Author:
Publisher: Rm
ISBN: 9788417975012
Category :
Languages : en
Pages : 132
Book Description
A new edition of Yamamoto's much-loved photographic homage to the precarious, the delicate and the humble, with new images and a redesigned cover Japanese photographer Masao Yamamoto trained as an oil painter before discovering that photography was the ideal medium for the theme that most interested him--the ability of the image to evoke memories. Small Things in Silence surveys the 20-year career of one of Japan's most important photographers. Yamamoto's portraits, landscapes and still lifes are made into small, delicate prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto himself, this volume includes images from each of the photographer's major projects--Box of Ku, Nakazora, Kawa and Shizuka--as well as installation shots of some of Yamamoto's original photographic installations, and, in this new edition, seven new images and a new cover. In the words of Yamamoto himself: I try to capture moments that no one sees and make a photo from them. When I see them in print, a new story begins. Masao Yamamoto (born 1957) lives and works in Japan. He has published numerous books, including a previous edition of Small Things in Silence (RM/Seigensha, 2015) and Tori (Radius Books, 2016). His work is held in the collections of the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, the International Center of Photography, New York, and others.
Masao Yamamoto: Small Things in Silence
Author:
Publisher: Rm
ISBN: 9788417975012
Category :
Languages : en
Pages : 132
Book Description
A new edition of Yamamoto's much-loved photographic homage to the precarious, the delicate and the humble, with new images and a redesigned cover Japanese photographer Masao Yamamoto trained as an oil painter before discovering that photography was the ideal medium for the theme that most interested him--the ability of the image to evoke memories. Small Things in Silence surveys the 20-year career of one of Japan's most important photographers. Yamamoto's portraits, landscapes and still lifes are made into small, delicate prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto himself, this volume includes images from each of the photographer's major projects--Box of Ku, Nakazora, Kawa and Shizuka--as well as installation shots of some of Yamamoto's original photographic installations, and, in this new edition, seven new images and a new cover. In the words of Yamamoto himself: I try to capture moments that no one sees and make a photo from them. When I see them in print, a new story begins. Masao Yamamoto (born 1957) lives and works in Japan. He has published numerous books, including a previous edition of Small Things in Silence (RM/Seigensha, 2015) and Tori (Radius Books, 2016). His work is held in the collections of the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, the International Center of Photography, New York, and others.
Publisher: Rm
ISBN: 9788417975012
Category :
Languages : en
Pages : 132
Book Description
A new edition of Yamamoto's much-loved photographic homage to the precarious, the delicate and the humble, with new images and a redesigned cover Japanese photographer Masao Yamamoto trained as an oil painter before discovering that photography was the ideal medium for the theme that most interested him--the ability of the image to evoke memories. Small Things in Silence surveys the 20-year career of one of Japan's most important photographers. Yamamoto's portraits, landscapes and still lifes are made into small, delicate prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto himself, this volume includes images from each of the photographer's major projects--Box of Ku, Nakazora, Kawa and Shizuka--as well as installation shots of some of Yamamoto's original photographic installations, and, in this new edition, seven new images and a new cover. In the words of Yamamoto himself: I try to capture moments that no one sees and make a photo from them. When I see them in print, a new story begins. Masao Yamamoto (born 1957) lives and works in Japan. He has published numerous books, including a previous edition of Small Things in Silence (RM/Seigensha, 2015) and Tori (Radius Books, 2016). His work is held in the collections of the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, the International Center of Photography, New York, and others.
Fujisan
Author: Masao Yamamoto
Publisher:
ISBN: 9781590052235
Category : Artists' books
Languages : en
Pages : 16
Book Description
Publisher:
ISBN: 9781590052235
Category : Artists' books
Languages : en
Pages : 16
Book Description
Japan's Modern Divide
Author: Hiroshi Hamaya
Publisher: Getty Publications
ISBN: 1606061321
Category : Art
Languages : en
Pages : 228
Book Description
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, Ren Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs. Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
Publisher: Getty Publications
ISBN: 1606061321
Category : Art
Languages : en
Pages : 228
Book Description
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, Ren Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs. Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
When Can We Go Back to America?
