Masters of the American Cinema

Masters of the American Cinema PDF Author: Louis D. Giannetti
Publisher: Prentice Hall
ISBN:
Category : Performing Arts
Languages : en
Pages : 492

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Masters of the American Cinema

Masters of the American Cinema PDF Author: Louis D. Giannetti
Publisher: Prentice Hall
ISBN:
Category : Performing Arts
Languages : en
Pages : 492

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Book Description


Working Cinema

Working Cinema PDF Author: Roy Paul Madsen
Publisher:
ISBN: 9780534118808
Category : Performing Arts
Languages : en
Pages : 428

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Masters of Cinema: George Lucas

Masters of Cinema: George Lucas PDF Author: Karina Longworth
Publisher: Phaidon Press
ISBN: 9782866429041
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
George Lucas (born 1944) is a producer, screenwriter and director, who played a major role in the anti-establishment New Hollywood movement of the 1970s and helped define the blockbuster era of the 1980s. He is best known as the creator of the Star Warsspace opera and the producer of the iconic Indiana Jonesadventure film series. Lucas had directed THX 1138(1971) and American Graffiti(1973) before launching, in 1977, the first film in the Star Warsfranchise. Rapidly a worldwide pop culture phenomenon, this was followed by two sequels- The Empire Strikes Back(1980) and Return of the Jedi(1983). Sixteen years later a new trilogy, The Phantom Menace(1999), Attack of the Clones(2002) and Revenge of the Sith(2005), were released. The Star Warsseries has spawned a range of other media, including tv series, video games and comic books. With this simple yet powerful saga, lucas has created a brand, a business empire and a technological revolution.

Faith and Spirituality in Masters of World Cinema

Faith and Spirituality in Masters of World Cinema PDF Author: Kenneth R. Morefield
Publisher: Cambridge Scholars Publishing
ISBN: 9781443832731
Category : Motion picture producers and directors
Languages : en
Pages : 0

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Book Description
Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasisâ "it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japanâ "Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of â ~faithâ (TM) and â ~spirituality, â (TM) examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.

Masters of Cinema: Clint Eastwood

Masters of Cinema: Clint Eastwood PDF Author: Bernard Benoliel
Publisher: Phaidon Press
ISBN: 9782866425708
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Clint Eastwood (USA, b. 1930) is a veteran among the grand masters of contemporary American cinema, whose rise through the system took a highly unusual form. After playing iconic roles in Sergio Leone's spaghetti westerns of the 1960s, he returned to Hollywood and underwent a controversial reincarnation as the ultraviolent cop Harry. In the 1970s Eastwood began to direct and, in the style of the great directors of the past, made masterpieces in genres ranging from the western (Unforgiven, 1992) to film noir (Mystic River, 2003), a war epic (Letters from Iwo Jima, 2006), a jazz bio-pic (Bird, 1988), a melodrama (The Bridges of Madison County, 1995) and a sports picture (Million Dollar Baby, 2004). His most recent film, Invictus, takes Eastwood to South Africa and the historic figure of Nelson Mandela, as he continues to explore the question underlying all his films: can human beings overcome experiences of violence and evil?

Masters of Cinema: Martin Scorsese

Masters of Cinema: Martin Scorsese PDF Author: Thomas Sotinel
Publisher: Phaidon Press
ISBN: 9782866425746
Category : Performing Arts
Languages : en
Pages : 0

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Martin Scorsese (USA, born 1942) is among the most prolific of American directors, having made more than 25 features in a 40-year career that has seen him garner all the highest honours the film world can bestow. He is admired and respected throughout the world for the tireless work of his Film Foundation in preserving America's film heritage.

Cinema Novo X 5

Cinema Novo X 5 PDF Author: Randal Johnson
Publisher: University of Texas Press
ISBN: 0292710917
Category : Performing Arts
Languages : en
Pages : 263

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Book Description
With such stunning films as Dona Flor and Her Two Husbands, Bye Bye Brazil, and Pixote, Brazilian cinema achieved both critical acclaim and popular recognition in the 1970s and 1980s, becoming the premier cinema of Latin America and one of the largest film producers in the western world. But the success of Brazilian film at home and abroad came after many years of struggle by filmmakers determined to create a strong film industry in Brazil. At the forefront of this struggle were the filmmakers of Cinema Novo, the internationally acclaimed movement whose flowering in the 1960s marked the birth of modern Brazilian film. Cinema Novo x 5 places the success of Brazilian cinema in perspective by examining the films of the five leaders of this groundbreaking movement—Andrade, Diegues, Guerra, Rocha, and dos Santos. By exploring the individuality of these masters of contemporary Brazilian film, Randal Johnson reveals the astonishing stylistic and thematic diversity of Cinema Novo. His emphasis is on the films themselves, as well as their makers’ distinctive cinematic vision and views of what cinema should be and is. At the same time, he provides a wealth of valuable background information to enhance readers’ understanding of the historical, cultural, and economic context in which Cinema Novo was born and flourished.

Prologue

Prologue PDF Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 422

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Masters of the Grotesque

Masters of the Grotesque PDF Author: Schuy R. Weishaar
Publisher: McFarland
ISBN: 1476600600
Category : Performing Arts
Languages : en
Pages : 221

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Book Description
The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors' films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre--the auteur and the genre filmmaker--a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

Modernist America

Modernist America PDF Author: Richard Pells
Publisher: Yale University Press
ISBN: 0300171730
Category : Social Science
Languages : en
Pages : 514

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Book Description
America's global cultural impact is largely seen as one-sided, with critics claiming that it has undermined other countries' languages and traditions. But contrary to popular belief, the cultural relationship between the United States and the world has been reciprocal, says Richard Pells. The United States not only plays a large role in shaping international entertainment and tastes, it is also a consumer of foreign intellectual and artistic influences.Pells reveals how the American artists, novelists, composers, jazz musicians, and filmmakers who were part of the Modernist movement were greatly influenced by outside ideas and techniques. People across the globe found familiarities in American entertainment, resulting in a universal culture that has dominated the twentieth and twenty-first centuries and fulfilled the aim of the Modernist movement--to make the modern world seem more intelligible."Modernist America" brilliantly explains why George Gershwin's music, Cole Porter's lyrics, Jackson Pollock's paintings, Bob Fosse's choreography, Marlon Brando's acting, and Orson Welles's storytelling were so influential, and why these and other artists and entertainers simultaneously represent both an American and a modern global culture.