Author: Vivienne Stone
Publisher:
ISBN: 9780473547080
Category : Historic house museums
Languages : en
Pages : 94

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Book Description

Author: Jonathan Wilkinson
Publisher: Oxford University Press (UK)
ISBN: 0199563098
Category : Medical
Languages : en
Pages : 785

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Book Description
This Oxford Specialist Handbook provides an easily accessible, informative, and palatable guide to the often complex subject of thoracic anaesthesia. The text is sub-divided into basic sciences, pre-operative assessment, diagnostic procedures, and an anaesthetist's walk-through of key thoracic surgical procedures.

Author: Rex Butler
Publisher:
ISBN: 9781922464750
Category :
Languages : en
Pages : 200

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Book Description
Perhaps at the origin of all thinking about culture lies the question of the afterlife. The artist makes their work hoping that it will live on after their death. The critic reads or looks at the work wondering whether a future audience will engage with it. Victory over Death: The Art of Colin McCahon takes up this question of the afterlife of the work of art by looking at the work of the New Zealand painter Colin McCahon, who is often described as one of the most important Australasian artists of the twentieth century. Imagine for a moment being a great artist in faraway and culturally marginal New Zealand in the 1950s. The audience for your work does not yet exist. You are destined to die unknown. So, what does McCahon do? He makes work -- as do all the artists we remember -- for a future audience. It is they who will grant him eternal life. It is they who will allow him to live on. In this, as McCahon well knew, he was like Jesus, who similarly lives on through his Apostles. And this act of religious transmission increasingly becomes the real subject of McCahon's work. Just as he becomes an Apostle of Christ, so we become Apostles of McCahon. And in so doing, McCahon tells us something profound about art, whose truth would lie not so much in what it tells us as in its act of telling. McCahon's Victory over death 2 (1970), a huge black and white painting featuring the words 'I AM' and evocative of the cloudy mountains of New Zealand, is now in the National Gallery of Australia, where it and Jackson Pollock's Blue Poles (1952) are regarded as the two most significant works in the collection. It is a painting about the resurrection of Christ, but every time someone stands before the painting and looks at it is also McCahon who is granted a certain 'victory over death'. Victory over Death: The Art of Colin McCahon seeks to speak of this small miracle of art and the particular life or even afterlife it grants both the artist and their audience.

Author: Zoe Alderton
Publisher: Cambridge Scholars Publishing
ISBN: 1443875937
Category : Art
Languages : en
Pages : 395

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Book Description
The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand’s premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon’s religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist’s body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy. More broadly, The Spirit of Colin McCahon outlines a model of analysis for the intersection of art and religion, and the place of images as rhetorical devices within Antipodean culture. The emerging field of religion and visual culture is important not only to students of New Zealand art history, but also to a growing field of appreciation for the communicative power of images. This book provides a helpful model for examining art and literature as social and religious tools, and advances the importance of visual rhetoric within studies of art and social expression.

Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1792

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Book Description

Author: Bridget Hackshaw
Publisher:
ISBN: 9780995143111
Category : Architecture
Languages : en
Pages : 240

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Book Description
A beautiful and important book about the remarkable collaboration between the modernist architect James Hackshaw (a member of the famous Group Architects), the painter Colin McCahon and the then young sculptor Paul Dibble on twelve New Zealand buildings -- from churches to houses. Drawing on interviews with James Hackshaw before his death and on the McCahon archives, this book brings into the light a body of work and a collaboration that has been little known or examined, even by old McCahon hands. Richly illustrated with Hackshaw's plans, McCahon's drawings, letters and journal entries, and contemporary images of the surviving buildings and artworks, expert essays by Peter Simpson, Julia Gatley, Christopher Dudman, Peter Shaw and Alexa Johnston complete the package.

Author: Christopher Jon Sprigman
Publisher: Lulu.com
ISBN: 1892628023
Category : Law
Languages : en
Pages : 203

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Book Description
This public domain book is an open and compatible implementation of the Uniform System of Citation.

Author: Carolyn Meyer
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152061944
Category : Juvenile Fiction
Languages : en
Pages : 344

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Book Description
Just in time for Charles Darwin's 200th birthday and the 150th anniversary of the publication of "On the Origin of Species," Meyer tells the story of his restless childhood, unrequited teenage love, and a passion for studying nature that was so great, Darwin would sacrifice everything to pursue it.

Author: Jean-Louis Quantin
Publisher: OUP Oxford
ISBN: 0191565342
Category : History
Languages : en
Pages : 525

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Book Description
Today, the statement that Anglicans are fond of the Fathers and keen on patristic studies looks like a platitude. Like many platitudes, it is much less obvious than one might think. Indeed, it has a long and complex history. Jean-Louis Quantin shows how, between the Reformation and the last years of the Restoration, the rationale behind the Church of England's reliance on the Fathers as authorities on doctrinal controversies, changed significantly. Elizabethan divines, exactly like their Reformed counterparts on the Continent, used the Church Fathers to vindicate the Reformation from Roman Catholic charges of novelty, but firmly rejected the authority of tradition. They stressed that, on all questions controverted, there was simply no consensus of the Fathers. Beginning with the 'avant-garde conformists' of early Stuart England, the reference to antiquity became more and more prominent in the construction of a new confessional identity, in contradistinction both to Rome and to Continental Protestants, which, by 1680, may fairly be called 'Anglican'. English divines now gave to patristics the very highest of missions. In that late age of Christianity - so the idea ran - now that charisms had been withdrawn and miracles had ceased, the exploration of ancient texts was the only reliable route to truth. As the identity of the Church of England was thus redefined, its past was reinvented. This appeal to the Fathers boosted the self-confidence of the English clergy and helped them to surmount the crises of the 1650s and 1680s. But it also undermined the orthodoxy that it was supposed to support.

Author: Christopher Johnstone
Publisher: Godwit
ISBN: 9781869621803
Category : Landscape painters
Languages : en
Pages : 312

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Book Description
With 135 paintings from early colonial art to the work of contemporary painters, this book is a must-have for every lover of New Zealand and its art. When Landscape Paintings of New Zealand A Journey from North To South was published in 2006 it was hailed by a reviewer thus: 'This is New Zealand art history made accessible, yet still full of scholarship and insight.' Gallery director Dr Fiona Ciaran wrote that 'the book is a cracker that has something for everyone' -concluding that is was 'simply a magnificent landmark in publishing itself'. And now this acclaimed book is back, with 32 new paintings joining the 103 of the original edition. It is studded with arresting works by well-known artists such as Colin McCahon, Peter Sidddell, Dick Frizzell, Doris Lusk, Rita Angus, John Gully, and many many more famous names from New Zealand art history. In addition, the book offers an opportunity for readers to acquaint themselves with lesser known (these days at least) painters such as Archibald Nicholl, Max Walker, Cedric Savage and Douglas MacDiarmid. With its biographical notes on each artist, extensive bibliography, fascinating insights into social history and art history, and with a beautiful new design and very high production values, this book is a must-have for every book shelf and coffee table. Indeed, in 2013 the Times Literary Supplement included it in its 'books of the year' list.