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Author: Margaret Preston
Publisher: ETT Imprint
ISBN: 1925706095
Category : Art
Languages : en
Pages : 83
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Book Description
MARGARET PRESTON is Australia's most original painter. Essentially a pioneer, she strikes out new paths, and her fervour for experiment has led her into diverse forms of art. As she has mastered each new method she discards it and moves on to something fresh. Her latest conquest is the Monotype, and this book reveals her achievement in this field. As a practical craftsman, she found intense pleasure in working out a rare method of making Monotypes that can only be compared with that used by William Blake - whose secret died with him. This method gives a special quality to the work, a depth and richness that is unusual in this medium. Superb craftsmanship, imagination and a daring yet subtle use of colour have gone to the making of these Monotypes. (from Introduction by Gwen Morton Spencer)
Author: Margaret Preston
Publisher: ETT Imprint
ISBN: 1925706095
Category : Art
Languages : en
Pages : 83
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Book Description
MARGARET PRESTON is Australia's most original painter. Essentially a pioneer, she strikes out new paths, and her fervour for experiment has led her into diverse forms of art. As she has mastered each new method she discards it and moves on to something fresh. Her latest conquest is the Monotype, and this book reveals her achievement in this field. As a practical craftsman, she found intense pleasure in working out a rare method of making Monotypes that can only be compared with that used by William Blake - whose secret died with him. This method gives a special quality to the work, a depth and richness that is unusual in this medium. Superb craftsmanship, imagination and a daring yet subtle use of colour have gone to the making of these Monotypes. (from Introduction by Gwen Morton Spencer)
Author: Roger Butler
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
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Book Description
Author: Margaret Preston
Publisher: ETT Imprint
ISBN: 1925416232
Category : Literary Collections
Languages : en
Pages : 193
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Book Description
Never shy of voicing an opinion, artist Margaret Preston launched into print on a variety of subjects, from flower arranging and furnishing a bedroom, to Aboriginal art and design, Pokerwork and Wood-blocking. Selected from the pages of Australia's journals by Elizabeth Butel, this collection addresses Preston's recurring preoccupations - "modern" art, an Australian national art and the craft of art-making. "The natural enemy of the dull" - Preston's style is infused with paradox, retaining its freshness through her very direct, uncompromising attack and illustrated with examples of her woodcuts.
Author: Elizabeth Butel
Publisher: ETT Imprint
ISBN: 1925416151
Category : Biography & Autobiography
Languages : en
Pages : 127
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Book Description
Margaret Preston, Australia's foremost woman painter between the wars, sent a series of shock-waves through Sydney's art circles with her vital art, her spirited journalism and her belligerent enthusiasm for living, during a career that spanned over seventy years. 'A red-headed little firebrand of a woman', she was an artist who never stood still, moving from realism to Post-Impressionism, to an Aboriginal-inspired style of art with unceasing verve and freshness.
Author: Margaret Preston
Publisher:
ISBN:
Category :
Languages : en
Pages : 67
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Book Description
Author: Lesley Harding
Publisher: Melbourne Univ. Publishing
ISBN: 0522870139
Category : Art
Languages : en
Pages : 335
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Book Description
Celebrated for her vibrant and distinctive pictures of indigenous flowers, artist Margaret Preston was an equally colourful and outspoken personality. Less well known is her legacy as a generous and insightful teacher and keen cook, and her deep sense of civic duty. She was passionate about the need for a modern national culture that reflected everyday life. For Preston, the building blocks of such a culture were not to be found in the Australian pastoral landscape tradition, but in the home and garden. Maintaining that art should be within everyone’s reach, she published widely on the methods and techniques of a host of creative pursuits—from pottery, printmaking and basket weaving, to the gentle art of flower arranging. She devoted much of her career to the genre of still life, depicting humble domestic objects and flowers from her garden, and often painting in the kitchen while keeping 'one eye on the stew'. Drawing on recipes from handwritten books found in the National Gallery of Australia and richly illustrated with Preston’s paintings, prints and photographs this book sheds new light on the fascinating private life of a much-loved Australian artist.
Author: Nicholas Thomas
Publisher: Thames & Hudson
ISBN: 0500778019
Category : Art
Languages : en
Pages : 471
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Book Description
The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation? This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.
Author: Michael Richards
Publisher: National Library Australia
ISBN: 0642104514
Category : Language Arts & Disciplines
Languages : en
Pages : 112
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Book Description
The National Library's major public contribution to the Australian Bicentenary was the travelling exhibition, People, Print & Paper. Celebrating two hundred years of Australian books, this exhibition and the accompanying catalogue bring together a collection of books which gives a fascinating insight into an aspect of Australian life and character which is often overlooked.
Author: Deborah Edwards
Publisher:
ISBN: 9780500500224
Category : Artists
Languages : en
Pages : 0
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Book Description
This richly illustrated monograph is the first publication to look in detail at the life and art of Margaret Preston, an artist who practised in her native Australia from the mid-1890s right up to her death in 1963.
Author: Ann Elias
Publisher: Cambridge Scholars Publishing
ISBN: 144388457X
Category : Art
Languages : en
Pages : 332
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Book Description
The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whether modern or conservative, the artists in this study shared an intellectual and emotional passion for flora. This was true for men as well as women, despite blossoms being a more traditionally feminine subject. Through spectacular reproductions of historical and contemporary artworks drawn from collections in Australia, the United States, Britain and New Zealand, Useless Beauty explores how flowers influenced the psyche, governed rituals, defined identity and brought a psychological dimension to the everyday. The peak years for flower-centricity in Australian art were between 1920 and 1940 when flowers were known as the apotheosis of useless beauty.
