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Author: Barbara Mauldin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 142
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Book Description
This is a state-by-state guide for collectors and general folk art enthusiasts to learn about the types of masked dances still carried out in Mexico's Indian and mestizo communities today. Close to one hundred color photographs of authenticated masks from the collection of the Museum of International Folk Art are presented, including finely carved pieces from the nineteenth century to simple face coverings made in the past ten years. The masked ceremonies are brought to life with documentary photographs showing masqueraders acting out their roles. --Amazon.
Author: Barbara Mauldin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 142
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Book Description
This is a state-by-state guide for collectors and general folk art enthusiasts to learn about the types of masked dances still carried out in Mexico's Indian and mestizo communities today. Close to one hundred color photographs of authenticated masks from the collection of the Museum of International Folk Art are presented, including finely carved pieces from the nineteenth century to simple face coverings made in the past ten years. The masked ceremonies are brought to life with documentary photographs showing masqueraders acting out their roles. --Amazon.
Author: Donald Bush Cordry
Publisher: Austin : University of Texas Press
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
Author: Phyllis Galembo
Publisher: Radius Books/D.A.P.
ISBN: 9781942185574
Category : Photography
Languages : en
Pages : 196
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Book Description
A showcase of Phyllis Galembo's extraordinary photographs of the costume, ritual and traditions of masquerade Mexico Phyllis Galembo has travelled all over the globe to sites of ritual masquerade. In Africa, the Caribbean, and now Mexico, she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Attuned to a moment's collision of past, present and future, Galembo finds the timeless elegance and dignity of her subjects. Masking is a complex, mysterious, and profound tradition in which the participants transcend the physical world and enter the spiritual realm. In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social and religious symbolism and commentary. Galembo highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject's intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.
Author: Bryan J. Stevens
Publisher: Schiffer Publishing
ISBN: 9780764340277
Category : Art
Languages : en
Pages : 0
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Book Description
In the Mexican states of Puebla and Veracruz, old masked dances have survived in isolated mountain regions. These dances include wonderful masks of humans and animals, masks with beautiful, comic, or wicked faces. Created by Indigenous master carvers, mascareros, these masks and puppets appear during religious fiestas. Over 700 vivid color photos reveal these masks and puppets in all their glory. The thoroughly researched text answers the questions about who made these beautiful works of art, who these dance characters are, and the nature of the religion they represent. The Spanish conquerors strove to convert the Indian inhabitants of Mexico to Christianity. However, these converts secretly retained important deities from earlier times to accompany Christian elements, creating a poetic blend of beliefs. Given that these indigenous peoples have suffered many injustices, the masks, puppets, and dance dramas reflect many unresolved societal tensions along with veiled wishes for divine justice.
Author: Janet Brody Esser
Publisher: Museum of New Mexico Press
ISBN:
Category : Art
Languages : en
Pages : 374
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Book Description
Explores masks as integral aspects both of costumes and ceremonial performance across Mexico's widely diverse cultural borders. Covers origins and uses. A thorough, scholarly monograph that the lay reader will find easily accessible. Some 275 photos (11 in color). 9x12" The catalog of an exhibition of the Museum of International Folk Art (N.M.). Annotation copyrighted by Book News, Inc., Portland, OR
Author: Anthony Alan Shelton
Publisher: Figure 1 Publishing
ISBN: 9781773271378
Category : Art
Languages : en
Pages : 256
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Book Description
Theatrum Mundi ("the theatre of the world") describes the diversity of masks and performances that originated from the violent struggles between European, Arabic and "New World" civilizations. This authoritative study celebrates over 500 years of Mexican and South American Indigenous dance dramas and explains how mask makers, religious practitioners, masqueraders and entrepreneurs have helped to continuously reinvent, revitalize and express the changing world around them. The culmination of four decades of research by Dr. Anthony Shelton, professor of art history and director of the Museum of Anthropology (MOA) at the University of British Columbia, the text is illustrated by field photographs and images from MOA and other notable mask collections
Author: Pavel Shlossberg
Publisher: University of Arizona Press
ISBN: 0816530998
Category : Social Science
Languages : en
Pages : 281
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Book Description
Crafting Identity goes far beyond folklore in its ethnographic exploration of mask making in central Mexico. In addition to examining larger theoretical issues about indigenous and mestizo identity and cultural citizenship as represented through masks and festivals, the book also examines how dominant institutions of cultural production (art, media, and tourism) mediate Mexican “arte popular,” which makes Mexican indigeneity “digestible” from the standpoint of elite and popular Mexican nationalism and American and global markets for folklore. The first ethnographic study of its kind, the book examines how indigenous and mestizo mask makers, both popular and elite, view and contest relations of power and inequality through their craft. Using data from his interviews with mask makers, collectors, museum curators, editors, and others, Pavel Shlossberg places the artisans within the larger context of their relationships with the nation-state and Mexican elites, as well as with the production cultures that inform international arts and crafts markets. In exploring the connection of mask making to capitalism, the book examines the symbolic and material pressures brought to bear on Mexican artisans to embody and enact self-racializing stereotypes and the performance of stigmatized indigenous identities. Shlossberg’s weaving of ethnographic data and cultural theory demystifies the way mask makers ascribe meaning to their practices and illuminates how these practices are influenced by state and cultural institutions. Demonstrating how the practice of mask making negotiates ethnoracial identity with regard to the Mexican state and the United States, Shlossberg shows how it derives meaning, value, and economic worth in the eyes of the state and cultural institutions that mediate between the mask maker and the market.
Author: Peter T. Markman
Publisher: Univ of California Press
ISBN: 9780520064188
Category : Social Science
Languages : en
Pages : 304
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Book Description
Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.
Author: Ruth Lechuga
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 108
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Book Description
Comprehensive and colorful celebration of masks and their creators.
Author: Přemysl Mácha
Publisher: Cambridge Scholars Publishing
ISBN: 1443860751
Category : History
Languages : en
Pages : 185
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Book Description
This collection of essays offers some thoughts on alterity/otherness in anthropological praxis viewed through the prism of the Latin American reality. It is neither an exhaustive treatment of the problem of Otherness in anthropological theory nor a definitive analysis of the various forms of represented, practiced, and contested alterities in Latin American history. Rather, the authors have been brought together by several common concerns. The first is an interest in exploring and understanding some of the ways in which Otherness structures social relations at the everyday as well as the national levels. The second is a theoretical and methodological question of how the perspective which foregrounds the Other at the expense of the Self might make the anthropological inquiry more effective and emancipatory. Thirdly, the authors are interested in how they can, as researchers, teachers, and citizens, help overcome cleavages which group identities constantly produce in the body of humanity. The Others that the authors of this book explore include indigenous peoples, mestizos, African slaves, women, insurgent peasants, as well as hybrid groups (re-)claiming a new identity. While each of the eight authors focuses on social phenomena from different time periods and parts of Latin America, they all share as their common denominator the Spanish colonization of the continent which set off a series of events whose consequences eventually exceeded the wildest fantasies of the boldest thinkers of these times. The authors particularly focus on the visual representation and performance of alterity, but also give room to some non-visual ways in which Otherness is established and subverted. Inevitably, this volume presents a diverse selection of contributions which nevertheless share some common problems, concerns and hopes, which in their totality provide a complex picture of Otherness in everyday life in historical and contemporary Latin America.
