Author: Joseph A. Kestner
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
This study examines the construction of masculinity in culture based on an analysis of pictorial representations of the male in many contexts: social; historical; legal; literary; institutional; anthropological; educational; marital; imperial; and aesthetic. Artists featured include Burne-Jones.
Masculinities in Victorian Painting
Author: Joseph A. Kestner
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
This study examines the construction of masculinity in culture based on an analysis of pictorial representations of the male in many contexts: social; historical; legal; literary; institutional; anthropological; educational; marital; imperial; and aesthetic. Artists featured include Burne-Jones.
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
This study examines the construction of masculinity in culture based on an analysis of pictorial representations of the male in many contexts: social; historical; legal; literary; institutional; anthropological; educational; marital; imperial; and aesthetic. Artists featured include Burne-Jones.
Imagining Soldiers and Fathers in the Mid-Victorian Era
Author: Dr Susan Walton
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475840
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Beginning with the premise that women's perceptions of manliness are crucial to its construction, Susan Walton focuses on the life and writings of Charlotte Yonge as a prism for understanding the formulation of masculinities in the Victorian period. Yonge was a prolific writer whose bestselling fiction and extensive journalism enjoyed a wide readership. Walton situates Yonge's work in the context of her family connections with the army, showing that an interlocking of worldly and spiritual warfare was fundamental to Yonge's outlook. For Yonge, all good Christians are soldiers, and Walton argues persuasively that the medievalised discourse of sanctified violence executed by upright moral men that is often connected with late nineteenth-century Imperialism began earlier in the century, and that Yonge's work was one major strand that gave it substance. Of significance, Yonge also endorsed missionary work, which she viewed as an extension of a father's duties in the neighborhood and which was closely allied to a vigorous promotion of refashioned Tory paternalism. Walton's study is rich in historical context, including Yonge's connections with the Tractarians, the effects of industrialization, and Britain's Imperial enterprises. Informed by extensive archival scholarship, Walton offers important insights into the contradictory messages about manhood current in the mid-nineteenth century through the works of a major but undervalued Victorian author.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475840
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Beginning with the premise that women's perceptions of manliness are crucial to its construction, Susan Walton focuses on the life and writings of Charlotte Yonge as a prism for understanding the formulation of masculinities in the Victorian period. Yonge was a prolific writer whose bestselling fiction and extensive journalism enjoyed a wide readership. Walton situates Yonge's work in the context of her family connections with the army, showing that an interlocking of worldly and spiritual warfare was fundamental to Yonge's outlook. For Yonge, all good Christians are soldiers, and Walton argues persuasively that the medievalised discourse of sanctified violence executed by upright moral men that is often connected with late nineteenth-century Imperialism began earlier in the century, and that Yonge's work was one major strand that gave it substance. Of significance, Yonge also endorsed missionary work, which she viewed as an extension of a father's duties in the neighborhood and which was closely allied to a vigorous promotion of refashioned Tory paternalism. Walton's study is rich in historical context, including Yonge's connections with the Tractarians, the effects of industrialization, and Britain's Imperial enterprises. Informed by extensive archival scholarship, Walton offers important insights into the contradictory messages about manhood current in the mid-nineteenth century through the works of a major but undervalued Victorian author.
The Pre-Raphaelite Art of the Victorian Novel
Author: Sophia Andres
Publisher: Ohio State University Press
ISBN: 0814209742
Category : Aesthetics, British
Languages : en
Pages : 236
Book Description
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
Publisher: Ohio State University Press
ISBN: 0814209742
Category : Aesthetics, British
Languages : en
Pages : 236
Book Description
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
Gender and Fatherhood in the Nineteenth Century
Author: Trev Lynn Broughton
Publisher: Bloomsbury Publishing
ISBN: 0230207855
Category : Social Science
Languages : en
Pages : 216
Book Description
Despite current debate over the paternal role, fatherhood is a relatively new area of investigation in literary, historical and cultural studies. The contributors to this illustrated, interdisciplinary volume - one of the first extended investigations of paternity in 19th century Britain and its empire - penetrate the stereotype of the Victorian paterfamilias to uncover intimate and involved, authoritarian and austere fathers. Finding surprising precursors of the 'new man' and the 'lone father', Trev Lynn Broughton and Helen Rogers provide an essential overview of changing ideologies and practices of fatherhood as the family acquired its distinctively modern form. Gender and Fatherhood in the Nineteenth Century: - Offers nuanced re-readings of artistic and literary representations of domesticity, investigations of fathering at home and at work, and of legal, political and religious discourses, suggesting that fatherhood generated more anxiety and debate than previously acknowledged. - Explores how traditional conceptions of paternal authority worked to accommodate the 'cult of motherhood'. - Examines how paternal power was embedded in social institutions. - Shows how models of social fatherhood provided powerful men with a means of negotiating their relationship with working-class men and colonized subjects. As these innovative essays demonstrate, the history of fatherhood can illuminate our understanding of class, society and empire as well as of gender and the family. Together they form an indispensable resource for anyone studying Victorian fatherhood as part of a history, literature, art, social or cultural studies course.
