Author: Simon Grennan
Publisher:
ISBN: 9780995590090
Category :
Languages : en
Pages : 144
Book Description
Marie Duval was a groundbreaking Victorian female cartoonist whose wide range of work, depicting an urban, often working class milieu, has been largely forgotten. This is the first book to celebrate her life and work.
Marie Duval
Author: Simon Grennan
Publisher:
ISBN: 9780995590090
Category :
Languages : en
Pages : 144
Book Description
Marie Duval was a groundbreaking Victorian female cartoonist whose wide range of work, depicting an urban, often working class milieu, has been largely forgotten. This is the first book to celebrate her life and work.
Publisher:
ISBN: 9780995590090
Category :
Languages : en
Pages : 144
Book Description
Marie Duval was a groundbreaking Victorian female cartoonist whose wide range of work, depicting an urban, often working class milieu, has been largely forgotten. This is the first book to celebrate her life and work.
Drawing in Drag by Marie Duval
Author: Simon Grennan
Publisher:
ISBN: 9781906012984
Category :
Languages : en
Pages :
Book Description
"In the collection at Chetham's Library, Manchester, is an illustrated novel, published in 1877. Titled The Story of a Honeymoon, the novel was written and illustrated by Charles H. Ross and Ambrose Clarke... Ambrose Clarke never existed... The artist drawing as this fictional man was a woman, Marie Duval. She was an actress and cartoonist known for her reckless comedic drawing style. As one of only a handful of women cartoonists in a male publishing environment, her work was habitually disguised, emasculated, overwritten and stolen. After her death, her male collaborators took the opportunity to erase her from history. They almost succeeded. In 2017, Simon Grennan identified Duval’s work in The Story of a Honeymoon for the first time. Grennan has been instrumental in bringing Duval’s work back to public view... In Drawing in Drag by Marie Duval Grennan focuses on the manners and habits of twenty-first century mass leisure culture, plus its roots in the great cities of the nineteenth century. He adopts the pseudonym Marie Duval, producing drawings in drag, as a woman." -- publisher's notes.
Publisher:
ISBN: 9781906012984
Category :
Languages : en
Pages :
Book Description
"In the collection at Chetham's Library, Manchester, is an illustrated novel, published in 1877. Titled The Story of a Honeymoon, the novel was written and illustrated by Charles H. Ross and Ambrose Clarke... Ambrose Clarke never existed... The artist drawing as this fictional man was a woman, Marie Duval. She was an actress and cartoonist known for her reckless comedic drawing style. As one of only a handful of women cartoonists in a male publishing environment, her work was habitually disguised, emasculated, overwritten and stolen. After her death, her male collaborators took the opportunity to erase her from history. They almost succeeded. In 2017, Simon Grennan identified Duval’s work in The Story of a Honeymoon for the first time. Grennan has been instrumental in bringing Duval’s work back to public view... In Drawing in Drag by Marie Duval Grennan focuses on the manners and habits of twenty-first century mass leisure culture, plus its roots in the great cities of the nineteenth century. He adopts the pseudonym Marie Duval, producing drawings in drag, as a woman." -- publisher's notes.
Nineteenth-century women illustrators and cartoonists
Author: Joanna Devereux
Publisher: Manchester University Press
ISBN: 1526161680
Category : History
Languages : en
Pages : 309
Book Description
Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture.
Publisher: Manchester University Press
ISBN: 1526161680
Category : History
Languages : en
Pages : 309
Book Description
Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture.
The Inking Woman
Author: Nicola Streeten
Publisher:
ISBN: 9780995590083
Category : Comic books, strips, etc
Languages : en
Pages : 142
Book Description
Companion to exhibition held at the Cartoon Museum, London, in 2017.
Publisher:
ISBN: 9780995590083
Category : Comic books, strips, etc
Languages : en
Pages : 142
Book Description
Companion to exhibition held at the Cartoon Museum, London, in 2017.
