Author: Tom DeFalco
Publisher: Marvel Entertainment
ISBN: 1302944487
Category : Comics & Graphic Novels
Languages : en
Pages : 379
Book Description
Collects Amazing Spider-Man (1963) #252-262 and Amazing Spider-Man Annual (1964) #18. The rumors are true! Spider-Man came out swinging in 1984 in a new black costume that rocked the comics industry and changed the way Marvel viewed its most famous iconography! The Marvel Masterworks launches into this historic era of Spidey history with a collection that showcases top-shelf work from the creative team of Tom DeFalco and Ron Frenz. They ask: Who is the Rose, and why has he picked Spidey as his target? Then the Red Ghost and Jack O'Lantern return, while the Puma makes his debut! Meanwhile, the Hobgoblin goes on the hunt for Norman Osborn's most dreaded secrets - and has Liz and MJ square in his sights! Plus: Stan Lee returns to script a double-sized Annual showdown with the Scorpion!
Amazing Spider-Man Masterworks Vol. 24
Author: Tom DeFalco
Publisher: Marvel Entertainment
ISBN: 1302944487
Category : Comics & Graphic Novels
Languages : en
Pages : 379
Book Description
Collects Amazing Spider-Man (1963) #252-262 and Amazing Spider-Man Annual (1964) #18. The rumors are true! Spider-Man came out swinging in 1984 in a new black costume that rocked the comics industry and changed the way Marvel viewed its most famous iconography! The Marvel Masterworks launches into this historic era of Spidey history with a collection that showcases top-shelf work from the creative team of Tom DeFalco and Ron Frenz. They ask: Who is the Rose, and why has he picked Spidey as his target? Then the Red Ghost and Jack O'Lantern return, while the Puma makes his debut! Meanwhile, the Hobgoblin goes on the hunt for Norman Osborn's most dreaded secrets - and has Liz and MJ square in his sights! Plus: Stan Lee returns to script a double-sized Annual showdown with the Scorpion!
Publisher: Marvel Entertainment
ISBN: 1302944487
Category : Comics & Graphic Novels
Languages : en
Pages : 379
Book Description
Collects Amazing Spider-Man (1963) #252-262 and Amazing Spider-Man Annual (1964) #18. The rumors are true! Spider-Man came out swinging in 1984 in a new black costume that rocked the comics industry and changed the way Marvel viewed its most famous iconography! The Marvel Masterworks launches into this historic era of Spidey history with a collection that showcases top-shelf work from the creative team of Tom DeFalco and Ron Frenz. They ask: Who is the Rose, and why has he picked Spidey as his target? Then the Red Ghost and Jack O'Lantern return, while the Puma makes his debut! Meanwhile, the Hobgoblin goes on the hunt for Norman Osborn's most dreaded secrets - and has Liz and MJ square in his sights! Plus: Stan Lee returns to script a double-sized Annual showdown with the Scorpion!
Marvel Masterworks Presents the Amazing Spider-Man: Collecting The amazing Spider-Man nos. 100-109
Author: Stan Lee
Publisher:
ISBN:
Category : Science fiction comic books, strips, etc
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Science fiction comic books, strips, etc
Languages : en
Pages :
Book Description
Marvel Masterworks: The Amazing Spider-Man Vol. 21
Author:
Publisher: Marvel
ISBN: 9781302917005
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
New York City has always been a defining element in Spider-Man's world, but it's going to drive him crazy-if it doesn't kill him fi rst. From an NYC Marathon assassination plot to Peter Parker's paper-thin apartment walls; from a merged Hydro-Man/Sandman menace to running into your ex-girlfriend's new beau Biff Rifkin, the City That Never Sleeps just won't give Spidey a break. And the hits keep coming when Peter Parker is accused of causing a prison break and thrown in the slammer himself. Also featuring Moon Knight, a team-up with Sub-Mariner against the Frightful Four and the Aunt May solo "adventure" you demanded! Topped off with an iconic Dennis O'Neil/Frank Miller Annual pitting Spider-Man and the Punisher against Doc Ock! COLLECTING: AMAZING SPIDER-MAN (1963) 213-223, ANNUAL (1964) 15
Publisher: Marvel
ISBN: 9781302917005
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
New York City has always been a defining element in Spider-Man's world, but it's going to drive him crazy-if it doesn't kill him fi rst. From an NYC Marathon assassination plot to Peter Parker's paper-thin apartment walls; from a merged Hydro-Man/Sandman menace to running into your ex-girlfriend's new beau Biff Rifkin, the City That Never Sleeps just won't give Spidey a break. And the hits keep coming when Peter Parker is accused of causing a prison break and thrown in the slammer himself. Also featuring Moon Knight, a team-up with Sub-Mariner against the Frightful Four and the Aunt May solo "adventure" you demanded! Topped off with an iconic Dennis O'Neil/Frank Miller Annual pitting Spider-Man and the Punisher against Doc Ock! COLLECTING: AMAZING SPIDER-MAN (1963) 213-223, ANNUAL (1964) 15
The Life of Ludwig van Beethoven (Complete)
Author: Alexander Wheelock Thayer
Publisher: Library of Alexandria
ISBN: 146558322X
Category : Biography & Autobiography
Languages : en
Pages : 1474
Book Description
