Author: Christopher Kuzell
Publisher:
ISBN: 9781934638675
Category :
Languages : en
Pages :
Book Description
A virtuoso piece in a large sonata form exploring the many possible tonal, technical and melodic capabilities of the marimba. Unaccompanied, 3 movements, difficult.
Sonata for Marimba
Author: Christopher Kuzell
Publisher:
ISBN: 9781934638675
Category :
Languages : en
Pages :
Book Description
A virtuoso piece in a large sonata form exploring the many possible tonal, technical and melodic capabilities of the marimba. Unaccompanied, 3 movements, difficult.
Publisher:
ISBN: 9781934638675
Category :
Languages : en
Pages :
Book Description
A virtuoso piece in a large sonata form exploring the many possible tonal, technical and melodic capabilities of the marimba. Unaccompanied, 3 movements, difficult.
Sonata for marimba and piano
Author: Peter Hyde Tanner
Publisher:
ISBN:
Category : Marimba and piano music
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Marimba and piano music
Languages : en
Pages : 34
Book Description
Masterpieces for Marimba
Author: Thomas McMillan
Publisher: Alfred Music
ISBN: 9781457490491
Category : Music
Languages : en
Pages : 36
Book Description
A collection of pieces from the Baroque music period arranged for marimba solo.
Publisher: Alfred Music
ISBN: 9781457490491
Category : Music
Languages : en
Pages : 36
Book Description
A collection of pieces from the Baroque music period arranged for marimba solo.
The Boston Composers Project
Author: Boston Area Music Libraries
Publisher: MIT Press
ISBN: 9780262021982
Category : Music
Languages : en
Pages : 818
Book Description
The bibliography lists nearly 5,000 compositions by 200 composers of jazz and "art" music, indicating where scores or realizations can be purchased, rented, or borrowed, and which Boston area libraries have them in their collections.
Publisher: MIT Press
ISBN: 9780262021982
Category : Music
Languages : en
Pages : 818
Book Description
The bibliography lists nearly 5,000 compositions by 200 composers of jazz and "art" music, indicating where scores or realizations can be purchased, rented, or borrowed, and which Boston area libraries have them in their collections.
Percussive Notes
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
Book Description
Command Performances for Percussion
Author: Anthony J. Cirone
Publisher: Alfred Music
ISBN: 9781457401954
Category : Music
Languages : en
Pages : 40
Book Description
This collection is the perfect sourcebook for material that meets or exceeds recital and performance requirements. Written by Tony Cirone, the leading educational percussion writer and editor in the field today. These are exciting and challenging contemporary percussion solos for today's student.
Publisher: Alfred Music
ISBN: 9781457401954
Category : Music
Languages : en
Pages : 40
Book Description
This collection is the perfect sourcebook for material that meets or exceeds recital and performance requirements. Written by Tony Cirone, the leading educational percussion writer and editor in the field today. These are exciting and challenging contemporary percussion solos for today's student.
Percussion Pedagogy
Author: Michael Udow
Publisher: Oxford University Press
ISBN: 0190902973
Category : Music
Languages : en
Pages : 504
Book Description
In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into a core performance principle based on integrated motions resulting in refined tone quality and meaningful musicianship. The book applies this principle to several instruments including snare drum, timpani, marimba, vibraphone, multiple-percussion, tambourine and triangle, bass drum, cymbals, tam-tams, and a variety of Western concert and world percussion repertoire. In particular, Udow addresses the importance of coupling stroke types with stickings to set the foundation for precise rhythmic playing and expressive musicality. Chapters also focus on integrated rhythms, breath, and pulsed rhythms, anatomy and physiological health, psychological health, purposeful listening, and the importance of singing when practicing. Offering solutions to common performance problems, the book's many examples serve as a paradigm for future problem solving. A comprehensive companion website complements Udow's teachings with a wealth of video tutorials and listening examples.
