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Author: Anna Munster
Publisher: UPNE
ISBN: 1611682940
Category : Computers
Languages : en
Pages : 254
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Book Description
A significant contribution to investigations of the social and cultural impact of new media and digital technologies
Author: Anna Munster
Publisher: UPNE
ISBN: 1611682940
Category : Computers
Languages : en
Pages : 254
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Book Description
A significant contribution to investigations of the social and cultural impact of new media and digital technologies
Author: Laszlo Muntean
Publisher: Routledge
ISBN: 1315472155
Category : Social Science
Languages : en
Pages : 312
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Book Description
Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapters 1, 4, and 5 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 3.0 license.
Author: Péter Berta
Publisher: University of Toronto Press
ISBN: 1487520409
Category : Social Science
Languages : en
Pages : 419
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Book Description
How do objects mediate human relationships, and possess their own social and political agency? What role does material culture - such as prestige consumption as well as commodity aesthetics, biographies, and ownership histories - play in the production of social and political identities, differences, and hierarchies? How do (informal) consumer subcultures of collectors organize and manage themselves? Drawing on theories from anthropology and sociology, specifically material culture, consumption, museum, ethnicity, and post-socialist studies, Materializing Difference addresses these questions via analysis of the practices and ideologies connected to Gabor Roma beakers and roofed tankards made of antique silver. The consumer subculture organized around these objects - defined as ethnicized and gendered prestige goods by the Gabor Roma living in Romania - is a contemporary, second-hand culture based on patina-oriented consumption. Materializing Difference reveals the inner dynamics of the complex relationships and interactions between objects (silver beakers and roofed tankards) and subjects (Romanian Roma) and investigates how these relationships and interactions contribute to the construction, materialization, and reformulation of social, economic, and political identities, boundaries, and differences. It also discusses how, after 1989, the political transformation in Romania led to the emergence of a new, post-socialist consumer sensitivity among the Gabor Roma, and how this sensitivity reshaped the pre-regime-change patterns, meanings, and value preferences of prestige consumption.
Author: Erin B. Taylor
Publisher: Rowman & Littlefield
ISBN: 0759124221
Category : Social Science
Languages : en
Pages : 193
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Book Description
Poverty is generally defined as a lack of material resources. However, the relationships that poor people have with their possessions are not just about deprivation. Material things play a positive role in the lives of poor people: they help people to build social relationships, address inequalities, and fulfill emotional needs. In this book, anthropologist Erin Taylor explores how residents of a squatter settlement in Santo Domingo, Dominican Republic, use their material resources creatively to solve everyday problems and, over a few decades, radically transform the community. Their struggles show how these everyday engagements with materiality, rather than more dramatic efforts, generate social change and build futures.
Author: Anna Munster
Publisher: MIT Press
ISBN: 0262313510
Category : Social Science
Languages : en
Pages : 261
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Book Description
The experience of networks as the immediate sensing of relations between humans and nonhuman technical elements in assemblages such as viral media and databases. Today almost every aspect of life for which data exists can be rendered as a network. Financial data, social networks, biological ecologies: all are visualized in links and nodes, lines connecting dots. A network visualization of a corporate infrastructure could look remarkably similar to that of a terrorist organization. In An Aesthesia of Networks, Anna Munster argues that this uniformity has flattened our experience of networks as active and relational processes and assemblages. She counters the “network anaesthesia” that results from this pervasive mimesis by reinserting the question of experience, or aesthesia, into networked culture and aesthetics. Rather than asking how humans experience computers and networks, Munster asks how networks experience—what operations they perform and undergo to change and produce new forms of experience. Drawing on William James's radical empiricism, she asserts that networked experience is assembled first and foremost through relations, which make up its most immediately sensed and perceived aspect. Munster critically considers a range of contemporary artistic and cultural practices that engage with network technologies and techniques, including databases and data mining, the domination of search in online activity, and the proliferation of viral media through YouTube. These practices—from artists who “undermine” data to musicians and VJs who use intranetworked audio and video software environments—are concerned with the relationality at the core of today's network experience.
