Masterpieces of the Mineral World

Masterpieces of the Mineral World PDF Author: Wendell E. Wilson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 272

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Book Description
The collection of natural mineral crystals housed at the Houston Museum of Natural Science is the finest and best known in the world. Now the treasures of this singular collection are shown in resplendent photographs that will seduce both the connoisseur of beauty and the student of natural history.

Masterpieces of the Mineral World

Masterpieces of the Mineral World PDF Author: Wendell E. Wilson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 272

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Book Description
The collection of natural mineral crystals housed at the Houston Museum of Natural Science is the finest and best known in the world. Now the treasures of this singular collection are shown in resplendent photographs that will seduce both the connoisseur of beauty and the student of natural history.

Gems and Gemstones

Gems and Gemstones PDF Author: Lance Grande
Publisher: University of Chicago Press
ISBN: 0226305112
Category : Design
Languages : en
Pages : 387

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Book Description
"Gems and Gemstones" features nearly 300 color images of cut gems, precious and semiprecious stones, gem-quality mineral specimens, and fine jewelry to be unveiled in the new Grainger Hall of Gems at the Field Museum in Chicago.

The World's Mineral Masterpieces

The World's Mineral Masterpieces PDF Author: Eberhard Equit
Publisher:
ISBN: 9783930874064
Category : Minerals
Languages : de
Pages : 289

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Book Description


Gems

Gems PDF Author: François Farges
Publisher: Rizzoli Publications
ISBN: 2081512955
Category : Design
Languages : en
Pages : 0

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Book Description
Enter into the fascinating world of precious gems through this unique volume that brings together the wonders of mineralogy and masterpieces of jewelry. Both a reference book and an exhibition catalog, Gems unveils the fascinating world of minerals and gems through a dialogue between the prestigious collections of the Muséum national d'histoire naturelle in Paris and the great French jeweler Van Cleef & Arpels. The Muséum national d'histoire naturelle in Paris welcomes the exhibition Gems from September 16, 2020‒May 4, 2021. This beautifully illustrated volume brings together an international team of mineralogists, scientists, and specialists in natural history and in the history of jewelry, under the editorial direction of François Farges, to explore the diversity of the mineral universe through an exceptional selection of geological specimens (some published here for the first time), legendary gems, and exceptional ornaments created throughout history. Raw crystals, cut stones, and jewelry are compared and contrasted, shedding light on both the natural wonders made by the Earth itself and the virtuoso creations of human hands that transform them into works of art.

If Pictures Could Talk

If Pictures Could Talk PDF Author: James L. Coran
Publisher: Wim
ISBN:
Category : Artists
Languages : en
Pages : 404

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Book Description


America's Ancient Treasures

America's Ancient Treasures PDF Author: Franklin Folsom
Publisher:
ISBN:
Category : Archaeological museums and collections
Languages : en
Pages : 496

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Book Description
New edition of a guide to visiting US and Canadian archaeological sites and museums of prehistoric Indian life.

Uncommon Beauty in Common Objects

Uncommon Beauty in Common Objects PDF Author: Nkiru Nzegwu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124

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Book Description


The Vintage Book of Contemporary World Poetry

The Vintage Book of Contemporary World Poetry PDF Author: J. D. McClatchy
Publisher: Vintage
ISBN: 0679741151
Category : Poetry
Languages : en
Pages : 690

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Book Description
This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A.K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott

Wilensky Fine Minerals: Vol. 6

Wilensky Fine Minerals: Vol. 6 PDF Author: Stuart Wilensky
Publisher: Wilensky Fine Minerals
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 77

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Book Description
Volume 6 brings a new chapter with the opening of our gallery in the Chelsea Art District of NYC. Presenting fine minerals among the world’s great art galleries, displaying minerals as works of art. And, our sons, Troy and Connor, will be joining Wilensky Fine Minerals. Our new gallery will open up the amazing world of minerals to everyone. Minerals will be displayed alongside our neighbors exhibiting Warhol, Basquiat, Pollack and Picasso. Achieving the impact of art through natural mineral specimens is our goal. Not a competition, but a convergence.

