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Author: Lena Mozer
Publisher: Simon and Schuster
ISBN: 1734231114
Category : Art
Languages : en
Pages : 41
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Book Description
"Petzel is pleased to present Maria Lassnig: The Paris Years, 1960-68, an exhibition of paintings by the Austrian artist that have rarely been seen in the United States. On view at the gallery's Chelsea location from November 4 through December 17, the show, which includes over 20 important works developed in Lassnig's studio on rue de Begnolet, covers Lassnig's formative years in the City of Light. "Though Maria Lassnig only lived in Paris for eight years, it was in her studio on Rue de Bagnolet that she began to fully release herself from aesthetic constraints and developed a sense of freedom that became synonymous with her name. There, Lassnig took up the various isms she explored in her previous paintings--realism, expressionism, surrealism, tachism--and transformed them into something truly autonomous by simultaneously turning more fully to herself, to her sensations, lived experiences, and physical embodiment," writes Lauren O'Neill-Butler in her essay for the accompanying exhibition catalogue, published by Petzel. Around 1947, as O'Neil-Butler writes, Lassnig "commenced this with drawings called Introspektive Erlebnisse (Introspective Experiences), later developed into Körpergefühlsmalerei (body awareness painting), her term for depicting the parts of her being that she felt as she worked. In Paris, she more fully galvanized a phenomenological approach, developing an awareness that the body and mind are not separate, that whatever manifests on the skin is directly related to one's thoughts. Lassnig's turning inward to propel outward became something of a signature style, though her art could never be so neatly pinned down. A line from her 1951/1960 text Painting Formulas sums it up: "Discard the style! You exploit yourself soon enough." The varied and vital canvases that she made in Paris evince that she was coming into her own, finding her voice, and shedding expectations--you exploit yourself soon enough, so why not put everything on the line, right now? In doing just that Lassnig established her own tradition. Lassnig left Vienna for Paris at a time when she felt there was not space for her in the city's male-dominated art circles, she proceeded to hold court with contemporaries in France until leaving for her next significant stay, her 12-year residence in New York. There has yet to be much scholarship on this period of Lassnig's life and work in Paris, and Petzel is pleased to publish the exhibition catalogue, also titled Maria Lassnig: the Paris Years, 1960-1968, which illustrates a portion of this crucial mid-career moment alongside writings from Lassnig's diaries and letters throughout those years. Additionally, in the Spring of 2022, Petzel will release the English translation of art historian Natalie Lettner's biography on Lassnig, co-published with Hauser & Wirth." -- Petzel gallery website
Author: Lena Mozer
Publisher: Simon and Schuster
ISBN: 1734231114
Category : Art
Languages : en
Pages : 41
Get Book Here
Book Description
"Petzel is pleased to present Maria Lassnig: The Paris Years, 1960-68, an exhibition of paintings by the Austrian artist that have rarely been seen in the United States. On view at the gallery's Chelsea location from November 4 through December 17, the show, which includes over 20 important works developed in Lassnig's studio on rue de Begnolet, covers Lassnig's formative years in the City of Light. "Though Maria Lassnig only lived in Paris for eight years, it was in her studio on Rue de Bagnolet that she began to fully release herself from aesthetic constraints and developed a sense of freedom that became synonymous with her name. There, Lassnig took up the various isms she explored in her previous paintings--realism, expressionism, surrealism, tachism--and transformed them into something truly autonomous by simultaneously turning more fully to herself, to her sensations, lived experiences, and physical embodiment," writes Lauren O'Neill-Butler in her essay for the accompanying exhibition catalogue, published by Petzel. Around 1947, as O'Neil-Butler writes, Lassnig "commenced this with drawings called Introspektive Erlebnisse (Introspective Experiences), later developed into Körpergefühlsmalerei (body awareness painting), her term for depicting the parts of her being that she felt as she worked. In Paris, she more fully galvanized a phenomenological approach, developing an awareness that the body and mind are not separate, that whatever manifests on the skin is directly related to one's thoughts. Lassnig's turning inward to propel outward became something of a signature style, though her art could never be so neatly pinned down. A line from her 1951/1960 text Painting Formulas sums it up: "Discard the style! You exploit yourself soon enough." The varied and vital canvases that she made in Paris evince that she was coming into her own, finding her voice, and shedding expectations--you exploit yourself soon enough, so why not put everything on the line, right now? In doing just that Lassnig established her own tradition. Lassnig left Vienna for Paris at a time when she felt there was not space for her in the city's male-dominated art circles, she proceeded to hold court with contemporaries in France until leaving for her next significant stay, her 12-year residence in New York. There has yet to be much scholarship on this period of Lassnig's life and work in Paris, and Petzel is pleased to publish the exhibition catalogue, also titled Maria Lassnig: the Paris Years, 1960-1968, which illustrates a portion of this crucial mid-career moment alongside writings from Lassnig's diaries and letters throughout those years. Additionally, in the Spring of 2022, Petzel will release the English translation of art historian Natalie Lettner's biography on Lassnig, co-published with Hauser & Wirth." -- Petzel gallery website
Author: Maria Lassnig
Publisher: Hirmer Verlag GmbH
ISBN: 9783777432939
Category : Human figure in art
Languages : en
Pages : 0
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Book Description
This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919-2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist's multfaceted work. Examples of Maria Lassnig's writings round out this presentation.