The Dream Lover
Author: Elizabeth Berg
Publisher: Ballantine Books
ISBN: 0345533801
Category : Fiction
Languages : en
Pages : 402
Book Description
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY USA TODAY • Elizabeth Berg has written a lush historical novel based on the sensuous Parisian life of the nineteenth-century writer George Sand—which is perfect for readers of Nancy Horan and Elizabeth Gilbert. At the beginning of this powerful novel, we meet Aurore Dupin as she is leaving her estranged husband, a loveless marriage, and her family’s estate in the French countryside to start a new life in Paris. There, she gives herself a new name—George Sand—and pursues her dream of becoming a writer, embracing an unconventional and even scandalous lifestyle. Paris in the nineteenth century comes vividly alive, illuminated by the story of the loves, passions, and fierce struggles of a woman who defied the confines of society. Sand’s many lovers and friends include Frédéric Chopin, Gustave Flaubert, Franz Liszt, Eugène Delacroix, Victor Hugo, Marie Dorval, and Alfred de Musset. As Sand welcomes fame and friendship, she fights to overcome heartbreak and prejudice, failure and loss. Though considered the most gifted genius of her time, she works to reconcile the pain of her childhood, of disturbing relationships with her mother and daughter, and of her intimacies with women and men. Will the life she longs for always be just out of reach—a dream? Brilliantly written in luminous prose, and with remarkable insights into the heart and mind of a literary force, The Dream Lover tells the unforgettable story of a courageous, irresistible woman. Praise for The Dream Lover “Exquisitely captivating . . . Sand’s story is so timely and modern in an era when gender and sexual roles are upended daily.”—USA Today “Fantastic . . . a provocative and dazzling portrait . . . Berg tells a terrific story, while simultaneously exploring sexuality, art, and the difficult personal choices women artists in particular made—then and now—in order to succeed. . . . The book, imagistic and perfectly paced, full of dialogue that clips along, is a reader’s dream.”—The Boston Globe “Absorbing . . . an armchair traveler’s delight . . . Berg rolls out the wonders of nineteenth-century Paris in cinematic bursts that capture its light, its street life, its people and sounds. . . . The result is an illuminating portrait of a magnificent woman whose story is enriched by the delicate brush strokes of Berg’s colorful imagination.”—Chicago Tribune “There is authority and confidence in the storytelling that makes the pages fly.”—The New York Times “Berg weaves an enchanting novel about the real life of George Sand.”—Us Weekly “Lavishly described . . . Berg uses her own skill as a writer to graphically present the reader with a clear picture of a brilliant, yet flawed woman.”—Fredericksburg Free Lance–Star “[A] beautiful, imaginative re-creation . . . Berg’s years-long immersion in the writings of and about Sand has resulted in a remarkable channeling of Sand’s voice.”—Library Journal (starred review) “Berg offers vivid, sensual detail and a sensitive portrayal of the yearning and vulnerability behind Sand’s bold persona.”—Publishers Weekly “A thoroughly pleasant escape . . . [Sand is] intoxicating, beautiful, gifted, desirous, unconventional and heartbroken.”—Kirkus Reviews
Publisher: Ballantine Books
ISBN: 0345533801
Category : Fiction
Languages : en
Pages : 402
Book Description
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY USA TODAY • Elizabeth Berg has written a lush historical novel based on the sensuous Parisian life of the nineteenth-century writer George Sand—which is perfect for readers of Nancy Horan and Elizabeth Gilbert. At the beginning of this powerful novel, we meet Aurore Dupin as she is leaving her estranged husband, a loveless marriage, and her family’s estate in the French countryside to start a new life in Paris. There, she gives herself a new name—George Sand—and pursues her dream of becoming a writer, embracing an unconventional and even scandalous lifestyle. Paris in the nineteenth century comes vividly alive, illuminated by the story of the loves, passions, and fierce struggles of a woman who defied the confines of society. Sand’s many lovers and friends include Frédéric Chopin, Gustave Flaubert, Franz Liszt, Eugène Delacroix, Victor Hugo, Marie Dorval, and Alfred de Musset. As Sand welcomes fame and friendship, she fights to overcome heartbreak and prejudice, failure and loss. Though considered the most gifted genius of her time, she works to reconcile the pain of her childhood, of disturbing relationships with her mother and daughter, and of her intimacies with women and men. Will the life she longs for always be just out of reach—a dream? Brilliantly written in luminous prose, and with remarkable insights into the heart and mind of a literary force, The Dream Lover tells the unforgettable story of a courageous, irresistible woman. Praise for The Dream Lover “Exquisitely captivating . . . Sand’s story is so timely and modern in an era when gender and sexual roles are upended daily.”