Author: Susan H. Kamei
Publisher: Simon and Schuster
ISBN: 1481401459
Category : JUVENILE NONFICTION
Languages : en
Pages : 736
Book Description
"An oral history about Japanese internment during World War II, after the bombing of Pearl Harbor, from the perspective of children and young people affected"--
Publisher: Simon and Schuster
ISBN: 1481401459
Category : JUVENILE NONFICTION
Languages : en
Pages : 736
Book Description
"An oral history about Japanese internment during World War II, after the bombing of Pearl Harbor, from the perspective of children and young people affected"--
Ōmizuao
Author: Masao Yamamoto
Publisher:
ISBN: 9781590050583
Category : Artists' books
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781590050583
Category : Artists' books
Languages : en
Pages :
Book Description
The Making of Modern Japan
Author: Marius B. Jansen
Publisher: Harvard University Press
ISBN: 0674039106
Category : History
Languages : en
Pages : 933
Book Description
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.
Publisher: Harvard University Press
ISBN: 0674039106
Category : History
Languages : en
Pages : 933
Book Description
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.
The Mind of Clover
Author: Robert Aitken
Publisher: Macmillan + ORM
ISBN: 1466895241
Category : Religion
Languages : en
Pages : 195
Book Description
In Taking the Path of Zen, Robert Aitken provided a concise guide to zazen (Zen meditation) and other aspects of the practice of Zen. In The Mind of Clover he addresses the world beyond the zazen cushions, illuminating issues of appropriate personal and social action through an exploration of the philosophical complexities of Zen ethics. Aitken's approach is clear and sure as he shows how our minds can be as nurturing as clover, which enriches the soil and benefits the environment as it grows. The opening chapters discuss the Ten Grave Precepts of Zen, which, Aitken points out, are "not commandments etched in stone but expressions of inspiration written in something more fluid than water." Aitken approaches these precepts, the core of Zen ethics, from several perspectives, offering many layers of interpretation. Like ripples in a pond, the circles of his interpretation increasingly widen, and he expands his focus to confront corporate theft and oppression, the role of women in Zen and society, abortion, nuclear war, pollution of the environment, and other concerns. The Mind of Clover champions the cause of personal responsibility in modern society, encouraging nonviolent activism based on clear convictions. It is a guide that engages, that invites us to realize our own potential for confident and responsible action.
Publisher: Macmillan + ORM
ISBN: 1466895241
Category : Religion
Languages : en
Pages : 195
Book Description
In Taking the Path of Zen, Robert Aitken provided a concise guide to zazen (Zen meditation) and other aspects of the practice of Zen. In The Mind of Clover he addresses the world beyond the zazen cushions, illuminating issues of appropriate personal and social action through an exploration of the philosophical complexities of Zen ethics. Aitken's approach is clear and sure as he shows how our minds can be as nurturing as clover, which enriches the soil and benefits the environment as it grows. The opening chapters discuss the Ten Grave Precepts of Zen, which, Aitken points out, are "not commandments etched in stone but expressions of inspiration written in something more fluid than water." Aitken approaches these precepts, the core of Zen ethics, from several perspectives, offering many layers of interpretation. Like ripples in a pond, the circles of his interpretation increasingly widen, and he expands his focus to confront corporate theft and oppression, the role of women in Zen and society, abortion, nuclear war, pollution of the environment, and other concerns. The Mind of Clover champions the cause of personal responsibility in modern society, encouraging nonviolent activism based on clear convictions. It is a guide that engages, that invites us to realize our own potential for confident and responsible action.
Architects of Buddhist Leisure
Author: Justin Thomas McDaniel
Publisher: University of Hawaii Press
ISBN: 0824865987
Category : Religion
Languages : en
Pages : 241
Book Description
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture.
