Masterworks of the French Cinema PDF Download
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Author: John Weightman
Publisher: HarperCollins Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 462
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Book Description
"The four films, as John Weightman points out in his introduction, fall into two pairs: those by Clair and Ophuls are comedies about sexual relations and social conventions among the European bourgeoisie of the 19th century; those by Renoir and Clouzot are concerned with virile friendship or enmity in extreme situations -- during war-time or in a remote town in South America, where long-distance lorry-driving achieves heroic status."--Book jacket.
Author: John Weightman
Publisher: HarperCollins Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 462
Get Book Here
Book Description
"The four films, as John Weightman points out in his introduction, fall into two pairs: those by Clair and Ophuls are comedies about sexual relations and social conventions among the European bourgeoisie of the 19th century; those by Renoir and Clouzot are concerned with virile friendship or enmity in extreme situations -- during war-time or in a remote town in South America, where long-distance lorry-driving achieves heroic status."--Book jacket.
Author: Robert V. ADKINSON
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: John Weightman
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Vertaalde scripts van vier Franse films van rond de Tweede Wereldoorlog: Un chapeau de paille d'Italie, La grande illusion, La ronde, Le salaire de la peur.
Author: John Weightman
Publisher:
ISBN: 9780571125999
Category : Motion picture plays
Languages : en
Pages : 350
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Book Description
Author: Lorrimer
Publisher: Burns & Oates
ISBN: 9780804464710
Category :
Languages : en
Pages :
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Book Description
Author: Bloomsbury Publishing Plc
Publisher: Burns & Oates
ISBN: 9780804425995
Category :
Languages : en
Pages :
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Book Description
Author: L. Anderst
Publisher: Springer
ISBN: 1137011009
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Eric Rohmer was a key figure in French New Wave cinema. Contributors to this volume revisit, complicate, and upend accepted readings and interpretations of perennial Rohmerian topics including the important role of language in his films, the influence of the arts, depictions of gender and class, and the roles played by space and place in his films.
Author: Anne Keenan Higgins
Publisher: Running Press Adult
ISBN: 0762463457
Category : Art
Languages : en
Pages : 180
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Book Description
Le Ciné Françs is an irresistible illustrated guide and primer to the best of French films, starting with the 1950s, through the spectrum of French New Wave, and on to modern-day confections. Starring the likes of Brigitte Bardot, Catherine Deneuve, and Jeanne Moreau, and directed by iconoclasts such as Francois Truffaut, Eric Rohmer, and Jean-Luc Godard, French movies are as touching, beautiful, and romantic as they come in all of film. Le Ciné Françs captures their spirit in whimsical detail. Each movie is covered with a plot summary; back stories; and illustrations by author/artist Anne Keenan Higgins of highlight scenes, costumes, props, and characters that are as enchanting as the films themselves. This gorgeously gifty tribute to French cinema is not just for movie buffs or followers of international films, but for all who are enchanted by French culture.
Author: C. G. Crisp
Publisher:
ISBN: 9780253017956
Category : Motion pictures
Languages : en
Pages :
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Book Description
Author: Ramona Fotiade
Publisher: Bloomsbury Publishing
ISBN: 0857733567
Category : Social Science
Languages : en
Pages : 226
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Book Description
One of the most charismatic feature films of the New Wave, A Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. A Bout de souffle is now a cult film, propelled in part by the memorable coupling of its leading actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood. In this original guide to the film, Ramona Fotiade analyses in depth its production and reception, as well as its mise-en-scene and editing. She situates A Bout de souffle in relation to Godard's filmography and critical writings up to 1960, focusing on a narrative and visual discourse that is now identified with a distinctive strand in postmodern French cinema. She also explores the impact of Godard's early counter-narrative and visual strategies on the independent American filmmakers and the French Cinema du Look during the 1980s and 1990s.
