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Author: Margaret Atack
Publisher: Oxford University Press, USA
ISBN: 9780198715153
Category : Fiction
Languages : en
Pages : 196
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Book Description
The uprising of May 1968, during which tanks rolled onto the streets of Paris, was a radically defining moment in French intellectual life. It signalled the rise of 'new wave' cinema and the arrival of the 'post structuralist' literary-philosophy of Derrida, Foucault, and others. This is the first book-length study of May '68 in French fiction and film.
Author: Margaret Atack
Publisher: Oxford University Press, USA
ISBN: 9780198715153
Category : Fiction
Languages : en
Pages : 196
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Book Description
The uprising of May 1968, during which tanks rolled onto the streets of Paris, was a radically defining moment in French intellectual life. It signalled the rise of 'new wave' cinema and the arrival of the 'post structuralist' literary-philosophy of Derrida, Foucault, and others. This is the first book-length study of May '68 in French fiction and film.
Author: Richard Wolin
Publisher: Princeton University Press
ISBN: 0691178232
Category : History
Languages : en
Pages : 442
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Book Description
How Maoism captured the imagination of French intellectuals during the 1960s Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who’s who of French thinkers, writers, and artists, spurred by China’s Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin’s riveting narrative reveals that Maoism’s allure among France’s best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
Author: Diana Holmes
Publisher: OUP Oxford
ISBN: 0191514365
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women's innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women's lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women's popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or 'middlebrow' as well as 'high' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through 'middlebrow' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.
Author: Guy Austin
Publisher: Manchester University Press
ISBN: 1526162911
Category : Performing Arts
Languages : en
Pages : 413
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Book Description
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
Author: Christine Henseler
Publisher: Routledge
ISBN: 1136230327
Category : Social Science
Languages : en
Pages : 374
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Book Description
This edited volume is the first book of its kind to engage critics’ understanding of Generation X as a global phenomenon. Citing case studies from around the world, the research collected here broadens the picture of Generation X as a demographic and a worldview. The book traces the global and local flows that determine the identity of each country’s youth from the 1970s to today. Bringing together twenty scholars working on fifteen different countries and residing in eight different nations, this book present a community of diverse disciplinary voices. Contributors explore the converging properties of "Generation X" through the fields of literature, media studies, youth culture, popular culture, sociology, philosophy, feminism, and political science. Their ideas also enter into conversation with fourteen other "textbox" contributors who address the question of "Who is Generation X" in other countries. Taken together, they present a highly interactive and open book format whose conversations extend to the reading public on the website www.generationxgoesglobal.com.
Author: Jacob Leigh
Publisher: Bloomsbury Publishing USA
ISBN: 1441168370
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
Since the death of the French film director Eric Rohmer in 2010, interest in his work has reignited. Known as the last of the established directors in the French New Wave, Rohmer took complete control over all his films, acting as his own producer throughout his career, and writing the scripts. He also made his mark by taking the lead in casting and location scouting - as French seaside resorts with beautiful young people are some of the elements present in most of his films. Combining history and criticism, Jacob Leigh pens the first chronological survey of this understudied filmmaker in order to give readers clear insights into how Rohmer's films came about and what he intended them to be. The book provides in-depth analysis of the themes and ideas of Rohmer's twenty-three feature films, and illustrates the complexity of their cinematic style. Leigh's study is the perfect introduction to the work of this great filmmaker, for both students and the general reader.
Author: Jennifer L. Sweatman
Publisher: Lexington Books
ISBN: 0739179667
Category : History
Languages : en
Pages : 227
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Book Description
The Risky Business of French Feminism: Publishing, Politics, and Artistry examines the institutional history of the publishing house Editions des Femmes as well as its relationship to the French Women’s Liberation Movement (MLF) from 1972 to the present. The founding and subsequent success of Editions des Femmes in the publishing milieu intensified the ideological divisions within the MLF and highlighted the extent to which that movement failed to adequately reflect on the power inherent in its recourse to print culture as an agent of change. In particular, Editions des Femmes produced several periodical publications and pioneered a woman-centered subculture that attached militant political meanings to the practice of buying and publishing books. While the MLF succeeded in changing legislation detrimental to women, it was not able to create unified cultural politics or construct a long-term media strategy that could preserve the movement’s original ideals and unity. Jennifer L. Sweatman explores the long-term dissipation of the MLF as a unified force not only as an outcome of ideological disagreement, but also due to conflicting views on culture, women’s creativity as a strategy for empowerment, and the utility of media for creating change. As the MLF fragmented, unable to fully come to terms with its various consumer identities, its need for capital to support creative projects, and its difficult experience with collective decision-making, the Editions des Femmes’ project was seen as incredibly controversial. However, Editions des Femmes embodied a broader strategy for cultural transformation that privileged women’s creative works rather than feminism, situating it as a successful forerunner of the revitalization of the publishing industry from below as small, independent houses challenged the large, media conglomerate control of the industry.
Author: Kristin Ross
Publisher: MIT Press
ISBN: 9780262680912
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Fast Cars, Clean Bodies examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts—automobiles, washing machines, women's magazines, film, popular fiction, even structuralism—as well as in the practices that shape, determine, and delimit their uses. In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France. Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of "end of history" ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize "everyday life," laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.
Author: Diana Holmes
Publisher: Routledge
ISBN: 1351192574
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
"Women, Genre and Circumstance brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. Drawing on a wide range of 19th and 20th century texts novels, short stories and films they interrogate the relationship between womens situation and writing practice, and representations of history, memory, love, old age; they pursue questions of narrative form and its meanings, particularly the distinctive features of the short story. The politics of feminist criticism and careful attention to the operations of narrative combine in a sustained exploration of the aesthetics and ethics of fictional practices, and their role in the negotiation of gender and circumstance. The essays were written as tributes to the leading feminist scholar Elizabeth Fallaize. The contributors are Margaret Atack, Colin Davis, Suzanne Dow, Alison Finch, Diana Holmes, Diana Knight, Michele Le Doeuff, Toril Moi, Gill Rye, Judith Still, and Ursula Tidd."
Author: Melissa Oliver-Powell
Publisher: Berghahn Books
ISBN: 1800736924
Category : Social Science
Languages : en
Pages : 287
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Book Description
The 1960s was a decade of massive political and cultural change in Western Europe, as seismic shifts took place in in attitudes towards sexuality, gender, and motherhood in everyday life. Through case studies of British and French films, Pepsi and the Pill offers a fresh vision of a pivotal moment in European culture, exploring the many ways in which political activity and celebrated film movements mutually shaped each other in their views on gender, sexuality, and domesticity. As the specter of popular nationalism once again looms across Europe, this book offers a timely account of the legacy of crucial debates over issues including reproductive rights, migration, and reproductive nationalism at the intersection of political discourse, protest, and film.
