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Author: Jane Stafford
Publisher: Victoria University Press
ISBN: 9780864735225
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
Author: Alfred Augustus Grace
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Alfred Augustus Grace was one of New Zealand's most accomplished early writers and a member of the celebrated 'Maoriland' school of writing that flourished between 1896 and 1915. These writers' romantic treatment of the Maori people helped shape New Zealand's culture in the early twentieth century. Maoriland Stories (1895) was Grace's first major publication. It contains four stories about settlers and three about Maori and Maori/Pakeha relations. The latter stories were of particular interest to readers of the time. Although New Zealand's population was by then overwhelmingly European, the Maori people and their culture continued to occupy the Pakeha imagination. This near-facsimile edition includes new matierial by Dr Anne Maxwell of the University of Melbourne, discussing the author and his stories and placing them in an historical and cultural context.
Author: Alexander Wyclif Reed
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 40
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Book Description
Author: Alexander Wyclif Reed
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 40
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Book Description
Author: Jane Stafford
Publisher: Victoria University Press
ISBN: 9780864735225
Category : Literary Criticism
Languages : en
Pages : 356
Get Book Here
Book Description
This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
Author: Alfred Augustus Grace
Publisher:
ISBN:
Category : Folk-lore, Maori
Languages : en
Pages : 278
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Book Description
Author: Edith Howes
Publisher:
ISBN: 9780243650590
Category :
Languages : en
Pages :
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Book Description
Author: Martin Blythe
Publisher: Martin Blythe
ISBN: 9780810827417
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
Author: Angela McAllister
Publisher: World Full Of
ISBN: 0711249547
Category : Juvenile Fiction
Languages : en
Pages : 130
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Book Description
A Bedtime Full of Stories is a richly illustrated compendium that collects magical tales from around the world, from well-known classics to lesser-known treasures.
Author: Richard Boast
Publisher: Butterworth-Heinemann
ISBN:
Category : Law
Languages : en
Pages : 364
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Book Description
Author: Michelle Erai
Publisher: University of Arizona Press
ISBN: 0816541205
Category : Social Science
Languages : en
Pages : 201
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Book Description
Girl of New Zealand presents a nuanced insight into the way violence and colonial attitudes shaped the representation of Māori women and girls. Michelle Erai examines more than thirty images of Māori women alongside the records of early missionaries and settlers in Aotearoa, as well as comments by archivists and librarians, to shed light on how race, gender, and sexuality have been ascribed to particular bodies. Viewed through Māori, feminist, queer, and film theories, Erai shows how images such as Girl of New Zealand (1793) and later images, cartoons, and travel advertising created and deployed a colonial optic. Girl of New Zealand reveals how the phantasm of the Māori woman has shown up in historical images, how such images shape our imagination, and how impossible it has become to maintain the delusion of the “innocent eye.” Erai argues that the process of ascribing race, gender, sexuality, and class to imagined bodies can itself be a kind of violence. In the wake of the Me Too movement and other feminist projects, Erai’s timely analysis speaks to the historical foundations of negative attitudes toward Indigenous Māori women in the eyes of colonial “others”—outsiders from elsewhere who reflected their own desires and fears in their representations of the Indigenous inhabitants of Aotearoa, New Zealand. Erai resurrects Māori women from objectification and locates them firmly within Māori whānau and communities.