—USA Today “Fantastic . . . a provocative and dazzling portrait . . . Berg tells a terrific story, while simultaneously exploring sexuality, art, and the difficult personal choices women artists in particular made—then and now—in order to succeed. . . . The book, imagistic and perfectly paced, full of dialogue that clips along, is a reader’s dream.”—The Boston Globe “Absorbing . . . an armchair traveler’s delight . . . Berg rolls out the wonders of nineteenth-century Paris in cinematic bursts that capture its light, its street life, its people and sounds. . . . The result is an illuminating portrait of a magnificent woman whose story is enriched by the delicate brush strokes of Berg’s colorful imagination.”—Chicago Tribune “There is authority and confidence in the storytelling that makes the pages fly.”—The New York Times “Berg weaves an enchanting novel about the real life of George Sand.”—Us Weekly “Lavishly described . . . Berg uses her own skill as a writer to graphically present the reader with a clear picture of a brilliant, yet flawed woman.”—Fredericksburg Free Lance–Star “[A] beautiful, imaginative re-creation . . . Berg’s years-long immersion in the writings of and about Sand has resulted in a remarkable channeling of Sand’s voice.”—Library Journal (starred review) “Berg offers vivid, sensual detail and a sensitive portrayal of the yearning and vulnerability behind Sand’s bold persona.”—Publishers Weekly “A thoroughly pleasant escape . . . [Sand is] intoxicating, beautiful, gifted, desirous, unconventional and heartbroken.”—Kirkus Reviews
A Theory of Narrative Drawing
Author: Simon Grennan
Publisher: Springer
ISBN: 1137518448
Category : Social Science
Languages : en
Pages : 287
Book Description
This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.
Publisher: Springer
ISBN: 1137518448
Category : Social Science
Languages : en
Pages : 287
Book Description
This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.
Rebirth of the English Comic Strip
Author: David Kunzle
Publisher: Univ. Press of Mississippi
ISBN: 1496834003
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.
Publisher: Univ. Press of Mississippi
ISBN: 1496834003
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.
The Girl Who Loved Camellias
Author: Julie Kavanagh
Publisher: Vintage
ISBN: 0804171556
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
This riveting biography brilliantly explores the short, intense, and passionate life of the country girl from Normandy, who at thirteen fled her brute of a father to go to Paris. Almost overnight she became one of the most admired courtesans of the 1840s—the inspiration for Alexandre Dumas fils’ The Lady of the Camellias and Verdi’s La Traviata. With her aristocratic ways, elegant clothes and signature camellias, Marie was always a subject of fascination at the opera and the boulevard cafés. Her death at twenty-three from tuberculosis created such an outpouring of sympathy in the press that Charles Dickens, who was in Paris at the time, was amazed. “Everything is erased in the face of an incident which is far more important,” he wrote, “the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis.”
Publisher: Vintage
ISBN: 0804171556
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
This riveting biography brilliantly explores the short, intense, and passionate life of the country girl from Normandy, who at thirteen fled her brute of a father to go to Paris. Almost overnight she became one of the most admired courtesans of the 1840s—the inspiration for Alexandre Dumas fils’ The Lady of the Camellias and Verdi’s La Traviata. With her aristocratic ways, elegant clothes and signature camellias, Marie was always a subject of fascination at the opera and the boulevard cafés. Her death at twenty-three from tuberculosis created such an outpouring of sympathy in the press that Charles Dickens, who was in Paris at the time, was amazed. “Everything is erased in the face of an incident which is far more important,” he wrote, “the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis.”
The Three Bears' Christmas
Author: Kathy Duval
Publisher:
ISBN: 9780545054218
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
After taking a walk on Christmas Eve while their freshly baked gingerbread cools, Papa, Mama, and Baby Bear arrive home to encounter another "trespasser," who does not have golden hair but wears a red suit and leaves presents.
Publisher:
ISBN: 9780545054218
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
After taking a walk on Christmas Eve while their freshly baked gingerbread cools, Papa, Mama, and Baby Bear arrive home to encounter another "trespasser," who does not have golden hair but wears a red suit and leaves presents.
A Theory of Objective Self Awareness
Author: Shelley Duval
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 260
Book Description