Publisher: Oxford University Press
ISBN: 0190902973
Category : Music
Languages : en
Pages : 504
Book Description
In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into a core performance principle based on integrated motions resulting in refined tone quality and meaningful musicianship. The book applies this principle to several instruments including snare drum, timpani, marimba, vibraphone, multiple-percussion, tambourine and triangle, bass drum, cymbals, tam-tams, and a variety of Western concert and world percussion repertoire. In particular, Udow addresses the importance of coupling stroke types with stickings to set the foundation for precise rhythmic playing and expressive musicality. Chapters also focus on integrated rhythms, breath, and pulsed rhythms, anatomy and physiological health, psychological health, purposeful listening, and the importance of singing when practicing. Offering solutions to common performance problems, the book's many examples serve as a paradigm for future problem solving. A comprehensive companion website complements Udow's teachings with a wealth of video tutorials and listening examples.
Harry Partch
Author: Bob Gilmore
Publisher: Yale University Press
ISBN: 9780300065213
Category : Biography & Autobiography
Languages : en
Pages : 492
Book Description
Visionary composer, theorist, and creator of musical instruments, Harry Partch (1901-1974) was a leading figure in the development of an indigenously American contemporary music. A pioneer in his explorations of new instruments and new tunings, Partch created multimedia theater works that combine sight and sound in a compelling synthesis. He is acknowledged as a major inspiration to postwar experimental composers as diverse as György Ligeti, Lou Harrison, Philip Glass, and Laurie Anderson, and his book Genesis of a Music, first published in 1949, is now considered a classic. This book is the first to tell the complete story of Partch's life and work. Drawing on interviews with many of Partch's associates and on the complete archives of the Harry Partch Estate, Bob Gilmore provides a full and sympathetic portrait of this extraordinary creative artist. He describes Partch's complicated relationships with friends, patrons, the musical establishment, and the world at large. He traces Partch's upbringing in the remote desert towns of the Southwest, his explosive encounter with formal music education in Los Angeles, and his revolutionary course as a composer that began with an interest in the musicality of speech patterns. After immersing himself in hobo subculture during the Depression, Partch came to occupy a lonely and uncompromising position as a cultural outsider. Richly fascinating in themselves, Partch's compositions, writings, and life also have much to reveal about American society and the creative impulses of the artistic avant-garde.
Publisher: Yale University Press
ISBN: 9780300065213
Category : Biography & Autobiography
Languages : en
Pages : 492
Book Description
Visionary composer, theorist, and creator of musical instruments, Harry Partch (1901-1974) was a leading figure in the development of an indigenously American contemporary music. A pioneer in his explorations of new instruments and new tunings, Partch created multimedia theater works that combine sight and sound in a compelling synthesis. He is acknowledged as a major inspiration to postwar experimental composers as diverse as György Ligeti, Lou Harrison, Philip Glass, and Laurie Anderson, and his book Genesis of a Music, first published in 1949, is now considered a classic. This book is the first to tell the complete story of Partch's life and work. Drawing on interviews with many of Partch's associates and on the complete archives of the Harry Partch Estate, Bob Gilmore provides a full and sympathetic portrait of this extraordinary creative artist. He describes Partch's complicated relationships with friends, patrons, the musical establishment, and the world at large. He traces Partch's upbringing in the remote desert towns of the Southwest, his explosive encounter with formal music education in Los Angeles, and his revolutionary course as a composer that began with an interest in the musicality of speech patterns. After immersing himself in hobo subculture during the Depression, Partch came to occupy a lonely and uncompromising position as a cultural outsider. Richly fascinating in themselves, Partch's compositions, writings, and life also have much to reveal about American society and the creative impulses of the artistic avant-garde.
School of Music Programs
Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 718
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 718
Book Description
New Directions for Clarinet
Author: Phillip Rehfeldt
Publisher: Scarecrow Press
ISBN: 1461664225
Category : Music
Languages : en
Pages : 212
Book Description
Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience. The new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith's clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat's quarter-tone fingerings; a second, extensive music bibliography, the "International Update"; and an updated and annotated bibliography of music literature.
Publisher: Scarecrow Press
ISBN: 1461664225
Category : Music
Languages : en
Pages : 212
Book Description
Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience. The new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith's clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat's quarter-tone fingerings; a second, extensive music bibliography, the "International Update"; and an updated and annotated bibliography of music literature.