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Author: Omotayo O. Banjo
Publisher: Taylor & Francis
ISBN: 1351660195
Category : Social Science
Languages : en
Pages : 310
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Book Description
This volume gathers scholarship from varying disciplinary perspectives to explore media owned or created by members of the African diaspora, examine its relationship with diasporic audiences, and consider its impact on mainstream culture in general. Contributors highlight creations and contributions of people of the African diaspora, the interconnections of Black American and African-centered media, and the experiences of audiences and users across the African diaspora, positioning members of the Black and African Diaspora as subjects of their own narratives, active participants and creators. In so doing, this volume addresses issues of identity, culture, audiences, and global influence. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Omotayo O. Banjo
Publisher: Taylor & Francis
ISBN: 1351660195
Category : Social Science
Languages : en
Pages : 310
Get Book Here
Book Description
This volume gathers scholarship from varying disciplinary perspectives to explore media owned or created by members of the African diaspora, examine its relationship with diasporic audiences, and consider its impact on mainstream culture in general. Contributors highlight creations and contributions of people of the African diaspora, the interconnections of Black American and African-centered media, and the experiences of audiences and users across the African diaspora, positioning members of the Black and African Diaspora as subjects of their own narratives, active participants and creators. In so doing, this volume addresses issues of identity, culture, audiences, and global influence. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Catherine Squires
Publisher: Polity
ISBN: 0745640346
Category : Social Science
Languages : en
Pages : 321
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Book Description
From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.
Author: Jeffrey Blevins
Publisher:
ISBN: 9781138065482
Category :
Languages : en
Pages :
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Book Description
This volume gathers scholarship from varying disciplinary perspectives to explore media owned or created by members of the African diaspora, examine its relationship with diasporic audiences, and consider its impact on mainstream culture in general. Contributors highlight creations and contributions of people of the African diaspora, the interconnections of Black American and African-centered media, and the experiences of audiences and users across the African diaspora, positioning members of the Black and African Diaspora as subjects of their own narratives, active participants and creators. In so doing, this volume addresses issues of identity, culture, audiences, and global influence.
Author: Walter Greason
Publisher:
ISBN: 9781524951092
Category : History
Languages : en
Pages : 0
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Book Description
Whose images are being juxtaposed? What information is being conveyed? Which aesthetics are being valued? - Frances Gateward and John Jennings, ""The Blacker the Ink"" ""Afrofuturism is moving [toward] a more applied, theoretical, critical, and transdisciplinary approach"" - Reynaldo Anderson, ""Afrofuturism 2.0"" ""What is dark matter?"" - Sheree R. Thomas, ""Dark Matter"" Cities Imagined symbolizes the dynamic relationship between real and imagined spaces, subjects, and objects across disciplines. Forged from lifetimes of academic work that balanced critical insight with constant creativity, Julian Chambliss and Walter Greason document, analyze, and synthesize multiple traditions of critical analysis and aesthetic performance. In tracing the history of culture, identity, and structures over the twentieth century, Cities Imagined provides a framework to rethink modern history. From the emergence of the Booker T. Washington's ""Tuskegee Universe"" in the late nineteenth century through the trans-dimensional character of the comic book city and transpatial power of the Black Lives Matter moment, Cities Imagined offers a sequence of templates that will guide scholars, activists, architects, and theorists through processes of metropolitan creation in pursuit of equal justice for all people. Chambliss and Greason move their readers from the dreams of Booker T. Washington, Anna Julia Cooper, and Martin Luther King, Jr. through the recognition of Barack Obama, Kamala Harris, and Sonia Sotomayor as shapers of an uncharted future. How do dreams become real? The examination of spatial change though both literature and history provides a furnace and an anvil for the creation of Audre Lorde's new tools. Cities Imagined is the hammer we all need.
Author: Kevin Dawson
Publisher: University of Pennsylvania Press
ISBN: 0812224930
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
Kevin Dawson considers how enslaved Africans carried aquatic skills—swimming, diving, boat making, even surfing—to the Americas. Undercurrents of Power not only chronicles the experiences of enslaved maritime workers, but also traverses the waters of the Atlantic repeatedly to trace and untangle cultural and social traditions.
Author: Brianna Savage
Publisher:
ISBN:
Category : Communication
Languages : en
Pages : 0
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Book Description
This study aims to help fill the gap about the effect of social media on the Black African diaspora in the U.S. by researching how social media advertising affects consumer behavior within the Black co-cultures. Specifically, this study aims to look at how Twitter advertising affects the Black co-culture's intention to engage with the brand and intention to purchase the advertised product across diasporas. This study is an experimental research design that researches how language identified with the Black African diaspora in advertising used on Twitter affects the intention to click and purchase the advertised product. The findings indicated that when the Black African diaspora has more positive attitudes toward a Twitter ad they are more likely to engage with the sponsored ad. They are also more likely to purchase the sponsored product when their attitudes are highly positive toward a Twitter ad. Also, they are more likely to purchase the product when they engage with the advertisement. There were no significant differences found in the hypothesis that African American consumers who resonate with the AAVE style language will show higher positive attitudes toward the Twitter ad. Finally, the findings indicate that the hypothesis that the higher the ethnic identification of the audience with the culture, the higher the attitudes, engagement, and intention to purchase could only be partially supported.