Wilensky Fine Minerals

Wilensky Fine Minerals PDF Author: Stuart Wilensky
Publisher: Wilensky Fine Minerals
ISBN: 0977449742
Category : Nature
Languages : en
Pages : 78

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Book Description
"I wonder whether Art has a higher function than to make me feel, appreciate, and enjoy natural objects for their art value." (Bernard Berenson) I have written a short essay at the beginning of each of our volumes. I have expressed my belief that minerals are the purest form of art and that we have arrived at a stage in mineral collecting that has achieved almost everything I had hoped for. Donna and I began as mineral collectors and dealers over 30 years ago. Everything we dreamt of has occurred for us as mineral collectors. So, then what to write about? I thought of two questions that need answers. Why do we collect? This is not a new question, books have been written on this topic, and there are several theories on why people collect. It has not been applied specifically to minerals. Most are drawn to minerals for obvious reasons; beauty. We enjoy looking at them. Beauty is a feeling, an emotional rush that can only be experienced not explained. I cannot recall ever showing someone a colorful crystallized mineral without them having an overtly positive response. In fact, it is usually something like "Oh My God, that's stunning!" Once we move past the obvious, minerals open up a curiosity, they make us aware of the earth and everything in it. The mystery of crystallography, chemistry, atomic structure. Most uninitiated ask the same question, and it is almost always phrased this way; "Did you make these?" or "How did you make these?" Sometimes I've even been told how talented I am that I was able to make them. Once told that these are natural crystals from the ground the questions change and suddenly you are witnessing a profound amazement. It never gets old and never fails to thrill me. We easily accept the fact that flowers, animals, and people are all from nature - we are even blasé about them - minerals, because they are hidden from our everyday experience, have a mystery that few other natural objects can match. We all gaze at the sky and wonder what's out there, but few ever consider what's right beneath us. Some of the most beautiful things on earth are minerals, and they cannot be appreciated until someone displays them. This is a powerful reason we collect minerals. There are two distinct styles of mineral beauty; pieces that are obviously beautiful, like an Illinois Fluorite or a colorful Tourmaline. And, those that are beautiful to the advanced collectors’ eye; a superb German Pyrargyrite, or Michigan Silver. The first group everyone can appreciate. The latter takes knowledge and understanding of the rarity, crystallography and locality, as well as the history of mining and mineral collecting. I have, and always will be, a proponent of mineral specimens as works of art. I have also studied minerals most of my life and cannot deny the fascination, and value, of specimens that achieve greatness through rarity and/or other less obvious features. To the eye of the beginner a Euclase, Phosphophyllite or Jeremejevite may be just a "pretty colored" crystal, but to the advanced collector they are among the "Holy Grails" of mineral collecting. It is this next level of advanced mineral collecting that adds a dimension beyond what our eyes see, I equate it to what is commonly termed "inner beauty". What is the role of a mineral dealer? My idols were art connoisseurs, like Bernard Berenson, René Gimpel and Erwin Panofsky. I have spent all of my life enjoying art; I admired what these individuals accomplished in the art world. It was this type of deep appreciation and knowledge I wanted to apply to minerals. To this end I have for over three decades viewed countless numbers of specimens, examining them, analyzing their strengths and weaknesses. Reading, photographing, comparing, to recognize what is unique or special. To know what is hidden in collections around the world, and to be aware of new discoveries. As a dealer I apply this knowledge, and share it with collectors. As a mineral dealer I have a responsibility to guide collectors towards acquisitions that are of exceptional quality. My role is to be advisor, expert, and connoisseur. Every collector has personal likes and dislikes. It is the role of the dealer to consider those specific tastes but to also expand upon them to ensure the best possible collection: a collection that is beautiful to look at, each specimen being of the utmost quality and aesthetics, as well as specimens that are important mineralogically. It is my job to offer collectors the easily acknowledged minerals, but also to teach them about the less obvious ones. It is my goal to present collectors with as much knowledge about any given specimen so that they can make an informed decision. Every collection I have helped form is a direct reflection upon us as mineral dealers. It is imperative that it stand up to scrutiny. My reputation and legacy depends upon this. It is my intention that this set of volumes will help future collectors in their personal quest for connoisseurship. “There is nothing more practical, in the end, than the preservation of beauty, than the preservation of anything that appeals to the higher emotion in mankind.” (Theodore Roosevelt)