Author: Heidi A. Strobel
Publisher: Routledge
ISBN: 1351558870
Category : Art
Languages : en
Pages : 352
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Book Description
Art history has enriched the study of material culture as a scholarly field. This interdisciplinary volume enhances this literature through the contributors' engagement with gender as the conceptual locus of analysis in terms of femininity, masculinity, and the spaces in between. Collectively, these essays by art historians and museum professionals argue for a more complex understanding of the relationship between objects and subjects in gendered terms. The objects under consideration range from the quotidian to the exotic, including beds, guns, fans, needle paintings, prints, drawings, mantillas, almanacs, reticules, silver punch bowls, and collage. These material goods may have been intended to enforce and affirm gendered norms, however as the essays demonstrate, their use by subjects frequently put normative formations of gender into question, revealing the impossibility of permanently fixing gender in relation to material goods, concepts, or bodies. This book will appeal to art historians, museum professionals, women's and gender studies specialists, students, and all those interested in the history of objects in everyday life.
Author: Isabelle de Solier
Publisher: Bloomsbury Publishing
ISBN: 1472520904
Category : Social Science
Languages : en
Pages : 211
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Book Description
We often hear that selves are no longer formed through producing material things at work, but by consuming them in leisure, leading to 'meaningless' modern lives. This important book reveals the cultural shift to be more complex, demonstrating how people in postindustrial societies strive to form meaningful and moral selves through both the consumption and production of material culture in leisure. Focusing on the material culture of food, the book explores these theoretical questions through an ethnography of those individuals for whom food is central to their self: 'foodies'. It examines what foodies do, and why they do it, through an in-depth study of their lived experiences. The book uncovers how food offers a means of shaping the self not as a consumer but as an amateur who engages in both the production and consumption of material culture and adopts a professional approach which reveals the new moralities of productive leisure in self-formation. The chapters examine a variety of practices, from fine dining and shopping to cooking and blogging, and include rare data on how people use media such as cookbooks, food television, and digital food media in their everyday life. This book is ideal for students, scholars, and anyone interested in the meaning of food in modern life.
Author: James S. Bielo
Publisher: Bloomsbury Publishing
ISBN: 1350260258
Category : Religion
Languages : en
Pages : 289
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Book Description
Intro -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Figures -- Acknowledgments -- Introduction -- Section I: Variations on Replication -- Chapter 1: 1:1 -- Chapter 2: Miniaturizing -- Chapter 3: Reenacting -- Chapter 4: Imagineering -- Chapter 5: Plastic Jesus -- Chapter 6: Ways of Remaining -- Section II: The Power of Nature -- Chapter 7: Flora -- Chapter 8: Fauna -- Chapter 9: Ingesting the Word -- Chapter 10: How Stones Do Things -- Section III: Choreographing Experience -- Circulation -- Chapter 11: Miracles and Lavatories -- Chapter 12: Greetings From . . . -- Chapter 13: Like-able Me, Like-able There -- Design -- Chapter 14: In Place, In Motion -- Chapter 15: Interactivity -- Chapter 16: Engulfed I -- Chapter 17: Engulfed II -- Classification -- Chapter 18: In the Garden -- Chapter 19: Rev. Ruth's Yard Poetics -- Chapter 20: Four Crosses Over Waterbury -- Conclusion -- Notes -- Bibliography -- Index.
Author: Museum of Arts and Design (New York, N.Y.)
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
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Book Description
Out of Hand: Materializing the Postdigital will explore the many areas of 21st-century creativity made possible by advanced methods of computer-assisted production known as digital fabrication. In today’s postdigital world, artists are using these means to achieve levels of expression never before possible – an explosive, unprecedented scope of artistic expression that extends from sculptural fantasy to functional beauty.
Author: Meredith Hoy
Publisher: Dartmouth College Press
ISBN: 1512600237
Category : Art
Languages : en
Pages : 274
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Book Description
In this fiercely ambitious study, Meredith Anne Hoy seeks to reestablish the very definitions of digital art and aesthetics in art history. She begins by problematizing the notion of digital aesthetics, tracing the nineteenth- and twentieth-century movements that sought to break art down into its constituent elements, which in many ways predicted and paved the way for our acceptance of digital art. Through a series of case studies, Hoy questions the separation between analog and digital art and finds that while there may be sensual and experiential differences, they fall within the same technological categories. She also discusses computational art, in which the sole act of creation is the building of a self-generating algorithm. The medium isn't the message - what really matters is the degree to which the viewer can sense a creative hand in the art.