Author: Hans Ulrich Obrist
Publisher: Walther Konig Verlag
ISBN: 9783960981244
Category : Mythology, Greek, in art
Languages : en
Pages : 131
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Book Description
The exhibition at Municipal Art Gallery of Athens, 2017 is the last exhibition project that Maria Lassnig was able to plan personally with the curator Hans Ulrich Obrist. Around 50 works are on show - paintings and works on paper, especially watercolours - which seize upon motifs from Greek mythology and their expansive and permanent exchange with all Mediterranean civilisations. Although these works by Maria Lassnig are not so well known, they manifest characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portrayals and landscapes. In an unusual selection from Maria Lassnig's oeuvre the exhibition and the accompanying catalogue with contributions from leading scholars and artists spotlight her unique visual idiom, in which she combines science with a subjective emotional life, and Mediterranean landscapes with figures from ancient mythology. Accompanies the exhibition Maria Lassnig: The future is created from the fragments of the past, 31 Mar - 16 Jul 2017, Municipal Gallery, Athens, Greece.
Author:
Publisher: Rizzoli Publications
ISBN: 0847871754
Category : Design
Languages : en
Pages : 0
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Book Description
An extraordinary book celebrating the unique connection between the House of Dior and the United States. Published on the occasion of the retrospective staged at the Brooklyn Museum, this new title chronicles the history of the House of Dior from 1947, when Chris-tian Dior heralded the birth of a new era of elegance with his revolutionary New Look, to the present day, with a special focus on the House’s legacy in America. Featuring a sophisticated Swiss binding, this book presents the exhibition’s highlights with creations by Christian Dior and the artistic directors who succeeded him: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. Captured by artist Katerina Jebb, some of the House’s most legendary designs are displayed in highly unique images. A portfolio of iconic photographs by American masters—including Richard Avedon, Cass Bird, Henry Clarke, Louise Dahl-Wolfe, Zoë Ghertner, Ethan James Green, Tyler Mitchell, Irving Penn, and many more—underscores Dior’s undeniable cultural influence.
Author: Eszter Kondor
Publisher: Austrian Film Museum
ISBN: 9783901644863
Category :
Languages : en
Pages : 176
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Book Description
Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own, previously unpublished notes.
Author: Cindy Sherman
Publisher: Rizzoli International Publications
ISBN:
Category : Photography
Languages : en
Pages : 72
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Book Description
Text written in German.
Author: Sophie Berrebi
Publisher:
ISBN: 9783906915111
Category : Cities and towns in art
Languages : en
Pages : 287
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Book Description
Dubuffet and the City. People, Place and Urban Space,? written and edited by renowned scholar Dr. Sophie Berrebi (University of Amsterdam), is the first in-depth study to address the work of Jean Dubuffet (1901-1984) in relation to the theme of the city. The book examines how the city plays a role in the formation and unfolding of Dubuffet?s practice and imagination as a material, a source, and a vehicle for ideas. It analyses works in which the artist depicts city dwellers, sites and urban spaces, and discusses his architectural projects from the 1960s and 1970s against the background of heated debates in the field of urbanism. The book accompanies and extends an exhibition at Hauser & Wirth Zurich (June?Sept 2018). Along with full color reproductions of art works the book reproduces little-known archival material from the archives of the Fondation Dubuffet. It also includes several texts by Dubuffet that are translated here in English for the first time.00Exhibition: Hauser & Wirth, Zürich, Switzerland (10.06.-01.09.2018).
Author: Achim Hochdoerfer
Publisher: National Geographic Books
ISBN: 3791354914
Category : Art
Languages : en
Pages : 0
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Book Description
Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting’s capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to human experience and perception, and includes three in-depth essays and additional texts by influential thinkers from the field. Comprehensive and lavishly illustrated, the book presents a wide range of works that reconsider the assumed opposition of the digital and the analog, the human and the technological, arguing that painting has served as a means to represent—and even enact—new media. This book affirms the ongoing vitality of the medium of painting in the midst of a digital world.
Author: Phaidon Editors
Publisher: Phaidon Press
ISBN: 9780714878775
Category : Art
Languages : en
Pages : 0
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Book Description
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker
Author: Anne Ganteführer-Trier
Publisher: Edition Cantz
ISBN: 9783947563852
Category :
Languages : de
Pages : 260
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Book Description
All of Candida Höfer's Editions in One Book Candida Höfer's (b. Eberswalde, 1944) shots of deserted libraries, opera houses, concert halls, churches, and museums have made her a member of the international photographic avant-garde. One strand in her acclaimed oeuvre are editions--photographic prints in small formats issued in larger numbers--that Höfer produces to support institutions and art publishers. Gathered for the first time in this book, with an introductory essay by Anne Ganteführer-Trier, the around one hundred such editions she created between 1987 and 2020 offer a representative cross-section of Candida Höfer's art. Candida Höfer studied in the first photography class of Bernd Becher at the Kunstakademie Düsseldorf. Her works have been exhibited at documenta 11 and in 2003 she represented Germany at the 50th Biennale di Venezia alongside Martin Kippenberger.
