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Author: Louise Neilson
Publisher: Lulu.com
ISBN: 1300386355
Category : Self-Help
Languages : en
Pages : 283
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Book Description
From the only mediator in the US with a masters degree in creativity, "Mediating with Picasso" is part mediation text, part memoir, and a great read! You will come away from "Mediating with Picasso" convinced you are more creative than you probably think you are. Then, through real life examples, mediation 'war stories, ' quotable quotes, surveys and exercises found in the Workbook, Louise demonstrates how you can increase your creativity, then apply your inherent creativity when you need it most - in conflict situations.
Author: Louise Neilson
Publisher: Lulu.com
ISBN: 1300386355
Category : Self-Help
Languages : en
Pages : 283
Get Book Here
Book Description
From the only mediator in the US with a masters degree in creativity, "Mediating with Picasso" is part mediation text, part memoir, and a great read! You will come away from "Mediating with Picasso" convinced you are more creative than you probably think you are. Then, through real life examples, mediation 'war stories, ' quotable quotes, surveys and exercises found in the Workbook, Louise demonstrates how you can increase your creativity, then apply your inherent creativity when you need it most - in conflict situations.
Author: Brassaï
Publisher: University of Chicago Press
ISBN: 9780226071497
Category : Art
Languages : en
Pages : 416
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Book Description
"Read this book if you want to understand me."—Pablo Picasso Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Author:
Publisher: BRILL
ISBN: 9004372709
Category : History
Languages : en
Pages : 226
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Book Description
This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.
Author: Scott Selberg
Publisher: U of Minnesota Press
ISBN: 145296758X
Category : Social Science
Languages : en
Pages : 337
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Book Description
An exploration of the representational culture of Alzheimer’s disease and how media technologies shape our ideas of cognition and aging With no known cause or cure despite a century of research, Alzheimer’s disease is a true medical mystery. In Mediating Alzheimer’s, Scott Selberg examines the nature of this enduring national health crisis by looking at the disease’s relationship to media and representation. He shows how collective investments in different kinds of media have historically shaped how we understand, treat, and live with this disease. Selberg demonstrates how the cognitive abilities that Alzheimer’s threatens—memory, for example—are integrated into the operations of representational technologies, from Polaroid photographs to Post-its to digital artificial intelligence. Focusing on a wide variety of media technologies, such as neuroimaging, art therapy, virtual reality, and social media, he shows how these cognitively oriented media ultimately help define personhood for people with Alzheimer’s. Media have changed the practices of successful aging in the United States, and Selberg takes us deep into how technologies like digital brain-training and online care networks shape ideas of cognition and healthy aging. Packed with startlingly fresh insights, Mediating Alzheimer’s contributes to debates around bioethics, the labor of caregiving, and a national economy increasingly invested in communication and digital media. Probing the very technologies that promise to save and understand our brains, it gives us new ways of understanding Alzheimer’s disease and aging in America.
Author: Jonathan Harris
Publisher: John Wiley & Sons
ISBN: 1118316797
Category : Art
Languages : en
Pages : 362
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Book Description
THE UTOPIAN GLOBALISTS “Crossing continents, historical periods and cultural genres, Jonathan Harris skilfully traces the evolution of utopian ideals from early modernism to the spectacularised and biennialised (or banalised as some would say) contemporary art world of today.” Michael Asbury, University of the Arts, London The Utopian Globalists is the second in a trilogy of books by Jonathan Harris examining the contours, forces, materials and meanings of the global art world, along with its contexts of emergence since the early twentieth century. The first of the three studies, Globalization and Contemporary Art (Wiley-Blackwell, 2011), anatomized the global art system through an extensive anthology of over 30 essays contextualized through multiple thematic introductions. The final book in the series, Contemporary Art in a Globalized World (forthcoming, Wiley-Blackwell), combines the historical and contemporary perspectives of the first and second books in an account focused on the ‘mediatizations’ shaping and representing contemporary art and its circuits of global production, dissemination and consumption. This innovative and revealing history examines artists whose work embodies notions of revolution and human social transformation. The clearly structured historical narrative takes the reader on a cultural odyssey that begins with Vladimir Tatlin’s constructivist model for a ‘Monument to the Third International’ (1919), a statement of utopian globalist intent, via Picasso’s 1940s commitment to Soviet communism and John and Yoko’s Montreal ‘Bedin’, to what the author calls the ‘late globalism’ of the Unilever Series at London’s Tate Modern. The book maps the ways artists and their work engaged with, and offered commentary on, modern spectacle in both capitalist and socialist modernism, throughout the eras of the Russian Revolution, the Cold War and the increasingly globalized world of the past 20 years. In doing so, Harris explores the idea that the utopian -globalist lineage in art remains torn between its yearning for freedom and a deepening identification with spectacle as a media commodity to be traded and consumed.
Author: Robert S. Cohen
Publisher: Springer Science & Business Media
ISBN: 9401021155
Category : Science
Languages : en
Pages : 651
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Book Description
It is fitting that Professor Dirk Jan Struik be greeted with this melange of mathematical, scientific, historical, sociological and political essays. The authors are also appropriately varied: different countries, outlooks, religions, generations, and we suppose - of course we did not as- different politics too. Many more would have joined us, we know, but the good friends in this book make a fine and representative assembly of the intersection of two (mathematical!) classes: affectionately respect ful admirers of Dirk Struik, and the best thinkers of this troubled century. Struik has been among the most steadfast supporters of the Boston Colloquium for the Philosophy of Science, that discussion group which we have been holding at Boston University since 1960, but his luminous collaboration has been welcome, in Boston and Cambridge, for nearly five decades among mathematicians, physicists, philosophical and political thinkers, and especially among the students. It has not mattered whether they have been his own students or not, whether at M.LT. or elsewhere, whether scholars or dropouts, nature-lovers or book worms, anarchists or Republicans, Catholics or Unitarians, Communists or communists, prim or liberated. No doubt he has his preferences! But the main thing for Struik has been to educate and respect the other person.
Author: James V. Wertsch
Publisher: Fund. Infancia y Aprendizaje
ISBN: 9788488926029
Category : Communication
Languages : en
Pages : 212
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Book Description
Author: Thomas de Zengotita
Publisher: Bloomsbury Publishing USA
ISBN: 1596917644
Category : Social Science
Languages : en
Pages : 306
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Book Description
In this utterly original look at our modern "culture of performance," de Zengotita shows how media are creating self-reflective environments, custom made for each of us. From Princess Diana's funeral to the prospect of mass terror, from oral sex in the Oval Office to cowboy politics in distant lands, from high school cliques to marital therapy, from blogs to reality TV to the Weather Channel, Mediated takes us on an original and astonishing tour of every department of our media-saturated society. The implications are personal and far-reaching at the same time. Thomas de Zengotita is a contributing editor at Harper's Magazine and holds a Ph.D. in anthropology from Columbia University. He teaches at the Dalton School and at the Draper Graduate Program at New York University. "Reading Thomas de Zengotita's Mediated is like spending time with a wild, wired friend-the kind who keeps you up late and lures you outside of your comfort zone with a speed rap full of brilliant notions."-O magazine "A fine roar of a lecture about how the American mind is shaped by (too much) media...."-Washington Post "Deceptively colloquial, intellectually dense...This provocative, extreme and compelling work is a must-read for philosophers of every stripe."-Publishers Weekly
Author: Jennifer Wild
Publisher: Univ of California Press
ISBN: 0520340809
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.