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
Publisher: Library of Alexandria
ISBN: 146558322X
Category : Biography & Autobiography
Languages : en
Pages : 1474
Book Description
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
Marvel Masterworks
Author:
Publisher: Marvel
ISBN: 9780785129301
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
Publisher: Marvel
ISBN: 9780785129301
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
The Emergence of the Classical Style in Greek Sculpture
Author: Richard Neer
Publisher: University of Chicago Press
ISBN: 0226570657
Category : History
Languages : en
Pages : 287
Book Description
In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
Publisher: University of Chicago Press
ISBN: 0226570657
Category : History
Languages : en
Pages : 287
Book Description
In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
Marvel Masterworks: The Amazing Spider-Man (2003), Volume 5
Author: Stan Lee
Publisher:
ISBN: 9781302377533
Category : Electronic books
Languages : en
Pages :
Book Description
Collects Amazing Spider-Man (1963) #41-50 Amazing Spider-Man Annual #3. After months of hints and failed setups, Mary Jane Watson jumps into Peter Parker's life with a bang - leaving him unsure who he likes more, MJ or Gwen Stacy! And while Peter gets a motorcycle and his fi rst apartment with friend Harry Osborn, Spider-Man faces villains deadlier than ever! The Lizard! Kraven the Hunter! A new Vulture! The Kingpin! And introducing the Rhino and Shocker!
Publisher:
ISBN: 9781302377533
Category : Electronic books
Languages : en
Pages :
Book Description
Collects Amazing Spider-Man (1963) #41-50 Amazing Spider-Man Annual #3. After months of hints and failed setups, Mary Jane Watson jumps into Peter Parker's life with a bang - leaving him unsure who he likes more, MJ or Gwen Stacy! And while Peter gets a motorcycle and his fi rst apartment with friend Harry Osborn, Spider-Man faces villains deadlier than ever! The Lizard! Kraven the Hunter! A new Vulture! The Kingpin! And introducing the Rhino and Shocker!
Comics as Philosophy
Author: Jeff McLaughlin
Publisher: Univ. Press of Mississippi
ISBN: 9781604730661
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Through the combination of text and images, comic books offer a unique opportunity to explore deep questions about aesthetics, ethics, and epistemology in nontraditional ways. The essays in this collection focus on a wide variety of genres, from mainstream superhero comics, to graphic novels of social realism, to European adventure classics. Included among the contributions are essays on existentialism in Daniel Clowes's graphic novel "Ghost World," ecocriticism in Paul Chadwick's long-running "Concrete" series, and political philosophies in Herge's perennially popular "The Adventures of Tintin." Modern political concerns inform Terry Kading's discussion of how superhero comics have responded to 9/11 and how the genre reflects the anxieties of the contemporary world. Essayists also explore the issues surrounding the development and appreciation of comics. Amy Kiste Nyberg examines the rise of the Comics Code, using it as a springboard for discussing the ethics of censorship and child protection in America. Stanford W. Carpenter uses interviews to analyze how a team of Marvel artists and writers reimagined the origin of one of Marvel's most iconic superheroes, Captain America. Throughout, essayists in Comics as Philosophy show how well the form can be used by its artists and its interpreters as a means of philosophical inquiry. Jeff McLaughlin is assistant professor of philosophy at Thompson Rivers University in Kamloops, British Columbia."
Publisher: Univ. Press of Mississippi
ISBN: 9781604730661
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Through the combination of text and images, comic books offer a unique opportunity to explore deep questions about aesthetics, ethics, and epistemology in nontraditional ways. The essays in this collection focus on a wide variety of genres, from mainstream superhero comics, to graphic novels of social realism, to European adventure classics. Included among the contributions are essays on existentialism in Daniel Clowes's graphic novel "Ghost World," ecocriticism in Paul Chadwick's long-running "Concrete" series, and political philosophies in Herge's perennially popular "The Adventures of Tintin." Modern political concerns inform Terry Kading's discussion of how superhero comics have responded to 9/11 and how the genre reflects the anxieties of the contemporary world. Essayists also explore the issues surrounding the development and appreciation of comics. Amy Kiste Nyberg examines the rise of the Comics Code, using it as a springboard for discussing the ethics of censorship and child protection in America. Stanford W. Carpenter uses interviews to analyze how a team of Marvel artists and writers reimagined the origin of one of Marvel's most iconic superheroes, Captain America. Throughout, essayists in Comics as Philosophy show how well the form can be used by its artists and its interpreters as a means of philosophical inquiry. Jeff McLaughlin is assistant professor of philosophy at Thompson Rivers University in Kamloops, British Columbia."