Publisher: University of Hawaii Press
ISBN: 0824865987
Category : Religion
Languages : en
Pages : 241
Book Description
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture.
The Garden at Orgeval
Author: Paul Strand
Publisher:
ISBN: 9781597111249
Category : Gardens
Languages : en
Pages : 0
Book Description
T&HFL12 After a lifetime of working on a series of "collective portraits" in far-flung places such as Mexico; Ghana; Italy; Tir a'Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature--of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a growing metaphorical turn. Renowned photographer Joel Meyerowitz--whose own affinity toward Strand's Orgeval series stems from a lifetime of photographing in different genres and ultimately returning to nature as an enduring subject--will select the photographs in the book, and respond to them in an accompanying personal essay, reflecting on issues, including the contemplation of one's garden and growing old. Beautifully produced in a modest size, in the manner of a volume of poems, this book's task is to do credit to Strand's final work, both as an individual and as a key figure in Modernist photography.
Publisher:
ISBN: 9781597111249
Category : Gardens
Languages : en
Pages : 0
Book Description
T&HFL12 After a lifetime of working on a series of "collective portraits" in far-flung places such as Mexico; Ghana; Italy; Tir a'Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature--of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a growing metaphorical turn. Renowned photographer Joel Meyerowitz--whose own affinity toward Strand's Orgeval series stems from a lifetime of photographing in different genres and ultimately returning to nature as an enduring subject--will select the photographs in the book, and respond to them in an accompanying personal essay, reflecting on issues, including the contemplation of one's garden and growing old. Beautifully produced in a modest size, in the manner of a volume of poems, this book's task is to do credit to Strand's final work, both as an individual and as a key figure in Modernist photography.
Where We Met
Author: Masao Yamamoto
Publisher: Lannoo Publishers (Acc)
ISBN: 9789020957884
Category : Drawing
Languages : en
Pages : 0
Book Description
The 'purified' photos of a Japanese photographer and the drawings of a Belgian artist flow harmoniously together in this beautifully published book. Both the photos and the drawings capture the silence and fragility of existence, resulting in a combination that is pure poetry. Published as a limited edition of 1000 numbered copies. Text in English, Japanese & French. AUTHOR: Photographer Yamamoto Masao (b. 1957) lives and works in Yamanishi, Japan. He has held exhibitions in New York, Boston, Beijing, Paris, Leipzig and Milan. His work is part of permanent collections in museums in the USA, France and Italy Artist Arpais du Bois (b.1973) draws and paints. She has exhibited her work in Antwerp, Ghent, Paris and Prague. With introductions by Dan Leers (The Museum of Modern Art, New York), Pauline Vermare (International Centre of Photography, New York) and Claire Gilman (The Drawing Centre, New York). SELLING POINTS: *A sublime combination of photographs by Yamamoto Masao and drawings by ARPAIS du bois ILLUSTRATIONS: 100 colour
Publisher: Lannoo Publishers (Acc)
ISBN: 9789020957884
Category : Drawing
Languages : en
Pages : 0
Book Description
The 'purified' photos of a Japanese photographer and the drawings of a Belgian artist flow harmoniously together in this beautifully published book. Both the photos and the drawings capture the silence and fragility of existence, resulting in a combination that is pure poetry. Published as a limited edition of 1000 numbered copies. Text in English, Japanese & French. AUTHOR: Photographer Yamamoto Masao (b. 1957) lives and works in Yamanishi, Japan. He has held exhibitions in New York, Boston, Beijing, Paris, Leipzig and Milan. His work is part of permanent collections in museums in the USA, France and Italy Artist Arpais du Bois (b.1973) draws and paints. She has exhibited her work in Antwerp, Ghent, Paris and Prague. With introductions by Dan Leers (The Museum of Modern Art, New York), Pauline Vermare (International Centre of Photography, New York) and Claire Gilman (The Drawing Centre, New York). SELLING POINTS: *A sublime combination of photographs by Yamamoto Masao and drawings by ARPAIS du bois ILLUSTRATIONS: 100 colour