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Author: Noriko Miura
Publisher: Universal-Publishers
ISBN: 1581121091
Category : Education
Languages : en
Pages : 218
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Book Description
In examining the work of three "ethnic" writers (Nakagami Kenji is Japanese burakumin, Leslie Marmon Silko Native American, Salman Rushdie an Indian living in England), this project studies the literary depictions of the ways in which the body is portrayed and used as a space for cultural and ideological inscription. The major issues addressed involve gender, race, and ethnicity as forces which become visible through the socially constructed body. In the works of Nakagami Kenji, Salman Rushdie, and Leslie Marmon Silko, bodies cry out the silence to overwhelm the torturer. They all share a concern with the loss of land which induces migration, a weakened sense of identity, and hybridity. Each author uses the body of his/her protagonist as the site to inscribe the consequences of such loss, along with the criticisms against the dominant system and ideology of society. In each case, an emerging discourse of the body forges the power of the margins to resist and subvert any claims of hegemonic control. The section on Kenji's novel Wings of the Sun includes an investigation of the burakumin, its historical and cultural origin, and how it is excluded from the structure of Japanese society, before moving to an examination of Kenji's texts create a space for the burakumin within the "Body Without Organs" of advanced capitalism. The chapter on Rushdie's Shame shows how the novel uses the bodies of its protagonists as allegories of the violence and conflict within multi-ethnic, post-colonial Pakistan. The analysis of Silko's Ceremony involves the conflict between Native-American and Euro-American cultures in their varying treatments of the body. Much has been written in the last decade about literary representations of the body. This work has stressed that the body is a conceptual category produced by specific discursive operations that can be analyzed and described. Emphasis on the discursive construction of the body facilitates our understanding of the human condition represented in literature or in other cultural products, and in the case of these three authors posits the body as the site of alternative "logics" for dealing with the realities of post-colonial situations.
Author: Noriko Miura
Publisher: Universal-Publishers
ISBN: 1581121091
Category : Education
Languages : en
Pages : 218
Get Book Here
Book Description
In examining the work of three "ethnic" writers (Nakagami Kenji is Japanese burakumin, Leslie Marmon Silko Native American, Salman Rushdie an Indian living in England), this project studies the literary depictions of the ways in which the body is portrayed and used as a space for cultural and ideological inscription. The major issues addressed involve gender, race, and ethnicity as forces which become visible through the socially constructed body. In the works of Nakagami Kenji, Salman Rushdie, and Leslie Marmon Silko, bodies cry out the silence to overwhelm the torturer. They all share a concern with the loss of land which induces migration, a weakened sense of identity, and hybridity. Each author uses the body of his/her protagonist as the site to inscribe the consequences of such loss, along with the criticisms against the dominant system and ideology of society. In each case, an emerging discourse of the body forges the power of the margins to resist and subvert any claims of hegemonic control. The section on Kenji's novel Wings of the Sun includes an investigation of the burakumin, its historical and cultural origin, and how it is excluded from the structure of Japanese society, before moving to an examination of Kenji's texts create a space for the burakumin within the "Body Without Organs" of advanced capitalism. The chapter on Rushdie's Shame shows how the novel uses the bodies of its protagonists as allegories of the violence and conflict within multi-ethnic, post-colonial Pakistan. The analysis of Silko's Ceremony involves the conflict between Native-American and Euro-American cultures in their varying treatments of the body. Much has been written in the last decade about literary representations of the body. This work has stressed that the body is a conceptual category produced by specific discursive operations that can be analyzed and described. Emphasis on the discursive construction of the body facilitates our understanding of the human condition represented in literature or in other cultural products, and in the case of these three authors posits the body as the site of alternative "logics" for dealing with the realities of post-colonial situations.
