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Author: Eszter Kondor
Publisher: Austrian Film Museum
ISBN: 9783901644863
Category :
Languages : en
Pages : 176
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Book Description
Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own, previously unpublished notes.
Author: Eszter Kondor
Publisher: Austrian Film Museum
ISBN: 9783901644863
Category :
Languages : en
Pages : 176
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Book Description
Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own, previously unpublished notes.
Author: Maria Lassnig
Publisher: Hirmer Verlag GmbH
ISBN: 9783777432939
Category : Human figure in art
Languages : en
Pages : 0
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Book Description
This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919-2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist's multfaceted work. Examples of Maria Lassnig's writings round out this presentation.
Author: Sixpack Film
Publisher: Austrian Film Museum
ISBN: 9783901644429
Category : Experimental films
Languages : en
Pages : 0
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Book Description
Austrian avant-garde cinema bears a resemblance to materialist and visionary aspects of the American avant-garde, while also manifesting a subversive social critique kindred in spirit to European auteur cinema. This 'third way', staked out by Austrian filmmakers and revealed by this volume, is a unique brand of anti-traditional tradition, equally devoted to rigor and precision as it is to fomenting chaos and liberating energy. It is a counter-universe that uses cinema to penetrate new realms of experience. This book helps us enter its delights and dangers.
Author: Hans Ulrich Obrist
Publisher: Walther Konig Verlag
ISBN: 9783960981244
Category : Mythology, Greek, in art
Languages : en
Pages : 131
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Book Description
The exhibition at Municipal Art Gallery of Athens, 2017 is the last exhibition project that Maria Lassnig was able to plan personally with the curator Hans Ulrich Obrist. Around 50 works are on show - paintings and works on paper, especially watercolours - which seize upon motifs from Greek mythology and their expansive and permanent exchange with all Mediterranean civilisations. Although these works by Maria Lassnig are not so well known, they manifest characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portrayals and landscapes. In an unusual selection from Maria Lassnig's oeuvre the exhibition and the accompanying catalogue with contributions from leading scholars and artists spotlight her unique visual idiom, in which she combines science with a subjective emotional life, and Mediterranean landscapes with figures from ancient mythology. Accompanies the exhibition Maria Lassnig: The future is created from the fragments of the past, 31 Mar - 16 Jul 2017, Municipal Gallery, Athens, Greece.
Author: Andrea Karnes
Publisher: Delmonico Books
ISBN: 9781636810355
Category : Art
Languages : en
Pages : 172
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Book Description
Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women--their bodies, gestures and individuality--at the forefront. The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.
Author: Friedl Kubelka-Bondy
Publisher: Jrp Ringier
ISBN: 9783037643204
Category : DVD-Video discs
Languages : en
Pages : 0
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Book Description
This publication offers a retrospective of the work of photographer and filmmaker Friedl Kubelka (born 1946)--known as a filmmaker under the name of Friedl vom Gröller. It gathers her portraits of filmmaker friends and family, film stills and a selection of her fashion photographs. In 1972 she began her epic project Year's Portraits, for which she photographed herself daily over a period of one year--a process that has been repeated every five years since. Among the artist's portrait subjects are Franz West, Walter Pichler and Peter Kubelka (her husband), as well as central protagonists of the American Independent Cinema such as Jack Smith, Bruce Conner, Hollis Frampton, Kenneth Anger, Jonas Mekas, George and Mike Kuchar, and many more. Most of the images gathered together here are published for the first time in book form. The book also includes a DVD with a selection of vom Gröller's 16 mm films.
Author: Jurij Meden
Publisher: Austrian Film Museum
ISBN: 9783901644870
Category :
Languages : en
Pages : 112
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Book Description
Scratches and Glitches is a collection of essays that attempt to make sense of the changes-in-progress in the domain of preserving and exhibiting film in the early the twenty-first century in the wider context of cultural history, focusing on the responsibility of film archives and museums as guardians of film heritage.
Author: Hans Ulrich Obrist
Publisher: Charta
ISBN: 9788881584314
Category : Art
Languages : en
Pages : 976
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Book Description
Transcripts of interviews by Hans Ulrich Obrist with architects, artists, curators, film-makers, musicians, philosophers, social theorists and urbanists.
Author: Andrew Russeth
Publisher: DCV Editions
ISBN: 9783969120057
Category :
Languages : en
Pages : 264
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Book Description
Author: Achim Hochdoerfer
Publisher: National Geographic Books
ISBN: 3791354914
Category : Art
Languages : en
Pages : 0
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Book Description
Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting’s capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to human experience and perception, and includes three in-depth essays and additional texts by influential thinkers from the field. Comprehensive and lavishly illustrated, the book presents a wide range of works that reconsider the assumed opposition of the digital and the analog, the human and the technological, arguing that painting has served as a means to represent—and even enact—new media. This book affirms the ongoing vitality of the medium of painting in the midst of a digital world.
