Author: Sydney J. Krause
Publisher: JHU Press
ISBN: 1421434571
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
Mark Twain as Critic
Author: Sydney J. Krause
Publisher: JHU Press
ISBN: 1421434571
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
Publisher: JHU Press
ISBN: 1421434571
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
Mark Twain's Audience
Author: Robert McParland
Publisher: Lexington Books
ISBN: 0739190520
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Mark Twain has been one of the most popular American writers since 1868. This book shifts the focus of Twain studies from the writer to the reader. This study of Twain’s readership and lecture audiences makes use of statistics, literary biography, twentieth-century newspapers, memoirs, diaries, travel journals, letters, literature, interviews, and reading circle reports. The book allows the audience of Mark Twain to speak for themselves in defining their relationship to his work. Twain collected letters from his readers but there are also many other sources of which critics should be aware. The voices of these readers present their views, their likes—and sometimes dislikes, their emotional reactions and identification, and their deep attachment and love for Twain’s characters, stories, themes, and sensibilities. Bringing together contemporary reactions to Twain and his works and those of later audiences, this book paints a portrait of the American people and of American society and culture. While the book is about Mark Twain, or Samuel Clemens, it presents a larger cultural study of twentieth-century America and the early years of the twentieth century. The book includes Twain’s international audience but makes its majorly scholarly contribution in the analysis of Twain’s audience in America. It analyzes the people and their values, their reading habits and cultural views, their everyday experiences in the face of the drastic changes of the emerging nation coping with cataclysmic events, such as the Industrial Revolution and the consequences of the Civil War. This book serves as a model for using the audience of a prominent writer to analyze American history, American culture, and the American psyche. This book examines a historical time and an emerging national consciousness that defined the American identity after the Civil War.
Publisher: Lexington Books
ISBN: 0739190520
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Mark Twain has been one of the most popular American writers since 1868. This book shifts the focus of Twain studies from the writer to the reader. This study of Twain’s readership and lecture audiences makes use of statistics, literary biography, twentieth-century newspapers, memoirs, diaries, travel journals, letters, literature, interviews, and reading circle reports. The book allows the audience of Mark Twain to speak for themselves in defining their relationship to his work. Twain collected letters from his readers but there are also many other sources of which critics should be aware. The voices of these readers present their views, their likes—and sometimes dislikes, their emotional reactions and identification, and their deep attachment and love for Twain’s characters, stories, themes, and sensibilities. Bringing together contemporary reactions to Twain and his works and those of later audiences, this book paints a portrait of the American people and of American society and culture. While the book is about Mark Twain, or Samuel Clemens, it presents a larger cultural study of twentieth-century America and the early years of the twentieth century. The book includes Twain’s international audience but makes its majorly scholarly contribution in the analysis of Twain’s audience in America. It analyzes the people and their values, their reading habits and cultural views, their everyday experiences in the face of the drastic changes of the emerging nation coping with cataclysmic events, such as the Industrial Revolution and the consequences of the Civil War. This book serves as a model for using the audience of a prominent writer to analyze American history, American culture, and the American psyche. This book examines a historical time and an emerging national consciousness that defined the American identity after the Civil War.
Mark Twain
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 335
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 335
Book Description
Mark Twain Under Fire
Author: Joe B. Fulton
Publisher: Boydell & Brewer
ISBN: 1640140344
Category : History
Languages : en
Pages : 308
Book Description
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been "under fire" since the advent of his career. Threatened by a rival editor brandishing a double-barreled shotgun, young Samuel Clemens had his first taste of literary criticism. Clemens began his long writing career penning satirical articles for his brother's newspaper in Hannibal, Missouri. His humor delighted everyone except his targets, and it would not be the last time his writing provoked threats of "dissection, tomahawking, libel, and getting his head shot off." Clemens adopted the name Mark Twain while living in the Nevada Territory, where his caustic comedy led to angry confrontations, a challenge to a duel, and a subsequent flight. Nursing his wounded ego in California, Twain vowed to develop a reputation that would"stand fire" and in the process became the classic American writer. Mark Twain under Fire tracks the genesis and evolution of Twain's reputation as a writer: his reception as a humorist, his "return fire" on genteel critics, and the development of academic criticism. As a history of Twain criticism, the book draws on English and foreign-language scholarship. Fulton discusses the forces and ideas that have influenced criticism, revealinghow and why Mark Twain has been "under fire" from the advent of his career to the present day, when his masterpiece Huckleberry Finn remains one of America's most frequently banned books. Joe B. Fulton is Professor of English at Baylor University in Waco, Texas. He has published four previous books on Mark Twain.