Author: Manoucheka Celeste
Publisher: Routledge
ISBN: 1317431286
Category : Social Science
Languages : en
Pages : 173
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Book Description
Winner of the National Communication Association's 2018 Diamond Anniversary Book Award With the exception of slave narratives, there are few stories of black international migration in U.S. news and popular culture. This book is interested in stratified immigrant experiences, diverse black experiences, and the intersection of black and immigrant identities. Citizenship as it is commonly understood today in the public sphere is a legal issue, yet scholars have done much to move beyond this popular view and situate citizenship in the context of economic, social, and political positioning. The book shows that citizenship in all of its forms is often rhetorically, representationally, and legally negated by blackness and considers the ways that blackness, and representations of blackness, impact one’s ability to travel across national and social borders and become a citizen. This book is a story of citizenship and the ways that race, gender, and class shape national belonging, with Haiti, Cuba, and the United States as the primary sites of examination.
Author: Mel Bunce
Publisher: Routledge
ISBN: 1317334280
Category : Social Science
Languages : en
Pages : 259
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Book Description
Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture.
Author: Andoni Alonso
Publisher: University of Nevada Press
ISBN: 0874178169
Category : Political Science
Languages : en
Pages : 510
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Book Description
The explosion of digital information and communication technologies has influenced almost every aspect of contemporary life. Diasporas in the New Media Age is the first book-length examination of the social use of these technologies by emigrants and diasporas around the world. The eighteen original essays in the book explore the personal, familial, and social impact of modern communication technology on populations of European, Asian, African, Caribbean, Middle Eastern, and Latin American emigrants. It also looks at the role and transformation of such concepts as identity, nation, culture, and community in the era of information technology and economic globalization. The contributors, who represent a number of disciplines and national origins, also take a range of approaches—empirical, theoretical, and rhetorical—and combine case studies with thoughtful analysis. Diasporas in the New Media Age is both a discussion of the use of communication technologies by various emigrant groups and an engaging account of the immigrant experience in the contemporary world. It offers important insights into the ways that dispersed populations are using digital media to maintain ties with their families and homeland, and to create new communities that preserve their culture and reinforce their sense of identity. In addition, the book is a significant contribution to our understanding of the impact of technology on society in general.
Author: Timothy Havens
Publisher: NYU Press
ISBN: 0814760767
Category : Social Science
Languages : en
Pages : 228
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Book Description
“Black Television Travels provides a detailed and insightful view of the roots and routes of the televisual representations of blackness on the transnational media landscape. By following the circulation of black cultural products and their institutionalized discourses—including industry lore, taste cultures, and the multiple stories of black experiences that have and have not made it onto the small screen—Havens complicates discussions of racial representation and exposes possibilities for more expansive representations of blackness while recognizing the limitations of the seemingly liberatory spaces created by globalization.” —Bambi Haggins, Associate Professor of Film and Media Studies at Arizona State University “A major achievement that makes important contributions to the analysis of race, identity, global media, nation, and television production cultures. Discussions of race and television are too often constricted within national boundaries, yet this fantastic book offers a strong, compelling, and utterly refreshing corrective. Read it, assign it, use it.” —Jonathan Gray, author of Television Entertainment, Television Studies, and Show Sold Separately Black Television Travels explores the globalization of African American television and the way in which foreign markets, programming strategies, and viewer preferences have influenced portrayals of African Americans on the small screen. Television executives have been notoriously slow to recognize the potential popularity of black characters and themes, both at home and abroad. As American television brokers increasingly seek revenues abroad, their assumptions about saleability and audience perceptions directly influence the global circulation of these programs, as well as their content. Black Television Travels aims to reclaim the history of African American television circulation in an effort to correct and counteract this predominant industry lore. Based on interviews with television executives and programmers from around the world, as well as producers in the United States, Havens traces the shift from an era when national television networks often blocked African American television from traveling abroad to the transnational, post-network era of today. While globalization has helped to expand diversity in African American television, particularly in regard to genre, it has also resulted in restrictions, such as in the limited portrayal of African American women in favor of attracting young male demographics across racial and national boundaries. Havens underscores the importance of examining boardroom politics as part of racial discourse in the late modern era, when transnational cultural industries like television are the primary sources for dominant representations of blackness.