The Cambridge History of the Graphic Novel
Author: Jan Baetens
Publisher: Cambridge University Press
ISBN: 1316771938
Category : Literary Criticism
Languages : en
Pages : 1315
Book Description
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
Publisher: Cambridge University Press
ISBN: 1316771938
Category : Literary Criticism
Languages : en
Pages : 1315
Book Description
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
Magicians of the Gods
Author: Graham Hancock
Publisher: Coronet
ISBN: 1444779699
Category : History
Languages : en
Pages : 446
Book Description
TV presenter Graham Hancock's multi-million bestseller Fingerprints of the Gods remains an astonishing, deeply controversial, wide-ranging investigation of the mysteries of our past and the evidence for Earth's lost civilization. Twenty years on, Hancock returns with a book filled with completely new, scientific and archaeological evidence, which has only recently come to light... The evidence revealed in this book shows beyond reasonable doubt that an advanced civilization that flourished during the Ice Age was destroyed in the global cataclysms between 12,800 and 11,600 years ago. Near the end of the last Ice Age 12,800 years ago, a giant comet that had entered the solar system from deep space thousands of years earlier, broke into multiple fragments. Some of these struck the Earth causing a global cataclysm on a scale unseen since the extinction of the dinosaurs. At least eight of the fragments hit the North American ice cap, while further fragments hit the northern European ice cap. The impacts, from comet fragments a mile wide approaching at more than 60,000 miles an hour, generated huge amounts of heat which instantly liquidized millions of square kilometres of ice, destabilizing the Earth's crust and causing the global Deluge that is remembered in myths all around the world. A second series of impacts, equally devastating, causing further cataclysmic flooding, occurred 11,600 years ago, the exact date that Plato gives for the destruction and submergence of Atlantis. But there were survivors - known to later cultures by names such as 'the Sages', 'the Magicians', 'the Shining Ones', and 'the Mystery Teachers of Heaven'. They travelled the world in their great ships doing all in their power to keep the spark of civilization burning. They settled at key locations - Gobekli Tepe in Turkey, Baalbek in the Lebanon, Giza in Egypt, ancient Sumer, Mexico, Peru and across the Pacific where a huge pyramid has recently been discovered in Indonesia. Everywhere they went these 'Magicians of the Gods' brought with them the memory of a time when mankind had fallen out of harmony with the universe and paid a heavy price. A memory and a warning to the future... For the comet that wrought such destruction between 12,800 and 11,600 years may not be done with us yet. Astronomers believe that a 20-mile wide 'dark' fragment of the original giant comet remains hidden within its debris stream and threatens the Earth. An astronomical message encoded at Gobekli Tepe, and in the Sphinx and the pyramids of Egypt,warns that the 'Great Return' will occur in our time...
Publisher: Coronet
ISBN: 1444779699
Category : History
Languages : en
Pages : 446
Book Description
TV presenter Graham Hancock's multi-million bestseller Fingerprints of the Gods remains an astonishing, deeply controversial, wide-ranging investigation of the mysteries of our past and the evidence for Earth's lost civilization. Twenty years on, Hancock returns with a book filled with completely new, scientific and archaeological evidence, which has only recently come to light... The evidence revealed in this book shows beyond reasonable doubt that an advanced civilization that flourished during the Ice Age was destroyed in the global cataclysms between 12,800 and 11,600 years ago. Near the end of the last Ice Age 12,800 years ago, a giant comet that had entered the solar system from deep space thousands of years earlier, broke into multiple fragments. Some of these struck the Earth causing a global cataclysm on a scale unseen since the extinction of the dinosaurs. At least eight of the fragments hit the North American ice cap, while further fragments hit the northern European ice cap. The impacts, from comet fragments a mile wide approaching at more than 60,000 miles an hour, generated huge amounts of heat which instantly liquidized millions of square kilometres of ice, destabilizing the Earth's crust and causing the global Deluge that is remembered in myths all around the world. A second series of impacts, equally devastating, causing further cataclysmic flooding, occurred 11,600 years ago, the exact date that Plato gives for the destruction and submergence of Atlantis. But there were survivors - known to later cultures by names such as 'the Sages', 'the Magicians', 'the Shining Ones', and 'the Mystery Teachers of Heaven'. They travelled the world in their great ships doing all in their power to keep the spark of civilization burning. They settled at key locations - Gobekli Tepe in Turkey, Baalbek in the Lebanon, Giza in Egypt, ancient Sumer, Mexico, Peru and across the Pacific where a huge pyramid has recently been discovered in Indonesia. Everywhere they went these 'Magicians of the Gods' brought with them the memory of a time when mankind had fallen out of harmony with the universe and paid a heavy price. A memory and a warning to the future... For the comet that wrought such destruction between 12,800 and 11,600 years may not be done with us yet. Astronomers believe that a 20-mile wide 'dark' fragment of the original giant comet remains hidden within its debris stream and threatens the Earth. An astronomical message encoded at Gobekli Tepe, and in the Sphinx and the pyramids of Egypt,warns that the 'Great Return' will occur in our time...