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Author: Alan Larson Williams
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Alan Larson Williams
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Alan Larson Williams
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 169
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Book Description
Author: Alan Larson Williams
Publisher:
ISBN:
Category : Motion picture plays, American
Languages : en
Pages : 169
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Book Description
Author: Alan Larson Williams
Publisher:
ISBN:
Category :
Languages : en
Pages : 157
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Book Description
Author: Susan M. White
Publisher: Columbia University Press
ISBN: 0231101139
Category : Performing Arts
Languages : en
Pages : 422
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Book Description
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
Author: Alan Larson Williams
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
Author: Kate McQuiston
Publisher: Oxford University Press
ISBN: 0199767653
Category : Music
Languages : en
Pages : 250
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Book Description
Unique and often startling encounters between music and the moving image in the films of Stanley Kubrick are trademarks of his style; witness the powerful effects of Strauss's "Also Sprach Zarathustra" in 2001: A Space Odyssey and of Beethoven's 9th Symphony in A Clockwork Orange, each excerpt vetted by Kubrick himself. We'll Meet Again argues that, for Kubrick, music is neither post-production afterthought nor background nor incidental, but instead is core to films' effects and meanings. The book first identifies the building blocks in Kubrick's sonic world and illuminates the ways in which Kubrick uses them to support his characters and to define character relationships. It then delves into the effects of Kubrick's signature musical techniques, including the use of texture, form, and inscription to render and reinforce psychological ideas and spectator responses. Finally it presents case studies that show how the history of the music plays a vital and dynamic role for the films. As a whole, the book locates Kubrick as a force in music reception history by examining the relationship between his musical choices and popular culture, and reveals the foundational role of music in his filmmaking.
Author: James Naremore
Publisher: Bloomsbury Publishing
ISBN: 1839022361
Category : Performing Arts
Languages : en
Pages : 105
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Book Description
James Naremore's study of Max Ophuls' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film's many contributors--among them Viennese author Stephan Zweig, whose 1922 novella was the source of the picture; producer John Houseman, an ally of Ophuls who nevertheless made questionable changes to what Ophuls had shot; screenwriter Howard Koch; music composer Daniéle Amfitheatrof; designers Alexander Golitzen and Travis Banton; and leading actors Joan Fontaine and Louis Jourdan, whose performances were central to the film's emotional effect. Naremore also traces the film's reception history, from its middling box office success and mixed early reviews, exploring why it has been a work of exceptional interest to subsequent generations of both aesthetic critics and feminist theorists. Lastly, Naremore provides an in-depth critical appreciation of the film, offering nuanced appreciation of specific details of mise-en-scene, camera movement, design, sound, and performances, integrating this close analyses into an overarching analysis of Letter's “recognition plot;” a trope in which the recognition of a character's identity creates dramatic intensity or crisis. Naremore argues that Letter's use of recognition is one of the most powerful in Hollywood cinema, and contrasts it with what we find in Zweig's novella.
Author: Eric Rentschler
Publisher: Routledge
ISBN: 1136368809
Category : Social Science
Languages : en
Pages : 440
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Book Description
First Published in 1986. This collection of essays by an international team of scholars is the first sustained investigation in any language of the historical interactions between German film and literature. It is a book about adaptations and transformations, about why filmmakers adapt certain material at certain times. The major impetus at work is the desire to expand the field of adaptation study to include sociological, theoretical and historical dimensions, and to bring a livelier regard for intertextuality to the studies of German film and literature. It is concerned with the ways in which filmmakers in Germany- from Pabst and von Sternberg to Fassbinder, Herzog and Sanders-Brahms- have engaged and been engaged by, literary history.
Author: Tanya Krzywinska
Publisher: Wallflower Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
'Sex And The Cinema' traces the numerous factors and contexts - artistic, institutional, political and socio-culture - that have shaped the way that sex appears in film.
