Marius the Epicurean; His Sensations and Ideas PDF Download
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Author: Walter Pater
Publisher: BoD – Books on Demand
ISBN: 3387030606
Category : Fiction
Languages : en
Pages : 214
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Walter Pater
Publisher: BoD – Books on Demand
ISBN: 3387030606
Category : Fiction
Languages : en
Pages : 214
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Walter Pater
Publisher: Double 9 Books
ISBN: 9789358711028
Category :
Languages : en
Pages : 0
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Book Description
Walter Pater's book Marius the Epicurean is split into two parts. After the success of the first book, the second one is called Marius The Epicurean Vol 2 'His Sensations and Ideas.' The book goes on with the story of Marius, a young Roman prince who is looking for a way to live that will make him happy. In this volume, Marius goes to Athens to study philosophy with Marcus Aurelius, who is a Stoic scholar. Marius's time in Athens gives him a chance to think about duty, ethics, and the nature of the soul. He looks at how art and life are connected and how beauty and pleasure can help us understand the world better. The book is also known for how it looks at the conflict between Christianity and paganism. Marius struggles to find a balance between his Christian faith and his desire to live a fun life.
Author: John Scholar
Publisher: Oxford University Press
ISBN: 0192594931
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
Henry James criticized the impressionism that was revolutionizing French painting and fiction. He satirized the British aesthetic movement whose keystone was impressionist criticism. So why, time and again in important parts of his literary work, did James use the word 'impression'? Henry James and the Art of Impressions argues that James tried to wrest the impression from the impressionists and to recast it in his own art of the novel. Interdisciplinary in its range, philosophical and literary in its focus, the book shows the place of James's work within the wider cultural history of impressionism. It draws on painting, philosophy, psychology, literature, and critical theory to examine James's art criticism, early literary criticism, travel writing, reflections on his own fiction, and the three great novels of his major phase, The Ambassadors, The Wings of the Dove, and The Golden Bowl. It shows how the language of impressions enables James to represent the most intense moments of consciousness of his characters. It argues that the Jamesian impression is best understood as a family of related ideas bound together by James's attempt to reconcile the novel's value as a mimetic form with its value as a transformative creative activity.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 754
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Book Description
Author: Romana Byrne
Publisher: Bloomsbury Publishing USA
ISBN: 1441158790
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'. To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.
Author: Sarah Green
Publisher: Cambridge University Press
ISBN: 1108831516
Category : Juvenile Nonfiction
Languages : en
Pages : 283
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Book Description
Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.
Author: McClurg, Firm, Booksellers, Chicago
Publisher:
ISBN:
Category :
Languages : en
Pages : 804
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Book Description
Author: Samuel R. Delany
Publisher: Wesleyan University Press
ISBN: 0819579793
Category : Literary Criticism
Languages : en
Pages : 393
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Book Description
Samuel R. Delany is an acclaimed writer of literary theory, queer literature, and fiction. His works have fundamentally altered the terrain of science fiction (SF) through their formally consummate and materially grounded explorations of difference. This anthology of essays, talks, and interviews addresses topics such as sex and sexuality, race, power, literature and genre, as well as Herman Melville, John Ashbery, Willa Cather, Junot Diaz, and others. The second of two volumes, this book gathers more than twenty-five pieces on films, poetry, and science fiction. This diverse collection displays the power of a towering literary intelligence. It is a rich trove of essays, as well as a map to the mind of one of the great writers of our time.
Author: KerenRosa Hammerschlag
Publisher: Routledge
ISBN: 1351566598
Category : Art
Languages : en
Pages : 259
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Book Description
Keren Rosa Hammerschlag's Frederic Leighton: Death, Mortality, Resurrection offers a timely reexamination of the art of the late Victorian period's most institutionally powerful artist, Frederic Lord Leighton (1830-1896). As President of the Royal Academy from 1878 to 1896, Leighton was committed to the pursuit of beauty in art through the depiction of classical subjects, executed according to an academic working-method. But as this book reveals, Leighton's art and discourse were beset by the realisation that academic art would likely die with him. Rather than achieving classical perfection, Hammerschlag argues, Leighton's figures hover in transitional states between realism and idealism, flesh and marble, life and death, as gothic distortions of the classical ideal. The author undertakes close readings of key paintings, sculptures, frescos and drawings in Leighton's oeuvre, and situates them in the context of contemporaneous debates about death and resurrection in theology, archaeology and medicine. The outcome is a pleasurably macabre counter-biography that reconfigures what it meant to be not just a late-Victorian neoclassicist and royal academician, but President of the Victorian Royal Academy.
Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 610
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Book Description