Author:
Publisher: BRILL
ISBN: 9401205353
Category : Literary Criticism
Languages : en
Pages : 499
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Book Description
A wide-ranging collection of essays centred on readings of the body in contemporary literary and socio-anthropological discourse, from slavery and rape to female genital mutilation, from clothing, ocular pornography, voice, deformation and transmutation to the imprisoned, dismembered, remembered, abducted or ghostly body, in Africa, Australasia and the Pacific, Canada, the Caribbean, Great Britain and Eire
Author: Hervé Anderson Tchumkam
Publisher: Rowman & Littlefield
ISBN: 1793640769
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Marginal Bodies and Precarious Lives in North Africa: Homo Expendibilis presents an examination of North African literature situated at the crossroads of literary analysis, political philosophy, and sociology. The author analyzes social categories in relation to civil and social protections and in particular, the ways in which disruptions to these protections can lead to social degeneration. The author’s analysis starts from the premise that precarious lives in North Africa have become true bodies of exception. In other words, they are deemed dangerous, expendable and unworthy of the rights and treatment accorded to full citizens. Thus, the author assesses portrayals of violence in contemporary literature as a crystallization of the existing disjunction between the socially disqualified and those who wield colonial, political, and religious power. Moreover, the author argues that in order to understand contemporary politics and the current climate of insecurity, a deeper understanding of precarity in North Africa from colonial times to the present is crucial. By affirming their right to exist, the author argues that the marginal bodies of North Africa offer unique insights into the society that marginalized them and thus, from the often inaudible and invisible periphery, they nevertheless challenge the dominant ideas of the center.
Author: Ben Bollig
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
"The Argentine Nestor Perlongher was a groundbreaking poet and anthropologist whose work takes on the most dynamic and conflictive themes of modern-day Latin America. His poetry addresses issues of dictatorship, national identity, exile, transvestism and marginal sexualities, and modern-day esoteric religions while his anthropological work challenged the very limits of the human being and attacked the most entrenched of contemporary taboos." "Nestor Perlongher: The Poetic Search for an Argentine Marginal Voice is a vital addition to our understanding of the difficult work of this poet, for two reasons. First, Perlongher was a pioneer in a number of fields: sexual rights, urban anthropology, the philosophy of Deleuze and Guattari, esoteric religions and, crucially, modern Plate River poetry. This work is the first in English to comprehensively address this provocative and innovative oeuvre. Secondly, Perlongher's difficult, highly allusive and linguistically challenging poetry creates problems of reading and interpretation for any researcher. Ben Bollig draws on a wealth of historical, cultural and social research about contemporary Argentina, providing a rich background against which to assess Perlongher's work. The detailed close readings of the poems themselves offer ways into Perlongher's work and methodological tools for the study of difficult poetry."--BOOK JACKET.
Author: Avril Horner
Publisher: Manchester University Press
ISBN: 9780719054693
Category : Art
Languages : en
Pages : 282
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Book Description
Why do bodies matter? Body Matters is a collection of essays by feminists working in literary and cultural studies which addresses this question from a range of theoretical perspectives.
Author: Janell Hobson
Publisher: State University of New York Press
ISBN: 1438444028
Category : Social Science
Languages : en
Pages : 222
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Book Description
In Body as Evidence, Janell Hobson challenges postmodernist dismissals of identity politics and the delusional belief that the Millennial era reflects a "postracial" and "postfeminist" world. Hobson points to diverse examples in cultural narratives, which suggest that new media rely on old ideologies in the shaping of the body politic. Body as Evidence creates a theoretical mash-up of prose and poetry to illuminate the ways that bodies still matter as sites of political, cultural, and digital resistance. It does so by examining various representations, from popular shows like American Idol to public figures like the Obamas to high-profile cases like the Duke lacrosse rape scandal to current trends in digital culture. Hobson's study also discusses the women who have fueled and retooled twenty-first-century media to make sense of antiracist and feminist resistance. Her discussions include the electronica of Janelle Monáe, M.I.A., and Björk; the feminist film odysseys of Wanuri Kahiu and Neloufer Pazira; and the embodied resistance found simply in raising one's voice in song, creating a blog, wearing a veil, stripping naked, or planting a tree. Spinning knowledge out of this information overload, Hobson offers a global black feminist meditation on how our bodies mobilize, destabilize, and decolonize the meanings of race and gender in an increasingly digitized and globalized world.
