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Author: Jean Ann Givens
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652960
Category : History
Languages : en
Pages : 316
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Book Description
Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of visual and verbal communication in medieval medicine, pharmacy, and natural history. Analyzing images in works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, the essays ask: What counts as medical illustration in the Middle Ages? What purposes and audiences do these illustrations serve? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? Why do we regard some of these images as medieval productions while other exactly contemporary images strike us as typically early modern in character?
Author: C. S. Lewis
Publisher: Cambridge University Press
ISBN: 1107658926
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.
Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599
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Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 1606065904
Category : ART
Languages : en
Pages : 356
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Book Description
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Author: Chris Wickham
Publisher: Yale University Press
ISBN: 0300222211
Category : History
Languages : en
Pages : 495
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Book Description
A spirited history of the changes that transformed Europe during the 1,000-year span of the Middle Ages: “A dazzling race through a complex millennium.”—Publishers Weekly The millennium between the breakup of the western Roman Empire and the Reformation was a long and hugely transformative period—one not easily chronicled within the scope of a few hundred pages. Yet distinguished historian Chris Wickham has taken up the challenge in this landmark book, and he succeeds in producing the most riveting account of medieval Europe in a generation. Tracking the entire sweep of the Middle Ages across Europe, Wickham focuses on important changes century by century, including such pivotal crises and moments as the fall of the western Roman Empire, Charlemagne’s reforms, the feudal revolution, the challenge of heresy, the destruction of the Byzantine Empire, the rebuilding of late medieval states, and the appalling devastation of the Black Death. He provides illuminating vignettes that underscore how shifting social, economic, and political circumstances affected individual lives and international events—and offers both a new conception of Europe’s medieval period and a provocative revision of exactly how and why the Middle Ages matter. “Far-ranging, fluent, and thoughtful—of considerable interest to students of history writ large, and not just of Europe.”—Kirkus Reviews, (starred review) Includes maps and illustrations
Author: Alexander Nagel
Publisher: Thames and Hudson
ISBN: 9780500238974
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Rich collisions and fresh perspectives illuminate the profound continuities of thought and practice that have marked Western art through the ages This groundbreaking study offers a radical new reading of art since the Middle Ages. Moving across the familiar period lines set out in conventional histories, Alexander Nagel explores the deep connections between modern and premodern art to reveal the underlying patterns and ideas traversing centuries of artistic practice. In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism – serial production, site-specificity, collage, the readymade, and the questioning of the nature of art and authorship – were all features of earlier times before modernity, revived by recent generations. Nagel examines, among other things, the importance of medieval cathedrals to the 1920s Bauhaus movement, the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and early earthworks; and the similarities between the sacred relic and the modern readymade. Alongside the work of leading 20th-century medievalist writes such as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp, Kurt Schwitters, Robert Smithson, and Damien Hirst. The effect of these encounters goes in two directions at once: each age offers new insights into the other, deepening our understanding of both past and present, and providing a new set of reference points that reframe the history of art itself.
Author: Pavlina Cermanova
Publisher:
ISBN: 9782503594637
Category :
Languages : en
Pages : 325
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Book Description
This book provides a series of studies concerning unique medieval texts that can be defined as 'books of knowledge', such as medieval chronicles, bestiaries, or catechetic handbooks. Thus far, scholarship of intellectual history has focused on concepts of knowledge to describe a specific community, or to delimit intellectuals in society. However, the specific textual tool for the transmission of knowledge has been missing. Besides oral tradition, books and other written texts were the only sources of knowledge, and they were thus invaluable in efforts to receive or transfer knowledge. That is one reason why texts that proclaim to introduce a specific field of expertise or promise to present a summary of wisdom were so popular. These texts discussed cosmology, theology, philosophy, the natural sciences, history, and other fields. They often did so in an accessible way to maintain the potential to also attract a non-specialised public. The basic form was usually a narrative, chronologically or thematically structured, and clearly ordered to appeal to readers. Books of this kind could be disseminated in dozens or even hundreds of copies, and were often available (by translation or adaptation) in various languages, including the vernacular. In exploring these widely-disseminated and highly popular texts that offered a precise segment of knowledge that could be accessed by readers outside the intellectual and social elite, this volume intends to introduce books of knowledge as a new category within the study of medieval literacy.
Author: Jean Ann Givens
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652960
Category : History
Languages : en
Pages : 316
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Book Description
Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of visual and verbal communication in medieval medicine, pharmacy, and natural history. Analyzing images in works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, the essays ask: What counts as medical illustration in the Middle Ages? What purposes and audiences do these illustrations serve? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? Why do we regard some of these images as medieval productions while other exactly contemporary images strike us as typically early modern in character?
Author: Margaret Scott
Publisher: The Rosen Publishing Group, Inc
ISBN: 9780823939916
Category : Juvenile Nonfiction
Languages : en
Pages : 72
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Book Description
Examines the role of clothing in medieval society and discusses trends in clothing styles and the characteristic dress of different classes of people.
Author: Richard B. Donovan
Publisher: PIMS
ISBN: 9780888440044
Category : Literary Collections
Languages : en
Pages : 244
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Book Description
Author: Melitta Weiss Adamson
Publisher: Psychology Press
ISBN: 9780415929943
Category : Cookery
Languages : en
Pages : 280
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
