrick Donabédian, Bernard Flusin, Tim Greenwood, Gohar Grigoryan, Armen Kazaryan, Davit Kertmenjyan, Sergio La Porta, Jean-Pierre Mahé, Zaroui Pogossian, Robert Thomson (†), Alison Vacca, Edda Vardanyan.
Author: Helen C. Evans
Publisher: Metropolitan Museum of Art
ISBN: 1588396606
Category : Art
Languages : ru
Pages : 360
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Book Description
At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Robert W. Edwards
Publisher: Genealogical Publishing Company
ISBN:
Category : Social Science
Languages : en
Pages : 636
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Book Description
