Masks and Masking in Medieval and Early Tudor England PDF Download
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Author: Meg Twycross
Publisher: Routledge
ISBN: 135191930X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
Author: Meg Twycross
Publisher: Routledge
ISBN: 135191930X
Category : Literary Criticism
Languages : en
Pages : 321
Get Book Here
Book Description
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
Author: William Allen White
Publisher:
ISBN: 9781258890179
Category :
Languages : en
Pages : 560
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Book Description
This is a new release of the original 1928 edition.
Author: William Allen White
Publisher: New York : Macmillan
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 580
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Book Description
![The Maiden Queen, a Pageant of Olden Times [in One Act and in Prose]. Also, the Countess, a Play in Five Acts [and in Prose]. By a Lady. [The Dedication is Signed, E. M.] PDF](https://books.google.com/books/content/images/frontcover/p9sWDzoDivkC?fife=w80-h100)
Author: E. M.
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
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Book Description
Author: Sydney Anglo
Publisher:
ISBN:
Category : History
Languages : en
Pages : 424
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Book Description
This standard work, long out of print, discusses every English royal entry, festival, disguising, masque, and tournament, from the accession of Henry VII to the coronation celebrations of Elizabeth I. The study of court festivals, spectacle, and civic pageantry in Renaissance Europe has now developed into a major academic industry, so that the market for authoritative works on these themes extends far beyond the boundaries of conventional scholarly disciplines. Spectacle, Pageantry and Early Tudor Policy was a pioneering work and remains the only comprehensive and analytical treatment of its subject.
Author: David Robb
Publisher: Rodopi
ISBN: 9042023406
Category : Drama
Languages : en
Pages : 241
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Book Description
By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.
Author: Joan FitzPatrick Dean
Publisher: Bloomsbury Publishing
ISBN: 1350144533
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls “the re-theatricalization of theatre.” Pageants are intimately connected with power-they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that “details the country's history, culture, and overall importance for the global community.” London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.
Author: Gary Krist
Publisher: Crown
ISBN: 0307454304
Category : History
Languages : en
Pages : 394
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Book Description
The masterfully told story of twelve volatile days in Chicago, when an aviation disaster, a race riot, a crippling transit strike, and a sensational child murder transfixed and roiled a city already on the brink of collapse. When 1919 began, the city of Chicago seemed on the verge of transformation. Modernizers had an audacious, expensive plan to turn the city from a brawling, unglamorous place into "the Metropolis of the World." But just as the dream seemed within reach, pandemonium broke loose and the city's highest ambitions were suddenly under attack by the same unbridled energies that had given birth to them. It began on a balmy Monday afternoon when a blimp in flames crashed through the roof of a busy downtown bank, incinerating those inside. Within days, a racial incident at a crowded South Side beach spiraled into one of the worst urban riots in American history, followed by a transit strike that paralyzed the city. Then, when it seemed as if things could get no worse, police searching for a six-year-old girl discovered her body in a dark North Side basement. Meticulously researched and expertly paced, City of Scoundrels captures the tumultuous birth of the modern American city, with all of its light and dark aspects in vivid relief. Now with Extra Libris material, including a reader’s guide and bonus content
Author: Minnie Earl Sears
Publisher:
ISBN:
Category : Essays
Languages : en
Pages : 1980
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Book Description
Includes "List of books indexed" (published also separately)
Author: W. David Shaw
Publisher: University of Virginia Press
ISBN: 0813935458
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
In The Ghost behind the Masks, W. David Shaw traces Shakespeare’s influence on nine Victorian poets: Alfred Lord Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Matthew Arnold, Gerard Manley Hopkins, Algernon Swinburne, Arthur Hugh Clough, and George Meredith. Often, he writes, the transparency of Shakespeare's influence on Victorian poets and the degree of their engagement with Shakespeare exist in inverse ratio. Instead of imitating a play by Shakespeare or merely quoting his lines, a Victorian poet may embrace more elusive elements of rhetoric and style, adapting them to his or her own ends. Shaw argues that the most Shakespearean attribute of the Victorian poets is not their addiction to any particular trope or figure of speech but their reticence, the classical restraint of their great monologues, and their sudden descent from grandeur to simplicity. He explores such topics as man-made law versus natural right, Stoic fatalism versus self-reliance, and the sanity of lunatics, lovers, and poets versus the madness of commonplace minds.
