Author: Roger Marx
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 108
Book Description
Masters of the Poster, 1896-1900
Author: Roger Marx
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 108
Book Description
The Complete "Masters of the Poster"
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 048613458X
Category : Design
Languages : en
Pages : 274
Book Description
Most famous compilation of art from the great age of the poster features full-color, large-format illustrations by nearly 100 artists: Chéret, Toulouse-Lautrec, Bonnard, Mucha, Beardsley, Parrish, Penfield, Steinlen, and many others. Extensive documentation.
Publisher: Courier Corporation
ISBN: 048613458X
Category : Design
Languages : en
Pages : 274
Book Description
Most famous compilation of art from the great age of the poster features full-color, large-format illustrations by nearly 100 artists: Chéret, Toulouse-Lautrec, Bonnard, Mucha, Beardsley, Parrish, Penfield, Steinlen, and many others. Extensive documentation.
The Poster
Author: Ruth E. Iskin
Publisher: Dartmouth College Press
ISBN: 1611686164
Category : Art
Languages : en
Pages : 465
Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Publisher: Dartmouth College Press
ISBN: 1611686164
Category : Art
Languages : en
Pages : 465
Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Posters
Author: Elizabeth E. Guffey
Publisher: Reaktion Books
ISBN: 1780234112
Category : Art
Languages : en
Pages : 321
Book Description
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
Publisher: Reaktion Books
ISBN: 1780234112
Category : Art
Languages : en
Pages : 321
Book Description
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
Masters of the Poster 1896-1900
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Premier Posters
Author: Jack Rennert
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 106
Book Description
The Politics Of Resentment
Author:
Publisher: Transaction Publishers
ISBN: 1412838436
Category : Political Science
Languages : en
Pages : 570
Book Description
The establishment of the Third Republic in France in the 1870s swept the nobility from power and established republican government supported by the professional classes, the peasantry, and small businessmen. Paris shopkeepers at first allied themselves with this new republican order but then broke away from it, claiming it favored the rise of large department stores that threatened their livelihood. This work offers a broader interpretation of their protests within the context of general social and cultural developments, providing a colorful and convincing description and analysis of Parisian politics in this critical era of French history. Historians' previous explanations of shopkeeper discontent during the period have centered on the rise of the department store. In contrast, Nord shifts the locus of interpretation to the impact of Baron Haussmann's rebuilding of Paris and the economic crisis of the 1880s on the Paris retail market. In addition, the author challenges the assumption that retailers' protest translates directly into a politics of reaction. His interpretation is an example of social history at its best, and will appeal to those interested in France, social movements, and nineteenth-century Europe. Available for the first time in paperback, this edition includes a new introduction by the author that discusses the book's themes--politics of consumption, nationalism, anti-Semitism--in terms of current historiographical concerns. He also examines whether our own era is not one of political realignment with a potential for right-wing extremism.
Publisher: Transaction Publishers
ISBN: 1412838436
Category : Political Science
Languages : en
Pages : 570
Book Description
The establishment of the Third Republic in France in the 1870s swept the nobility from power and established republican government supported by the professional classes, the peasantry, and small businessmen. Paris shopkeepers at first allied themselves with this new republican order but then broke away from it, claiming it favored the rise of large department stores that threatened their livelihood. This work offers a broader interpretation of their protests within the context of general social and cultural developments, providing a colorful and convincing description and analysis of Parisian politics in this critical era of French history. Historians' previous explanations of shopkeeper discontent during the period have centered on the rise of the department store. In contrast, Nord shifts the locus of interpretation to the impact of Baron Haussmann's rebuilding of Paris and the economic crisis of the 1880s on the Paris retail market. In addition, the author challenges the assumption that retailers' protest translates directly into a politics of reaction. His interpretation is an example of social history at its best, and will appeal to those interested in France, social movements, and nineteenth-century Europe. Available for the first time in paperback, this edition includes a new introduction by the author that discusses the book's themes--politics of consumption, nationalism, anti-Semitism--in terms of current historiographical concerns. He also examines whether our own era is not one of political realignment with a potential for right-wing extremism.
The Politics of Women's Work
Author: Judith G. Coffin
Publisher: Princeton University Press
ISBN: 1400864321
Category : History
Languages : en
Pages : 304
Book Description
Few issues attracted more attention in the nineteenth century than the "problem" of women's work, and few industries posed that problem more urgently than the booming garment industry in Paris. The seamstress represented the quintessential "working girl," and the sewing machine the icon of "modern" femininity. The intense speculation and worry that swirled around both helped define many issues of gender and labor that concern us today. Here Judith Coffin presents a fascinating history of the Parisian garment industry, from the unraveling of the guilds in the late 1700s to the first minimum-wage bill in 1915. She explores how issues related to working women took shape and how gender became fundamental to the modern social division of labor and our understanding of it. Combining the social history of women's labor and the intellectual history of nineteenth-century social science and political economy, Coffin sets many questions in their fullest cultural context: What constituted "women's" work? Did women belong in the industrial labor force? Why was women's work equated with low pay? Should not a woman enjoy status as an enlightened homemaker/consumer? The author examines patterns of consumption as well as production, setting out, for example, the links among the newly invented sewing machine, changes in the labor force, and the development of advertising, with its shifting and often unsettling visual representations of women, labor, and machinery. Throughout, Coffin challenges the conventional categories of work, home, and women's identity. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400864321
Category : History
Languages : en
Pages : 304
Book Description
Few issues attracted more attention in the nineteenth century than the "problem" of women's work, and few industries posed that problem more urgently than the booming garment industry in Paris. The seamstress represented the quintessential "working girl," and the sewing machine the icon of "modern" femininity. The intense speculation and worry that swirled around both helped define many issues of gender and labor that concern us today. Here Judith Coffin presents a fascinating history of the Parisian garment industry, from the unraveling of the guilds in the late 1700s to the first minimum-wage bill in 1915. She explores how issues related to working women took shape and how gender became fundamental to the modern social division of labor and our understanding of it. Combining the social history of women's labor and the intellectual history of nineteenth-century social science and political economy, Coffin sets many questions in their fullest cultural context: What constituted "women's" work? Did women belong in the industrial labor force? Why was women's work equated with low pay? Should not a woman enjoy status as an enlightened homemaker/consumer? The author examines patterns of consumption as well as production, setting out, for example, the links among the newly invented sewing machine, changes in the labor force, and the development of advertising, with its shifting and often unsettling visual representations of women, labor, and machinery. Throughout, Coffin challenges the conventional categories of work, home, and women's identity. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
100 Rare & Important American Posters
Author: Swann Galleries
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 92
Book Description
The Nabis and Intimate Modernism
Author: KatherineM. Kuenzli
Publisher: Routledge
ISBN: 1351542052
Category : Art
Languages : en
Pages : 303
Book Description
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.
Publisher: Routledge
ISBN: 1351542052
Category : Art
Languages : en
Pages : 303
Book Description
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.