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Author: Hanna Ryggen
Publisher: Hatje Cantz Verlag
ISBN: 3775730966
Category : Art
Languages : en
Pages : 67
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Book Description
Hannah Ryggen was born in 1894 in Malmö, Sweden, and lived until her death on a farm in Norway. Over fifty years, the artist wove tapestries with critical contemporary motifs. In her introduction to Ryggen's notebook, Marta Kuzma recapitulates the crucial phase at the beginning of the world economic crisis of 1928, when the rise of fascism in Europe caused an existential dilemma for many people. Walter Benjamin described the precariousness of the situation with the figure of a "little hunchback," as a metaphor for the broken and desperate situation in which many Europeans were stuck. Instead of falling into resignation, the pacifist, communist, and feminist Ryggen materialized her thoughts about her time in an unsuspicious medium. In a deeply ideological and fear-driven time, she hung her hand-woven tapestries that depicted and reordered the power constellations and atrocity of society in dreamlike sceneries outside her window during the German occupation of Norway. With images, a short autobiography of the artist, and a textile-coloring recipe. Hannah Ryggen (1894–1970) was a Norwegian artist, born in Sweden. Marta Kuzma (*1964) is a curator and lecturer, and Director of the Office for Contemporary Art Norway, Oslo; she is a member of dOCUMENTA (13)'s Core Agent Group. Language: English/German
Author: Hanna Ryggen
Publisher: Hatje Cantz Verlag
ISBN: 3775730966
Category : Art
Languages : en
Pages : 67
Get Book Here
Book Description
Hannah Ryggen was born in 1894 in Malmö, Sweden, and lived until her death on a farm in Norway. Over fifty years, the artist wove tapestries with critical contemporary motifs. In her introduction to Ryggen's notebook, Marta Kuzma recapitulates the crucial phase at the beginning of the world economic crisis of 1928, when the rise of fascism in Europe caused an existential dilemma for many people. Walter Benjamin described the precariousness of the situation with the figure of a "little hunchback," as a metaphor for the broken and desperate situation in which many Europeans were stuck. Instead of falling into resignation, the pacifist, communist, and feminist Ryggen materialized her thoughts about her time in an unsuspicious medium. In a deeply ideological and fear-driven time, she hung her hand-woven tapestries that depicted and reordered the power constellations and atrocity of society in dreamlike sceneries outside her window during the German occupation of Norway. With images, a short autobiography of the artist, and a textile-coloring recipe. Hannah Ryggen (1894–1970) was a Norwegian artist, born in Sweden. Marta Kuzma (*1964) is a curator and lecturer, and Director of the Office for Contemporary Art Norway, Oslo; she is a member of dOCUMENTA (13)'s Core Agent Group. Language: English/German
Author: Marta Kuzma
Publisher: Office for Contemporary Art Norway Oca
ISBN: 9788292495186
Category : Art
Languages : en
Pages : 0
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Book Description
'The State of Things' - part of Norway's official representation in the Biennale di Venezia 2011 was developed against a landscape of dramatic events, and addressed, as its title suggests, the socio-political and cultural situation of today, through a series of lectures by art historians, philosophers, sociologists, activists, and political theorists. In each of the essays gathered in this volume, the authors address what they consider the intellectual and political priorities of today.
Author: Marta Kuzma
Publisher: Oca/Koenig Books
ISBN: 9783863350680
Category : Erotica
Languages : en
Pages : 0
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Book Description
Whatever Happened to Sex in Scandinavia? is a reader that brings together essays, artists' writings and works, and countercultural publications to examine the juncture of the political and the erotic during the 1960s and '70s.Adopting as its starting point the international perception of Scandinavia during these years as a utopian region of socialism and sexual freedom, it explores how artistic and cultural production of the time reflected an experimental impulse that closely engaged with movement towards sexual and political liberation.The book is the conclusion of a four-year research project that included an exhibition and a public programme. It includes many texts published in English here for the first time.
Author:
Publisher: Yale University Art Gallery
ISBN: 9780300254242
Category : Art
Languages : en
Pages : 308
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Book Description
A tribute to the impressive roster of women artists who have graduated from Yale University Celebrating the 150th anniversary of the first women students at Yale, who came to study at the Yale School of the Fine Arts (now Yale School of Art) when it opened in 1869, and the 50th anniversary of undergraduate coeducation at the University, this volume honors the accomplishments of women artist-graduates of Yale. More than 80 artists--including Rina Banerjee, Janet Fish, Audrey Flack, Eva Hesse, Maya Lin, Howardena Pindell, Sylvia Plimack Mangold, and Mickalene Thomas--are represented with works drawn exclusively from the Yale University Art Gallery. Essays and timelines detail related milestones such as the appointment of art historian Anne Coffin Hanson as the first woman to be hired as a full, tenured professor on campus and Mimi Gardner Gates as the first female director of the Gallery. Amid the rise of feminist movements--from women's suffrage to the #MeToo movement of today--this book asserts the crucial role women have played in pushing creative boundaries at Yale, and in the art world at large.