Author: Iyan Offor
Publisher: Taylor & Francis
ISBN: 1000919269
Category : Law
Languages : en
Pages : 264
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Book Description
This book critically engages the emerging field of global animal law from the perspective of an intersectional ethical framework. Reconceptualising global animal law, this book argues that global animal law overrepresents views from the west as it does not sufficiently engage views from the Global South, as well as from Indigenous and other marginalised communities. Tracing this imbalance to the early development of animal law’s reaction to issues of international trade, the book elicits the anthropocentrism and colonialism that underpin this bias. In response, the book outlines a new, intersectional, second wave of animal ethics. Incorporating marginalised viewpoints, it elevates the field beyond the dominant concern with animal welfare and rights. And, drawing on aspects of decolonial thought, earth jurisprudence, intersectionality theory and posthumanism, it offers a fundamental rethinking of the very basis of global animal law. The book's critical, yet practical, new approach to global animal law will appeal to animal law and environmental law experts, legal theorists, and those working in the areas of animal studies and ecology.
Author: Sam Abel
Publisher: Routledge
ISBN: 1000308154
Category : Social Science
Languages : en
Pages : 214
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Book Description
Verdi, Wagner, polymorphous perversion, Puccini, Brunnhilde, Pinkerton, and Parsifal all rub shoulders in this delightful, poetic, insightful, sexual book sprung by one man's physical response to the power and exaggeration we call opera. Sam Abel applies a light touch as he considers the topic of opera and the eroticized body: Why do audiences respond to opera in a visceral way? How does opera, like no other art form, physically move watchers? How and why does opera arouse feelings akin to sexual desire? Abel seeks the answers to these questions by examining homoerotic desire, the phenomenon of the castrati, operatic cross-dressing, and opera as presented through the media. In this deeply personal book, Abel writes, ‘These pages map my current struggles to pin down my passion for opera, my intense admiration for its aesthetic forms and beauties, but much more they express my astonishment at how opera makes me lose myself, how it consumes me.’ In so doing, Abel uncovers what until now, through dry musicology and gossipy history, has been left behind a wall of silence: the physical and erotic nature of opera. Although Abel can speak with certainty only about his own response to opera, he provides readers with a language and a resonance with which to understand their own experiences. Ultimately, Opera in the Flesh celebrates the power of opera to move audiences as no other book has done. It is indeed a treasure of scholarship, passion, and poetry for everyone with even a passing interest in this fascinating art form.
Author: Cláudia Nascimento
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 274
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Book Description
Author: Lana Lopesi
Publisher: Bridget Williams Books
ISBN: 1988587964
Category : Social Science
Languages : en
Pages : 133
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Book Description
Bloody Woman is bloody good writing. It moves between academic, journalistic and personal essay. I love that Lana moves back and forward across these genres: weaving, weaving – spinning the web, weaving the sparkling threads under our hands, back and forward across a number of spaces, pulling and holding the tensions, holding up the baskets of knowledge. Tusiata Avia This wayfinding set of essays, by acclaimed writer and critic Lana Lopesi, explores the overlap of being a woman and Sāmoan. Writing on ancestral ideas of womanhood appears alongside contemporary reflections on women's experiences and the Pacific. These essays lead into the messy and the sticky, the whispered conversations and the unspoken. As Lopesi writes, 'Bloody Woman has been scary to write... In putting words to my years of thinking, following the blood and revealing the evidence board in my mind, I am breaking a silence to try to understand something. It feels terrifying, but right.' These acts of self-revelation ultimately seek to open up new spaces, to acknowledge the narratives not yet written, and the voices to come.
