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Author: Christian Hübler
Publisher: Scheidegger and Spiess
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Media art is one of the most exciting experimental fields to emerge in contemporary art in recent years--and yet its innovations have been sparsely documented. Media Arts Zurich, the third yearbook published by the Department New Media at the newly founded Zurich University of the Arts, seeks to fill this gap, offering an illuminating overview of the Swiss media art scene of the past decade. This book examines the varying approaches, techniques, and strategies of acclaimed media artists as well as the public reception of their work. Accompanied by a companion DVD in PAL format and 400 lavish illustrations, this volume presents thirteen individual artists and groups in the context of their backgrounds, exhibitions, and the state of European media art. Two essays by art and media historians here position these Swiss media artists in the international art world and document the first ten years and visions for the future of the media art program at the Zurich University of the Arts and its predecessor, the School of Art and Design Zurich. Richly illustrated and deeply informed, Media Arts Zurich points the way to a new European avant-garde.
Author: Christian Hübler
Publisher: Scheidegger and Spiess
ISBN:
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
Media art is one of the most exciting experimental fields to emerge in contemporary art in recent years--and yet its innovations have been sparsely documented. Media Arts Zurich, the third yearbook published by the Department New Media at the newly founded Zurich University of the Arts, seeks to fill this gap, offering an illuminating overview of the Swiss media art scene of the past decade. This book examines the varying approaches, techniques, and strategies of acclaimed media artists as well as the public reception of their work. Accompanied by a companion DVD in PAL format and 400 lavish illustrations, this volume presents thirteen individual artists and groups in the context of their backgrounds, exhibitions, and the state of European media art. Two essays by art and media historians here position these Swiss media artists in the international art world and document the first ten years and visions for the future of the media art program at the Zurich University of the Arts and its predecessor, the School of Art and Design Zurich. Richly illustrated and deeply informed, Media Arts Zurich points the way to a new European avant-garde.
Author: Dominik Landwehr
Publisher: Christoph Merian Verlag
ISBN: 3856168648
Category : Art
Languages : en
Pages : 56
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Book Description
Noch nie in der Geschichte hat ein Medium Gesellschaft und Kultur so radikal verändert wie die Digitalisierung und das Internet. Die Entwicklung hat auch eine neue Kunstrichtung hervorgebracht: Die Medienkunst. Die Publikation folgt dieser explosionsartigen Entwicklung in der Schweiz seit Mitte der Neunzigerjahre. Sie thematisiert die wichtigsten künstlerischen Strategien - Sound und Video Art, Netzkunst, Hacking, Mashup und Remix, Do-it-yourself, Robotik und Maschinenkunst sowie rein konzeptionelle Ansätze - und die Rolle der Förderer, Festivals, Hochschulen und Ausstellungsräume. Der Schwerpunkt liegt auf Projekten und Künstlern, die von Migros-Kulturprozent seit 1998 gefördert wurden. Künstlerische Arbeiten werden diskutiert und deren oft international ausgezeichneten Protagonisten kommen zu Wort.
Author: Randy Adams
Publisher: Springer Science & Business Media
ISBN: 3540794867
Category : Computers
Languages : en
Pages : 499
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Book Description
This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), two parallel festivals of digital media art. The work represented in Transdisciplinary Digital Art is a confirmation of the vitality and breadth of the digital arts. Collecting essays that broadly encompass the digital arts, Transdisciplinary Digital Art gives a clear overview of the on-going strength of scientific, philosophical, aesthetic and artistic research that makes digital art perhaps the defining medium of the 21st Century.