Author: Donna King
Publisher: Vanderbilt University Press
ISBN: 082650373X
Category : Social Science
Languages : en
Pages : 350
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Book Description
At a time when women are being exhorted to "lean in" and work harder to get ahead, Letting Go: Feminist and Social Justice Insight and Activism encourages both women and men to "let go" instead. The book explores alternatives to the belief that individual achievement, accumulation, and attention-seeking are the road to happiness and satisfaction in life. Letting go demands a radical recognition that the values, relationships, and structures of our neoliberal (competitive, striving, accumulating, consuming, exploiting, oppressive) society are harmful both on a personal level and, especially important, on a social and environmental level. There is a huge difference between letting go and "chilling out." In a lean-in society, self-care is promoted as something women and men should do to learn how to "relax" and find a comfortable work-life balance. By contrast, a feminist letting-go and its attendant self-care have the potential to be a radical act of awakening to social and environmental injustice and a call to activism.
Author: Peter Osborne
Publisher: Verso Books
ISBN: 1781680949
Category : Art
Languages : en
Pages : 289
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Book Description
A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism. Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA)
Author: Shannon Jackson
Publisher: Taylor & Francis
ISBN: 1136979832
Category : Art
Languages : en
Pages : 310
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Book Description
‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
Author: Jussi Palmusaari
Publisher: Bloomsbury Publishing
ISBN: 1350274003
Category : Philosophy
Languages : en
Pages : 309
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Book Description
This striking interpretation of Rancière's uncompromising view of emancipation draws on his Maoist commitments and invariably rational and Kantian-moralist basis. Tracing the logic of abstract and atemporal space in all of Rancière's work, it stands in contrast to the prevailing tendency to emphasise his sensitivity to evolving historical forms and changing regimes of sensibility. Overturning the meaning of Rancière's interest in the sensible makes the object of his thinking clear: a revolt against a reality structured according to ordered temporalities and forms of appearance. In making its case, For Revolt reconstructs Rancière's relations to some of the crucial, yet unexplored, politico-historical frameworks of his thought, such as the Cultural-Revolutionary Maoism and the French Revolution, offering a fresh perspective on these revolutionary paradigms. Going against dominant views, this book argues for a fundamentally positive influence of Louis Althusser's philosophy on Rancière's thought and analyses his relation to Marx and Kant based on previously undiscussed early student work. Through a critical discussion of Rancière, For Revolt sheds light on the present predicament of emancipatory politics its emphasis on the actualities of here and now and its difficulties in envisaging programmatic realisations of radically alternative futures.
Author: Erdem Çolak
Publisher: Bloomsbury Publishing
ISBN: 1350375829
Category : Art
Languages : en
Pages : 218
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Book Description
This is the first monograph fully dedicated to critically investigating the political, economic, artistic, urban, and societal relationships of Manifesta – European Biennial of Contemporary Art, a European nomadic biennial initiated in the post-Cold War era. Despite being one of the most important recurrent exhibitions taking place in Europe, surprisingly little has been written about it since the mid-2000s, Manifesta, Art, Society and Politics provides a deeply-researched and engaging analysis of the the critically overlooked Manifesta exhibitions, as well as it's changing goals and discourse since the first edition in 1996. The book is split into four parts, divided by theme and following the exhibitions chronologically. Providing a comprehensive overview of one of the most important biennials in Europe, Manifesta, Art, Society and Politics investigates the relationship between large-scale art exhibitions, culture-led regeneration, and urban transformation. It is essential reading for students and researches of exhibition and curatorial studies, art history, and cultural studies.
Author: Mireia Aragay
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110548712
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Drawing primarily on Judith Butler’s, Jacques Derrida’s, Emmanuel Levinas’s and Jean-Luc Nancy’s reflections on precariousness/precarity, the Self and the Other, ethical responsibility/obligation, forgiveness, hos(ti)pitality and community, the essays in this volume examine the various ways in which contemporary British drama and theatre engage with ‘the precarious’. Crucially, what emerges from the discussion of a wide range of plays – including Jez Butterworth’s Jerusalem, Caryl Churchill’s Here We Go, Martin Crimp’s Fewer Emergencies and In the Republic of Happiness, Tim Crouch’s The Author, Forced Entertainment’s Tomorrow’s Parties, David Greig’s The American Pilot and The Events, Dennis Kelly’s Love and Money, Mark Ravenhill’s Shoot/Get Treasure/Repeat, Philip Ridley’s Mercury Fur, Robin Soans’s Talking to Terrorists, Simon Stephens’s Pornography, theTheatre Uncut project, debbie tucker green’s dirty butterfly and Laura Wade’s Posh – is the observation that contemporary (British) drama and theatre often realises its thematic and formal/structural potential to the full precisely by reflecting upon the category and the episteme of precariousness, and deliberately turning audience members into active participants in the process of negotiating ethical agency.
