Author: George R. Goldner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
Master Drawings from the Woodner Collection
Author: George R. Goldner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
Old Master Drawings from the Woodner Collection
Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 130
Book Description
The Touch of the Artist
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
Book Description
The Woodner family collection, founded by the collector Ian Woodner, presents European drawing from its first flowering in the early Renaissance to the early years of the 20th-century.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
Book Description
The Woodner family collection, founded by the collector Ian Woodner, presents European drawing from its first flowering in the early Renaissance to the early years of the 20th-century.
The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy
Author: Evelyn Karet
Publisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359
Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Publisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359
Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Woodner Collection: A selection of old master drawings before 1700
Author: William H. Schab Gallery
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 168
Book Description
Master Drawings from the Collection of the National Gallery of Art and Promised Gifts
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 132
Book Description
The Drawings of Filippino Lippi and His Circle
Author: Filippino Lippi
Publisher: Metropolitan Museum of Art
ISBN: 0810965097
Category : Drawing
Languages : en
Pages : 420
Book Description
Energetic, incisive, spontaneous, and expressive, the drawings of Filippino Lippi (1457/58-1504) are among the most original and creative of the Italian Renaissance.
Publisher: Metropolitan Museum of Art
ISBN: 0810965097
Category : Drawing
Languages : en
Pages : 420
Book Description
Energetic, incisive, spontaneous, and expressive, the drawings of Filippino Lippi (1457/58-1504) are among the most original and creative of the Italian Renaissance.
Drawings in Midwestern Collections
Author: Burton Lewis Dunbar
Publisher: University of Missouri Press
ISBN: 9780826210623
Category : Art
Languages : en
Pages : 218
Book Description
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
Publisher: University of Missouri Press
ISBN: 9780826210623
Category : Art
Languages : en
Pages : 218
Book Description
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
German Master Drawings from the Koenigs Collection
Author: Albert J. Elen
Publisher: Nai010 Publishers
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
"This illustrated book marks the return of a lost treasure to the Netherlands. As part of the renowned Koenigs Collection in Museum Boijmans Van Beuningen in Rotterdam, these 139 drawings and 3 prints were unlawfully obtained by the Nazis during the Second World War, together with a further 389 drawings. During the aftermath of the war this part of the collection disappeared. After a long quest a substantial share of the missing drawings was eventually found in Kyiv, capital of Ukraine. Subsequently, the Ukrainian authorities, recognizing the Netherlands' claim of ownership, decided to return these works of art to the Netherlands. The drawings are now reunited with the Koenigs Collection in Museum Boijmans Van Beuningen as a loan from the Netherlands Institute of Cultural Heritage." "Most of the recovered drawings are by 15th- and 16th-century German artists, including works by such famous draughtsmen as Hans Holbein, Hans Baldung Grien and Lucas Cranach. They have not been on public view for more than 64 years. Fifty have never even been illustrated before and as such represent new discoveries. All are reproduced here in full colour for the first time, many at actual size, with revised material data and attributions. They are presented to the world audience to admire and enjoy."--BOOK JACKET.
Publisher: Nai010 Publishers
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
"This illustrated book marks the return of a lost treasure to the Netherlands. As part of the renowned Koenigs Collection in Museum Boijmans Van Beuningen in Rotterdam, these 139 drawings and 3 prints were unlawfully obtained by the Nazis during the Second World War, together with a further 389 drawings. During the aftermath of the war this part of the collection disappeared. After a long quest a substantial share of the missing drawings was eventually found in Kyiv, capital of Ukraine. Subsequently, the Ukrainian authorities, recognizing the Netherlands' claim of ownership, decided to return these works of art to the Netherlands. The drawings are now reunited with the Koenigs Collection in Museum Boijmans Van Beuningen as a loan from the Netherlands Institute of Cultural Heritage." "Most of the recovered drawings are by 15th- and 16th-century German artists, including works by such famous draughtsmen as Hans Holbein, Hans Baldung Grien and Lucas Cranach. They have not been on public view for more than 64 years. Fifty have never even been illustrated before and as such represent new discoveries. All are reproduced here in full colour for the first time, many at actual size, with revised material data and attributions. They are presented to the world audience to admire and enjoy."--BOOK JACKET.
The Drawings of Stefano Da Verona and His Circle and the Origins of Collecting in Italy
Author: Evelyn Karet
Publisher: American Philosophical Society
ISBN: 9780871692443
Category : Art
Languages : en
Pages : 250
Book Description
In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.
Publisher: American Philosophical Society
ISBN: 9780871692443
Category : Art
Languages : en
Pages : 250
Book Description
In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.