Publisher: Boydell & Brewer
ISBN: 1640140344
Category : History
Languages : en
Pages : 308
Book Description
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been "under fire" since the advent of his career. Threatened by a rival editor brandishing a double-barreled shotgun, young Samuel Clemens had his first taste of literary criticism. Clemens began his long writing career penning satirical articles for his brother's newspaper in Hannibal, Missouri. His humor delighted everyone except his targets, and it would not be the last time his writing provoked threats of "dissection, tomahawking, libel, and getting his head shot off." Clemens adopted the name Mark Twain while living in the Nevada Territory, where his caustic comedy led to angry confrontations, a challenge to a duel, and a subsequent flight. Nursing his wounded ego in California, Twain vowed to develop a reputation that would"stand fire" and in the process became the classic American writer. Mark Twain under Fire tracks the genesis and evolution of Twain's reputation as a writer: his reception as a humorist, his "return fire" on genteel critics, and the development of academic criticism. As a history of Twain criticism, the book draws on English and foreign-language scholarship. Fulton discusses the forces and ideas that have influenced criticism, revealinghow and why Mark Twain has been "under fire" from the advent of his career to the present day, when his masterpiece Huckleberry Finn remains one of America's most frequently banned books. Joe B. Fulton is Professor of English at Baylor University in Waco, Texas. He has published four previous books on Mark Twain.
Mark Twain's Autobiography
Author: Mark Twain
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 402
Book Description
Selected from Mark Twain's typescript.
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 402
Book Description
Selected from Mark Twain's typescript.
My Mark Twain
Author: William Dean Howells
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 226
Book Description
Reminiscences of Howells' friendship with Mark Twain, followed by criticism of about a dozen of his major works (chiefly book reviews previously published in various periodicals).
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 226
Book Description
Reminiscences of Howells' friendship with Mark Twain, followed by criticism of about a dozen of his major works (chiefly book reviews previously published in various periodicals).
Mark Twain
Author: Louis J. Budd
Publisher: University of Missouri Press
ISBN: 9780826213686
Category : Fiction
Languages : en
Pages : 290
Book Description
"Much has been written about Mark Twain's social and political attitudes, but Mark Twain: Social Philosopher is the most comprehensive study of the subject that has been made. Mr. Budd's treatment is thorough and detailed, supported by illuminating analysis and plentiful documentation. He presents his material well in a forthright, readable style that moves at a springy pace agreeably free from academic heavy-footedness." --Indiana Magazine of History "Louis J. Budd performs the service of tracing the growth of Twain's social and political convictions and thus showing his relationship to the age in which he lived. . . . Based upon extensive research in newspapers of the day, the personal letters, and other little-known material, as well as intensive analysis of the most relevant works by Twain, Budd's careful and balanced study is an important contribution."--Modern Fiction Newsletter "Budd is one of those rare and highly-to-be-prized people who consistently say good things in a graceful way. Writing about Mark Twain in a fashion that would not make Mark Twain swear if he read the result is a test not often passed. Professor Budd passes it with flying colors."--Mississippi Quarterly "Well written, vital, filled with a sharpness and humor reminiscent of Twain himself, [Mark Twain: Social Philosopher] is a penetrating and sustained analysis of Twain's development as a social critic, and shows his interest in the social issues of his day. It is a model of good criticism, honest analysis, and fine writing." --American Writers in Rebellion "Anyone who wants to read Mark Twain against the changing background of his time will turn with gratitude to Mr. Budd's patient, unpretentious, and revealing book."--Virginia Quarterly Review
Publisher: University of Missouri Press
ISBN: 9780826213686
Category : Fiction
Languages : en
Pages : 290
Book Description
