Author: John Makujina
Publisher: Religious Affections Ministries
ISBN: 9780982458266
Category : Religion
Languages : en
Pages : 372
Book Description
Though the acceptance of popular culture (and in the case of music, pop music) within the Christian church is now an established fact, its very normality across the face of virtually every variety of Christian theological persuasion is telling. In a climate of extreme multi-culturalism, pluralism, and relativism satiated with the notion that music is value-neutral and worldview-free, church music has been cut off from history, tradition, theology, aesthetic norms, and ultimately the Word. The result has been a breakdown of church music standards along with a collateral weakening in other areas of life as well.
Measuring the Music: Another Look at the Contemporary Christian Music Debate
Author: John Makujina
Publisher: Religious Affections Ministries
ISBN: 9780982458266
Category : Religion
Languages : en
Pages : 372
Book Description
Though the acceptance of popular culture (and in the case of music, pop music) within the Christian church is now an established fact, its very normality across the face of virtually every variety of Christian theological persuasion is telling. In a climate of extreme multi-culturalism, pluralism, and relativism satiated with the notion that music is value-neutral and worldview-free, church music has been cut off from history, tradition, theology, aesthetic norms, and ultimately the Word. The result has been a breakdown of church music standards along with a collateral weakening in other areas of life as well.
Publisher: Religious Affections Ministries
ISBN: 9780982458266
Category : Religion
Languages : en
Pages : 372
Book Description
Though the acceptance of popular culture (and in the case of music, pop music) within the Christian church is now an established fact, its very normality across the face of virtually every variety of Christian theological persuasion is telling. In a climate of extreme multi-culturalism, pluralism, and relativism satiated with the notion that music is value-neutral and worldview-free, church music has been cut off from history, tradition, theology, aesthetic norms, and ultimately the Word. The result has been a breakdown of church music standards along with a collateral weakening in other areas of life as well.
Can Music Make You Sick?
Author: Sally Anne Gross
Publisher: University of Westminster Press
ISBN: 1912656612
Category : Music
Languages : en
Pages : 200
Book Description
“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author). “Singing is crying for grown-ups. To create great songs or play them with meaning music's creators reach far into emotion and fragility seeking the communion we demand of it. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamorising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy). It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions. Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings will be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.
Publisher: University of Westminster Press
ISBN: 1912656612
Category : Music
Languages : en
Pages : 200
Book Description
“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author). “Singing is crying for grown-ups. To create great songs or play them with meaning music's creators reach far into emotion and fragility seeking the communion we demand of it. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamorising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy). It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions. Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings will be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.
Rating Scales and Their Uses for Measuring and Evaluating Achievement in Music Performance
Author: Edwin Gordon
Publisher: GIA Publications
ISBN: 9781579991685
Category : Music
Languages : en
Pages : 60
Book Description
Publisher: GIA Publications
ISBN: 9781579991685
Category : Music
Languages : en
Pages : 60
Book Description
Assessing Music Performance
Author: Kevin McNulty, Sr.
Publisher:
ISBN: 9780989796583
Category :
Languages : en
Pages :
Book Description
In ¿Assessing Music Performance¿A Valid System for Measuring Student Achievement and Growth,¿ Kevin McNulty, Sr. brings together his many years teaching band and orchestra and his professional judging career that spans over forty years. This breakthrough work gives instrumental and choral directors a solid philosophical basis for assessing performance students, using a performance-based system as the primary means of grading rather than systems used on other subjects, including general music. McNulty contends that only way to accurately measure the desired outcomes of music performance is through the prism of a music-performance teacher¿s background and experience as a musician, and not simply against a list of criteria or an extraneous written exam. Furthermore, while other disciplines in schools use rating almost exclusively, his system supports the notion that rating and ranking are required in music performance evaluation. Ranking not only establishes program standards but also provides distinction, fine-tunes teacher tolerance, provides data for seating and ensemble placement, allows for program measurement, and facilitates the escalation of performance standards year-to-year. ¿Assessing Music Performance¿A Valid System for Measuring Student Achievement and Growth¿ is a ¿must have¿ for all music directors seeking a valid way to grade students and answer the call for all subjects to measure what they teach.
