Masterpieces of Italian Painting PDF Download
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Maria Laura Della Croce
Publisher:
ISBN: 9788880954897
Category : Architecture, Italian
Languages : en
Pages : 240
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Book Description
Author: Walters Art Gallery (Baltimore, Md.)
Publisher: Giles
ISBN: 9781904832140
Category : Art
Languages : en
Pages : 0
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Book Description
This lavishly illustrated book introduces the general public and scholarly audience alike to one of the great collections of Italian paintings, with examples of major works dating from the 12th to the 18th centuries. The volume presents fifty paintings, many with color details and comparative illustrations. Introductions to each chronological section situate individual works of art within the artistic and stylistic developments of the period. Signature pieces featured in this volume include Virgin and Child with Saints and Angels , ca. 1340-45, by Pietro Lorenzetti; The Ideal City , ca. 1480-84, attributed to Fra Carnavale; Madonna and Child with Saints and Three Venetian Procurators , 1510 by Giovanni Bellini and workshop; Madonna of the Candelabra , ca. 1513, by Raphael and workshop; and Portrait of Countess Livia da Porto Thiene and Her Daughter Porzia , ca. 1551, by Veronese. Taken together, these paintings constitute a fabulous historical journey through seven centuries of Italian art. A select bibliography provides both standard reference sources and a selection of the most important recent books and articles on each work and artist featured in the book.
Author: Charissa Bremer-David
Publisher: Getty Publications
ISBN: 0892364556
Category : Art
Languages : en
Pages : 130
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Book Description
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.
Author: Graham Hughes
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 264
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Book Description
"This book introduces, for the first time in English, a fascinating yet strangely neglected aspect of Italian Renaissance art. During the quattrocento painting became more popular and probably more beautiful than at any time before or since. House interiors and furniture were painted with exotic stories and symbols, one of the most fashionable possessions in the grandest room in the palazzo being the painted cassone or marriage chest." /
Author: Wenda Brewster O'Reilly
Publisher: Birdcage Press
ISBN: 9781889613031
Category : Art, Italian
Languages : en
Pages : 0
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Book Description
Art history need not be dry or dull, as O'Reilly's book shows. Featuring 90 full-color photos of many of the masterpieces of the movement, the book delves into the work of such masters as Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Fra Angelico. Full-color photos and illustrations.
Author: Kathryn Calley Galitz
Publisher: Metropolitan Museum of Art
ISBN: 0847846598
Category : Art
Languages : en
Pages : 546
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Book Description
This monumental new book is the first to celebrate the greatest and most iconic paintings from the encyclopedic collections of The Metropolitan Museum of Art, New York, one of the largest, most important, and most beloved museums in the world. This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. More than 1,000 lavish color illustrations and details of 500 masterpiece paintings, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa and the Americas, and and the greatest European and North American masters. The Metropolitan Museum of Art includes and introduction and illuminating texts about each artwork written specially for this volume by Kathryn Calley Galitz, whose experience as both curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renior, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, Jasper Johns, and Warhol. The artworks are arranged in rough chronological order, without regard to geography or culture, offering a visual timeline of the history of painting, from the earliest examples on pottery jars made over five thousand years ago to canvases on which the paint has barely dried. Freed from the constraints imposed by the physical layout of the Museum, the paintings resonate anew; and this chronological framework reveals unexpected visual affinities among the works. For those wishing to experience the unparalleled breadth and depth of the Met's collection, or study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.
Author: Julia Biggs
Publisher: Flame Tree Illustrated
ISBN: 9781787556966
Category : Art
Languages : en
Pages : 0
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Book Description
The Renaissance was probably the most influential and fertile period of European cultural history. We are all familiar with the giants of High Renaissance art – Michelangelo, Leonardo, Raphael – but how much do you really know about how it all started and why it was so revolutionary? This easily accessible, fresh and beautiful introduction to this wonderful world takes you from the stirrings of a revival in classical learning and humanist thought in late medieval Italy through the application of technical developments in painting and scientific knowledge, to the blossoming of astounding artworks that we all know and love, reaching its peak in the sixteenth century. A digestible introduction to the background and history of the Renaissance is followed by a gallery of treasured works focusing on the most popular Italian art, from Giotto's frescoes and Fra Angelico’s delightful Annunciation, to Botticelli’s willowy Venuses, that ceiling of Michelangelo’s and the master of Venetian painting, Titian.
Author: Simonetta Nava
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Beginning with Florence in the first half of the fifteenth century, Painting in Renaissance Italy travels through the regions of Italy and the different periods of the Renaissance, explaining the different physical and intellectual milieus in which the artists worked. By placing the artists and their work in context, this volume offers a more complete understanding and appreciation of the paintings of the Renaissance."--BOOK JACKET.
Author: Joseph Archer Crowe
Publisher: Parkstone International
ISBN: 1783103922
Category : Art
Languages : en
Pages : 200
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Book Description
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
