Maupassant Criticism in France, 1800-1940 PDF Download
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Author: Artine Artinian
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Author: Artine Artinian
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Artine Artinian
Publisher: New York : Russell & Russell
ISBN:
Category : Literary Criticism
Languages : en
Pages : 254
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Author: Artine Artinian
Publisher:
ISBN:
Category : Maupassant, Guy De, 1850-1893
Languages : en
Pages : 228
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Book Description
![Maupassant Criticism in France, 1880 1940. With an Inquiry Into His Present Fame and a Bibliography, Etc. [A Thesis.]. PDF](https://books.google.com/books/content/images/frontcover/IAfsMgEACAAJ?fife=w80-h100)
Author: Artine ARTINIAN
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Author: Guy de Maupassant
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 234
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INTRODUCTION Born in the middle year of the nineteenth century, and fated unfortunately never to see its close, Guy de Maupassant was probably the most versatile and brilliant among the galaxy of novelists who enriched French literature between the years 1800 and 1900. Poetry, drama, prose of short and sustained effort, and volumes of travel and description, each sparkling with the same minuteness of detail and brilliancy of style, flowed from his pen during the twelve years of his literary life. Although his genius asserted itself in youth, he had the patience of the true artist, spending his early manhood in cutting and polishing the facets of his genius under the stern though paternal mentorship of Gustave Flaubert. Not until he had attained the age of thirty did he venture on publication, challenging criticism for the first time with a volume of poems. Many and various have been the judgments passed upon Maupassant's work. But now that the perspective of time is lengthening, enabling us to form a more deliberate and therefore a juster, view of his complete achievement, we are driven irresistibly to the conclusion that the force that shaped and swayed Maupassant's prose writings was the conviction that in life there could be no phase so noble or so mean, so honorable or so contemptible, so lofty or so low as to be unworthy of chronicling,—no groove of human virtue or fault, success or failure, wisdom or folly that did not possess its own peculiar psychological aspect and therefore demanded analysis. To this analysis Maupassant brought a facile and dramatic pen, a penetration as searching as a probe, and a power of psychological vision that in its minute detail, now pathetic, now ironical, in its merciless revelation of the hidden springs of the human heart, whether of aristocrat, bourgeois, peasant, or priest, allow one to call him a Meissonier in words. The school of romantic realism which was founded by Mérimée and Balzac found its culmination in De Maupassant. He surpassed his mentor, Flaubert, in the breadth and vividness of his work, and one of the greatest of modern French critics has recorded the deliberate opinion, that of all Taine's pupils Maupassant had the greatest command of language and the most finished and incisive style. Robust in imagination and fired with natural passion, his psychological curiosity kept him true to human nature, while at the same time his mental eye, when fixed upon the most ordinary phases of human conduct, could see some new motive or aspect of things hitherto unnoticed by the careless crowd. It has been said by casual critics that Maupassant lacked one quality indispensable to the production of truly artistic work, viz.: an absolutely normal, that is, moral, point of view. The answer to this criticism is obvious. No dissector of the gamut of human passion and folly in all its tones could present aught that could be called new, if ungifted with a view-point totally out of the ordinary plane. Cold and merciless in the use of this point de vue De Maupassant undoubtedly is, especially in such vivid depictions of love, both physical and maternal, as we find in "L'histoire d'une fille de ferme" and "La femme de Paul." But then the surgeon's scalpel never hesitates at giving pain, and pain is often the road to health and ease. Some of Maupassant's short stories are sermons more forcible than any moral dissertation could ever be.
Author: James Smith Allen
Publisher: Princeton University Press
ISBN: 1400862310
Category : History
Languages : en
Pages : 373
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Book Description
Robert Darnton, Roger Chartier, and others have written much on the history of reading in the Old Regime, but this is the first broad study of reading to focus on the period after 1800. How and why did people understand texts as they did in modern France? In answering this question, James Allen moves easily from one interpretive framework to another and draws on a wide range of sources--novels, diaries, censor reports, critical reviews, artistic images, accounts of public and private readings, and the letters that readers sent to authors about their books. As he analyzes reading "in the public eye," the author explores the formation of "interpretive communities" during the years when reading silently and alone gradually became more common than reading aloud in a group. In the Public Eye discusses printing, publishing, literacy, schooling, criticism, and censorship, to study the social, cultural, economic, and political forces that shaped French interpretive practice. Examining the art and act of reading by different audiences, it discloses the mentalities of literate people for whom few other historical records exist. The book will be essential reading for those interested in modern French history, post-structuralist literary theory and criticism, reader-response theory and criticism, and social and intellectual history in general. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Guy de Maupassant
Publisher: Tacet Books
ISBN: 3967243974
Category : Literary Collections
Languages : en
Pages : 375
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Book Description
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Guy de Maupassant which are Pierre and Jean and Bel Ami. Guy de Maupassant was a protégé of Gustave Flaubert and his stories are characterized by economy of style and efficient, effortless outcomes. Many are set during the Franco-Prussian War of the 1870s, describing the futility of war and the innocent civilians who, caught up in events beyond their control, are permanently changed by their experiences. Novels selected for this book: - Pierre and Jean - Bel Ami This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
Author: Guy de Maupassant
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Author: Artine Artinian
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Author: Artine Artinian
Publisher:
ISBN:
Category :
Languages : en
Pages :
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