Publisher: Bloomsbury Publishing
ISBN: 0230207855
Category : Social Science
Languages : en
Pages : 216
Book Description
Despite current debate over the paternal role, fatherhood is a relatively new area of investigation in literary, historical and cultural studies. The contributors to this illustrated, interdisciplinary volume - one of the first extended investigations of paternity in 19th century Britain and its empire - penetrate the stereotype of the Victorian paterfamilias to uncover intimate and involved, authoritarian and austere fathers. Finding surprising precursors of the 'new man' and the 'lone father', Trev Lynn Broughton and Helen Rogers provide an essential overview of changing ideologies and practices of fatherhood as the family acquired its distinctively modern form. Gender and Fatherhood in the Nineteenth Century: - Offers nuanced re-readings of artistic and literary representations of domesticity, investigations of fathering at home and at work, and of legal, political and religious discourses, suggesting that fatherhood generated more anxiety and debate than previously acknowledged. - Explores how traditional conceptions of paternal authority worked to accommodate the 'cult of motherhood'. - Examines how paternal power was embedded in social institutions. - Shows how models of social fatherhood provided powerful men with a means of negotiating their relationship with working-class men and colonized subjects. As these innovative essays demonstrate, the history of fatherhood can illuminate our understanding of class, society and empire as well as of gender and the family. Together they form an indispensable resource for anyone studying Victorian fatherhood as part of a history, literature, art, social or cultural studies course.
Arthur Conan Doyle and the Meaning of Masculinity
Author: Diana Barsham
Publisher: Routledge
ISBN: 1351956957
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
A valued icon of British manhood, Sir Arthur Conan Doyle has been the subject of numerous biographies since his death in 1930. All his biographers have drawn heavily on his own autobiography, Memories & Adventures, a collection of stories and anecdotes themed on the subject of masculinity and its representation. Diana Barsham discusses Doyle's career in the context of that nineteenth-century biographical tradition which Dr Watson so successfully appropriated. It explores Doyle's determination to become a great name in the culture of his day and the strains on his identity arising from this project. A Scotsman with an alcoholic, Irish, fairy-painting father, Doyle offered himself and his writings as a model of British manhood during the greatest crisis of British history. Doyle was committed to finding solutions to some of the most difficult cultural problematics of late Victorian masculinity. As novelist, war correspondent, historian, legal campaigner, propagandist and religious leader, he used his fame as the creator of Sherlock Holmes to refigure the spirit of British Imperialism. This original and thought-provoking study offers a revision of the Doyle myth. It presents his career as a series of dialoguic contestations with writers like Thomas Hardy and Winston Churchill to define the masculine presence in British culture. In his spiritualist campaign, Doyle took on the figure of St Paul in an attempt to create a new religious culture for a Socialist age.
Publisher: Routledge
ISBN: 1351956957
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
A valued icon of British manhood, Sir Arthur Conan Doyle has been the subject of numerous biographies since his death in 1930. All his biographers have drawn heavily on his own autobiography, Memories & Adventures, a collection of stories and anecdotes themed on the subject of masculinity and its representation. Diana Barsham discusses Doyle's career in the context of that nineteenth-century biographical tradition which Dr Watson so successfully appropriated. It explores Doyle's determination to become a great name in the culture of his day and the strains on his identity arising from this project. A Scotsman with an alcoholic, Irish, fairy-painting father, Doyle offered himself and his writings as a model of British manhood during the greatest crisis of British history. Doyle was committed to finding solutions to some of the most difficult cultural problematics of late Victorian masculinity. As novelist, war correspondent, historian, legal campaigner, propagandist and religious leader, he used his fame as the creator of Sherlock Holmes to refigure the spirit of British Imperialism. This original and thought-provoking study offers a revision of the Doyle myth. It presents his career as a series of dialoguic contestations with writers like Thomas Hardy and Winston Churchill to define the masculine presence in British culture. In his spiritualist campaign, Doyle took on the figure of St Paul in an attempt to create a new religious culture for a Socialist age.
The Victorians and the Visual Imagination
Author: Kate Flint
Publisher: Cambridge University Press
ISBN: 9780521770262
Category : Art
Languages : en
Pages : 450
Book Description
Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.
Publisher: Cambridge University Press
ISBN: 9780521770262
Category : Art
Languages : en
Pages : 450
Book Description
Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.
Masculinity, Crime and Self-Defence in Victorian Literature
Author: E. Godfrey
Publisher: Springer
ISBN: 0230294995
Category : Fiction
Languages : en
Pages : 209
Book Description
Now in paperback, this book considers crime fighting from the perspective of the civilian city-goer, from the mid-Victorian garotting panics to 1914. It charts the shift from the use of body armour to the adoption of exotic martial arts through the works of popular playwrights and novelists, examining changing ideals of urban, middle-class heroism.
Publisher: Springer
ISBN: 0230294995
Category : Fiction
Languages : en
Pages : 209
Book Description
Now in paperback, this book considers crime fighting from the perspective of the civilian city-goer, from the mid-Victorian garotting panics to 1914. It charts the shift from the use of body armour to the adoption of exotic martial arts through the works of popular playwrights and novelists, examining changing ideals of urban, middle-class heroism.
Alfred Gilbert's Aestheticism
Author: Jason Edwards
Publisher: Routledge
ISBN: 1351577115
Category : Art
Languages : en
Pages : 317
Book Description
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.
Publisher: Routledge
ISBN: 1351577115
Category : Art
Languages : en
Pages : 317
Book Description
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.
Critics, Coteries, and Pre-Raphaelite Celebrity
Author: Wendy Graham
Publisher: Columbia University Press
ISBN: 0231542534
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement’s refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites’ debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England. Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.
Publisher: Columbia University Press
ISBN: 0231542534
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement’s refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites’ debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England. Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.
A Private Passion
Author: Stephan Wolohojian
Publisher: Metropolitan Museum of Art
ISBN: 1588390764
Category : Art
Languages : en
Pages : 561
Book Description
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Metropolitan Museum of Art
ISBN: 1588390764
Category : Art
Languages : en
Pages : 561
Book Description
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved