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Author: Maria Lassnig
Publisher:
ISBN:
Category : Body image in art
Languages : de
Pages : 168
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Book Description
Author: Maria Lassnig
Publisher:
ISBN:
Category : Body image in art
Languages : de
Pages : 168
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 163
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Book Description
Author: Maria Lassnig
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 262
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Book Description
There are few enough female artists who have maintained an international reputation across the entire second half of the twentieth century and into the twenty-first, but fortunately the Austrian painter Maria Lassnig (born 1919) is one of them. Lassnig has painted and drawn for over 60 years, and the freshness of her work only increases as she continues to give body (or bodies) to her emotions--sometimes seriously, sometimes humorously--on canvas and on paper. In the Mirror of Possibilities focuses on her very personal drawings and watercolors, from early drawings of the 1940s and her "body sensation drawings," to the New York animations and the more painterly forms found in her watercolors of the 1980s and 1990s. But the bulk of this volume is devoted to Lassnig's most recent works, in which the artist combines simple pencil drawing with strangely lurid backgrounds, advancing her admirable will to reconstrue the body by means of art.
Author: Maria Lassnig
Publisher: Hirmer Verlag GmbH
ISBN: 9783777432939
Category : Human figure in art
Languages : en
Pages : 0
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Book Description
This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919-2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist's multfaceted work. Examples of Maria Lassnig's writings round out this presentation.
Author: Andrea Karnes
Publisher: Delmonico Books
ISBN: 9781636810355
Category : Art
Languages : en
Pages : 172
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Book Description
Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women--their bodies, gestures and individuality--at the forefront. The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.
Author: Maria Lassnig
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 210
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Book Description
This publication brings together an array of texts from the Austrian artist Maria Lassnig, including childhood memories, reflections on nature and aging, thoughts on art and painting, as well as her outsider status. Like her painting and drawing these writings are deeply introspective and concern experiences of the human body.
Author: Eszter Kondor
Publisher: Austrian Film Museum
ISBN: 9783901644863
Category :
Languages : en
Pages : 176
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Book Description
Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own, previously unpublished notes.
Author: Maria Lassnig
Publisher:
ISBN:
Category : Painting, Austrian
Languages : de
Pages : 140
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Book Description
Author: Lena Mozer
Publisher: Simon and Schuster
ISBN: 1734231114
Category : Art
Languages : en
Pages : 41
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Book Description
"Petzel is pleased to present Maria Lassnig: The Paris Years, 1960-68, an exhibition of paintings by the Austrian artist that have rarely been seen in the United States. On view at the gallery's Chelsea location from November 4 through December 17, the show, which includes over 20 important works developed in Lassnig's studio on rue de Begnolet, covers Lassnig's formative years in the City of Light. "Though Maria Lassnig only lived in Paris for eight years, it was in her studio on Rue de Bagnolet that she began to fully release herself from aesthetic constraints and developed a sense of freedom that became synonymous with her name. There, Lassnig took up the various isms she explored in her previous paintings--realism, expressionism, surrealism, tachism--and transformed them into something truly autonomous by simultaneously turning more fully to herself, to her sensations, lived experiences, and physical embodiment," writes Lauren O'Neill-Butler in her essay for the accompanying exhibition catalogue, published by Petzel. Around 1947, as O'Neil-Butler writes, Lassnig "commenced this with drawings called Introspektive Erlebnisse (Introspective Experiences), later developed into Körpergefühlsmalerei (body awareness painting), her term for depicting the parts of her being that she felt as she worked. In Paris, she more fully galvanized a phenomenological approach, developing an awareness that the body and mind are not separate, that whatever manifests on the skin is directly related to one's thoughts. Lassnig's turning inward to propel outward became something of a signature style, though her art could never be so neatly pinned down. A line from her 1951/1960 text Painting Formulas sums it up: "Discard the style! You exploit yourself soon enough." The varied and vital canvases that she made in Paris evince that she was coming into her own, finding her voice, and shedding expectations--you exploit yourself soon enough, so why not put everything on the line, right now? In doing just that Lassnig established her own tradition. Lassnig left Vienna for Paris at a time when she felt there was not space for her in the city's male-dominated art circles, she proceeded to hold court with contemporaries in France until leaving for her next significant stay, her 12-year residence in New York. There has yet to be much scholarship on this period of Lassnig's life and work in Paris, and Petzel is pleased to publish the exhibition catalogue, also titled Maria Lassnig: the Paris Years, 1960-1968, which illustrates a portion of this crucial mid-career moment alongside writings from Lassnig's diaries and letters throughout those years. Additionally, in the Spring of 2022, Petzel will release the English translation of art historian Natalie Lettner's biography on Lassnig, co-published with Hauser & Wirth." -- Petzel gallery website
Author: Jonathon Keats
Publisher: Oxford University Press
ISBN: 019933823X
Category : Architecture
Languages : en
Pages : 217
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Book Description
You Belong to the Universe documents Buckminster Fuller's six-decade quest to "make the world work for one hundred percent of humanity." Jonathon Keats sets out to restore Fuller's good name, placing Fuller's philosophy in a modern context. Keats argues that Fuller's life and ideas, namely doing "the most with the least" is now more relevant than ever as we struggle to meet the demands of an exploding world population with finite resources.
