Master Lessons on Fifty Opera Arias PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Master Lessons on Fifty Opera Arias PDF full book. Access full book title Master Lessons on Fifty Opera Arias by Weldon Whitlock. Download full books in PDF and EPUB format.
Author: Weldon Whitlock
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 144
Get Book Here
Book Description
Author: Weldon Whitlock
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 144
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
Get Book Here
Book Description
Author: Martial Singher
Publisher: Penn State Press
ISBN: 0271065176
Category : Music
Languages : en
Pages : 347
Get Book Here
Book Description
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.” This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.” For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1626
Get Book Here
Book Description
Author: Evelyn Lear
Publisher: G Schirmer, Incorporated
ISBN:
Category : Music
Languages : de
Pages : 96
Get Book Here
Book Description
(Vocal). This unique package presents a recorded master class with Metropolitan Opera star Evelyn Lear, coaching young sopranos in 9 favorite arias. The book includes interpretive essays, translations for study, and the standard vocal/piano versions of the arias, with extensive coaching comments in the score. Besides the masterclass with Miss Lear, the CD includes a piano accompaniment for practice. Arias are from La boheme, Don Giovanni, Fidelio, Le nozze di Figaro, Romeo et Juliette, Samson and Die Zauberflote . Contents: Ach, ich fuhl's (Mozart: Die Zauberflote) * Ah! Je veux vivre (Gounod: Romeo et Juliette) * Batti, batti, o bel Masetto (Mozart: Don giovanni) * Deh vieni, non tardar (Mozart: Le nozze di Figaro) * Let the bright Seraphim (Handel: Samson) * Mi chiamano Mimi (Puccini: La boheme) * O war' ich schon mit dir vereint (Beethoven: Fidelio) * Quondo men vo (Puccini: La boheme) * Vedrai, carino (Mozart: Don Giovanni)
Author: Noni Espina
Publisher:
ISBN:
Category : Songs
Languages : en
Pages : 758
Get Book Here
Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1566
Get Book Here
Book Description
Author: Martial Singher
Publisher: Penn State Press
ISBN: 9780271023540
Category : Music
Languages : en
Pages : 372
Get Book Here
Book Description
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric--with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions--French, German, Italian, Russian, and American--are represented, as are the major voice types--soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach--based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories--is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.
Author: Victor Alexander Fields
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 374
Get Book Here
Book Description
Author: Edward Foreman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 476
Get Book Here
Book Description