Publisher:
ISBN: 9780989796583
Category :
Languages : en
Pages :
Book Description
In ¿Assessing Music Performance¿A Valid System for Measuring Student Achievement and Growth,¿ Kevin McNulty, Sr. brings together his many years teaching band and orchestra and his professional judging career that spans over forty years. This breakthrough work gives instrumental and choral directors a solid philosophical basis for assessing performance students, using a performance-based system as the primary means of grading rather than systems used on other subjects, including general music. McNulty contends that only way to accurately measure the desired outcomes of music performance is through the prism of a music-performance teacher¿s background and experience as a musician, and not simply against a list of criteria or an extraneous written exam. Furthermore, while other disciplines in schools use rating almost exclusively, his system supports the notion that rating and ranking are required in music performance evaluation. Ranking not only establishes program standards but also provides distinction, fine-tunes teacher tolerance, provides data for seating and ensemble placement, allows for program measurement, and facilitates the escalation of performance standards year-to-year. ¿Assessing Music Performance¿A Valid System for Measuring Student Achievement and Growth¿ is a ¿must have¿ for all music directors seeking a valid way to grade students and answer the call for all subjects to measure what they teach.
Measured Tones
Author: Ian Johnston
Publisher: CRC Press
ISBN: 1439894671
Category : Mathematics
Languages : en
Pages : 423
Book Description
Most books concerned with physics and music take an approach that puts physical theory before application. Consequently, these works tend to dampen aesthetic fascination with preludes burdened by an overabundance of algebraic formulae. In Measured Tones: The Interplay of Physics and Music Third Edition, Ian Johnston a professor of astrophysics and
Publisher: CRC Press
ISBN: 1439894671
Category : Mathematics
Languages : en
Pages : 423
Book Description
Most books concerned with physics and music take an approach that puts physical theory before application. Consequently, these works tend to dampen aesthetic fascination with preludes burdened by an overabundance of algebraic formulae. In Measured Tones: The Interplay of Physics and Music Third Edition, Ian Johnston a professor of astrophysics and
Measuring Penny
Author:
Publisher: Macmillan
ISBN: 9780805065725
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Lisa's homework assignment is to measure something. The fun begins when she decides to measure her dog, Penny.
Publisher: Macmillan
ISBN: 9780805065725
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Lisa's homework assignment is to measure something. The fun begins when she decides to measure her dog, Penny.
The Cambridge History of Fifteenth-Century Music
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Beating Time and Measuring Music in the Early Modern Era
Author: Roger Mathew Grant
Publisher: Oxford University Press
ISBN: 0199367299
Category : Music
Languages : en
Pages : 329
Book Description
Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.
Publisher: Oxford University Press
ISBN: 0199367299
Category : Music
Languages : en
Pages : 329
Book Description
Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.
How to Measure Anything
Author: Douglas W. Hubbard
Publisher: John Wiley & Sons
ISBN: 0470110120
Category : Business & Economics
Languages : en
Pages : 305
Book Description
Publisher Description
Publisher: John Wiley & Sons
ISBN: 0470110120
Category : Business & Economics
Languages : en
Pages : 305
Book Description
Publisher Description
Measuring the Performance of Human Service Programs
Author: Lawrence L. Martin
Publisher: SAGE
ISBN: 141297061X
Category : Political Science
Languages : en
Pages : 161
Book Description
Government and nongovernmental human service organizations are under increasing pressure to demonstrate that their programs work. As stakeholders demand more accountability, human service organizations are increasingly utilizing performance accountability and performance measurement as a way of demonstrating the efficiency, quality, and effectiveness of their programs. Measuring the Performance of Human Service Programs, Second Edition examines the reasons why performance measurement has become the major method of performance accountability today. In this second edition of their classic work, Martin & Kettner explain in detail how to develop and utilize output, quality, and outcome performance measures in human service programs. Special attention is given to the four types of outcome performance measures: numeric counts, standardized measures, level of functioning (LOF) scales and client satisfaction.
Publisher: SAGE
ISBN: 141297061X
Category : Political Science
Languages : en
Pages : 161
Book Description
Government and nongovernmental human service organizations are under increasing pressure to demonstrate that their programs work. As stakeholders demand more accountability, human service organizations are increasingly utilizing performance accountability and performance measurement as a way of demonstrating the efficiency, quality, and effectiveness of their programs. Measuring the Performance of Human Service Programs, Second Edition examines the reasons why performance measurement has become the major method of performance accountability today. In this second edition of their classic work, Martin & Kettner explain in detail how to develop and utilize output, quality, and outcome performance measures in human service programs. Special attention is given to the four types of outcome performance measures: numeric counts, standardized measures, level of functioning (LOF) scales and client satisfaction.