"Much has been written about Mark Twain's social and political attitudes, but Mark Twain: Social Philosopher is the most comprehensive study of the subject that has been made. Mr. Budd's treatment is thorough and detailed, supported by illuminating analysis and plentiful documentation. He presents his material well in a forthright, readable style that moves at a springy pace agreeably free from academic heavy-footedness." --Indiana Magazine of History "Louis J. Budd performs the service of tracing the growth of Twain's social and political convictions and thus showing his relationship to the age in which he lived. . . . Based upon extensive research in newspapers of the day, the personal letters, and other little-known material, as well as intensive analysis of the most relevant works by Twain, Budd's careful and balanced study is an important contribution."--Modern Fiction Newsletter "Budd is one of those rare and highly-to-be-prized people who consistently say good things in a graceful way. Writing about Mark Twain in a fashion that would not make Mark Twain swear if he read the result is a test not often passed. Professor Budd passes it with flying colors."--Mississippi Quarterly "Well written, vital, filled with a sharpness and humor reminiscent of Twain himself, [Mark Twain: Social Philosopher] is a penetrating and sustained analysis of Twain's development as a social critic, and shows his interest in the social issues of his day. It is a model of good criticism, honest analysis, and fine writing." --American Writers in Rebellion "Anyone who wants to read Mark Twain against the changing background of his time will turn with gratitude to Mr. Budd's patient, unpretentious, and revealing book."--Virginia Quarterly Review
Best Critical Writing
Author: Nora Rawn
Publisher: Dover Publications
ISBN: 0486826759
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
In "The Critic as Artist," Oscar Wilde declares that the critic's artistic capabilities are as important as those of the artist. Wilde's passionate defense of the aesthetics of art criticism is among the wide-ranging and thought-provoking essays of this original collection, in which noted writers discuss the role of criticism in English and American literature. Contents include Edgar Allan Poe's "The Philosophy of Composition," in which the author draws upon his most famous poem, "The Raven," to illustrate his theories on writing; Matthew Arnold's "The Study of Poetry"; and commentaries on Shakespeare's plays by Samuel Johnson and Wordsworth's poetry by William Hazlitt. Walter Pater, whose work was highly influential on the writers of the Aesthetic Movement, is represented by an essay on style. Other selections include Mark Twain's satirical "Fenimore Cooper's Literary Offences" and the "Preface to Leaves of Grass" by Walt Whitman. Brief introductory notes accompany each essay.
Publisher: Dover Publications
ISBN: 0486826759
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
In "The Critic as Artist," Oscar Wilde declares that the critic's artistic capabilities are as important as those of the artist. Wilde's passionate defense of the aesthetics of art criticism is among the wide-ranging and thought-provoking essays of this original collection, in which noted writers discuss the role of criticism in English and American literature. Contents include Edgar Allan Poe's "The Philosophy of Composition," in which the author draws upon his most famous poem, "The Raven," to illustrate his theories on writing; Matthew Arnold's "The Study of Poetry"; and commentaries on Shakespeare's plays by Samuel Johnson and Wordsworth's poetry by William Hazlitt. Walter Pater, whose work was highly influential on the writers of the Aesthetic Movement, is represented by an essay on style. Other selections include Mark Twain's satirical "Fenimore Cooper's Literary Offences" and the "Preface to Leaves of Grass" by Walt Whitman. Brief introductory notes accompany each essay.
Mark Twain
Author: Archibald Henderson
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 156
Book Description
DigiCat Publishing presents to you this special edition of "Mark Twain" by Archibald Henderson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 156
Book Description
DigiCat Publishing presents to you this special edition of "Mark Twain" by Archibald Henderson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Mark Twain
Author: Henry Nash Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description