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Author: Monzaemon Chikamatsu
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 526
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Book Description
Author: Monzaemon Chikamatsu
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 526
Get Book Here
Book Description
Author: Monzaemon Chikamatsu
Publisher:
ISBN: 9780415564984
Category : Japanese drama
Languages : en
Pages : 359
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Book Description
Author: Robert Nichols
Publisher:
ISBN: 9780415849456
Category :
Languages : en
Pages : 0
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Book Description
This is a selection of the best plays of Chikamatsu, one of the greatest Japanese dramatists. Master of the marionette and popular dramas, he had, until the publication of this book, remained unknown to western readers owing to the difficulty of translating the work into English. The introduction provides a comprehensive survey of the history of Japanese drama which will assist the reader in better understanding the plays.
Author: Monzaemon Chikamatsu
Publisher: Columbia University Press
ISBN: 9780231111010
Category : Drama
Languages : en
Pages : 238
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Book Description
Chikamatsu's domestic dramas are accurate reflections of Japanese society at the time: his characters are samurai, farmers, merchants, and prostitutes who speak colloquially, and who people the shops, streets, teahouses, and brothels that constituted their daily environment.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 640
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Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 872
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Book Description
Author: Masaharu Anesaki
Publisher: Taylor & Francis
ISBN: 1003835988
Category : History
Languages : en
Pages : 351
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Book Description
First Published in 1930, History of Japanese Religion shows the interaction of various forces which manifested their vitality more in combination than in opposition. A saying ascribed to Prince Shotoku, the founder of Japanese civilization, compares the three religious and moral systems found in Japan to the root, the stem and branches, and the flowers and fruits of a tree. Shinto is the root embedded in the soil of the people's character and national traditions; Confucianism is seen in the stem and branches of legal institutions, ethical codes, and educational systems; Buddhism made the flowers of religious sentiment bloom and gave the fruits of spiritual life. These sentences outlines the scheme of the work and achievement that has long maintained a high reputation among students and scholars. This important and frequently cited book has been out of print for many decades and thus increasingly difficult to access. It is therefore a privilege as well as a pleasure to make it available once again in a complete and unabridged reprint of the original. This is a must read for students of religion, Japanese culture and Japanese history.
Author: Mark Le Fanu
Publisher: Bloomsbury Publishing
ISBN: 1838717161
Category : Biography & Autobiography
Languages : en
Pages : 475
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Book Description
For a majority of filmgoers, the names most usually associated with classic Japanese cinema are those of Kurosawa and Ozu. Yet during the early 1950s, at the same time that Kurosawa was becoming known to the public through the release of classics like Rashomon and The Seven Samurai, another Japanese director, Kenji Mizoguchi, quietly came out with a trilogy of films - The Life of Oharu, Ugetsu Monogatari and Sansho the Bailiff - that are the equal of Kurosawa's in mastery, and which by any account rank among the greatest and most enduring masterpieces of world cinema. As a storyteller, Mizoguchi was drawn to the plight and oppression of women throughout the ages - it was, for him, the 'subject of subjects'. So in addition to the movies just mentioned, he is remembered for a string of masterly contemporary films that examined, with unprecedented candour and ferocity, the conditions of life in Japanese brothels and geisha houses. Yet, as well as being a moralist. Mizoguchi was a stylist. His films are considered by critics to be among the most beautiful ever made, from a purely pictorial point of view. Filmgoers who have responded enthusiastically in recent years to Chinese classics like Farewell My Concubine or to the colourful works of Zhang Yimou will be delighted to discover 'pre-echoes' of this cinema in such late films by this Japanese master as The Empress Yang Kwei Fei and Tales of the Taira Clan (both released in 1955) works in which colour, costume and decor are deployed with compelling refinement. Despite his extraordinary qualities as a film-maker, Mizoguchi and Japan is the first full -length study in English for over 20 years of a director whose work is as vibrant now as it ever was in its heyday, and whom the French film review Cahiers du Cinema recently hailed 'the greatest of all cineastes.' Mark Le Fanu's preface to the new ebook edition - https://media.bloomsbury.com/rep/files/revised-mizoguchi-and-japan-preface.docx A Retrospective to the 2008 edition - https://media.bloomsbury.com/rep/files/mizoguchi-and-japan-retrospect.doc
Author: Kenneth P. Kirkwood
Publisher: Tuttle Publishing
ISBN: 1462912095
Category : History
Languages : en
Pages : 286
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Book Description
Renaissance in Japan is a superb survey of Japan's literary giants—forerunners of today's modern Japanese writers. Called the "Kyoto epoch," the age in which these writers lived was the period in which Japanese cultural development made many of its greatest advances. In these years of the early Tokugawa era, the old aristocratic culture was confronted with the new plebeian awakening, giving rise to dynamic social developments, in effect a peaceful revolution. The humanistic movement that emerged during this period is epitomized in and popular arts and letters by such famous figures as Basho, the pilgrim poet; Saikaku, novelist of the gilded age, and Chikamatsu, Japan's greatest playwright. In that stirring period Basho wrote such undying poetry as: "The lark sings through the long spring day, but never enough for its heart's content." Saikaku noted that "love is darkness, but in the land of love the darkest night is bright as noon." Chikamatsu wrote wisely that "art is something which lies in the slender margin between the real and the unreal." In Japan it was the beginning of the end of the feudal Dark Ages—even though the political ramifications would not be manifest until the advent of the Meiji Restoration.
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 956
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Book Description