Author: Hans-Peter Schwarz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
What does the actor Bruno Ganz have in common with photographer Olaf Breuning, or film director Andrea Staka with dancer Kusha Alexi? Along with designer Adrian Frutiger and musician Anne-Sophie Mutter, they all studied atZurich s legendary art schools. In August 2007, these institutions, which were previously separated by discipline, merged to form one of Europe s most multifaceted and significant art education centers, Zurich University of the Arts. To mark its founding, "ZHdK A Future for the Arts" recounts the history of the previous schools, examines the importance of their well-known alumni, and sets forth ambitious goals for the newly formed institution. Richly illustrated and accompanied by companion CD and DVD in PAL format, this volume traces the history of Swiss art education and features perspectives that span the entire curriculum. "ZHdK A Future for the Arts "is not just a portrait of a single university, but a rendering of Swiss cultural history of the past fifty years. "
Author: Alexiei Dingli
Publisher: Springer Nature
ISBN: 3030937801
Category : Technology & Engineering
Languages : en
Pages : 222
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Book Description
This book presents selected proceedings from two installments of the MAD Conference in 2020—MAD Blockchain 2020 and MAD Artificial Intelligence 2020. These events focused on applications of these novel technologies in media, arts and design. A number of researchers present their own projects and practical implementations of blockchain and AI in games, art, education and sustainable living, while other authors explore theoretical and ethical questions that these technologies bring into society. First and foremost, we recommend this book to aspiring scholars and practitioners who are also building new solutions using blockchain and AI. Besides, the book extends the existing scholarship on AI and blockchain and provides proven cases and tools for education in ICT. The conference has been organized by Danube-University Krems, Drexel University Philadelphia and University of Malta with support from the MIT Education Arcade, the Texas A&M LIVE Lab and University of Vaasa.
Author: Cat Hope
Publisher: Bloomsbury Publishing USA
ISBN: 1780933231
Category : Social Science
Languages : en
Pages : 282
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Book Description
Digital Arts presents an introduction to new media art through key debates and theories. The volume begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Considering the imperative of artists to adopt new technologies, the chapters of the book progressively present a study of the impact of the digital on art, as well as the exhibition, distribution and archiving of artworks. Alongside case studies that illustrate contemporary research in the fields of digital arts, reflections and questions provide opportunities for readers to explore relevant terms, theories and examples. Consistent with the other volumes in the New Media series, a bullet-point summary and a further reading section enhance the introductory focus of each chapter.
Author: Beryl Graham
Publisher: Routledge
ISBN: 1317088662
Category : Art
Languages : en
Pages : 254
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Book Description
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.
Author:
Publisher: BRILL
ISBN: 9004308237
Category : Language Arts & Disciplines
Languages : en
Pages : 401
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Book Description
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
Author: Hans-Peter Schwarz
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 202
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Book Description
Media - Art - History defines the position of multimedia art now. The catalogue section shows how mass media and new technologies have influenced art during the 19th and 20th centuries. Descriptions and interpretations of the works - supplemented by a CD-ROM - throw light on these new developments, ranging from the visions borne out by early Modernist artists, and the art forms in the 60s, to the present day.
Author: Desmond Bell
Publisher: Routledge
ISBN: 0429959419
Category : Social Science
Languages : en
Pages : 348
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Book Description
In Research in the Creative and Media Arts, Desmond Bell looks at contemporary art and design practice, arguing that research activity is now a vital part of the creative dynamic. Today, creative arts and media students are expected to develop a range of research competencies and critical capacities in their creative project work. This book plots the basis for a research culture in the creative and media arts. It provides an illuminating genealogy of artistic research, revealing the intimate connections between art and science over the centuries and identifying some of the founding figures of practice-based artistic research. Bell explores the research that artists undertake through a number of case studies, talking to a range of contemporary artists and media makers about their work and the role research plays in this. He also traces the dialogues between art practice and a range of other humanity disciplines, such as history, anthropology and critical theory. His analysis reveals how contemporary art practice is now so locked into a set of interlocutions about process and purpose that it increasingly resembles a research practice in and of itself. Research in the Creative and Media Arts is a comprehensive overview of the relationship between research and practice that is ideal for undergraduate and postgraduate students, as well as researchers in the fields of art and design, art history and visual culture.
