Maori Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Maori Music PDF full book. Access full book title Maori Music by Mervyn McLean. Download full books in PDF and EPUB format.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 9781869401443
Category : Music
Languages : en
Pages : 438
Get Book Here
Book Description
Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 9781869401443
Category : Music
Languages : en
Pages : 438
Get Book Here
Book Description
Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 1775581187
Category : Music
Languages : en
Pages : 438
Get Book Here
Book Description
This book is the best introduction available to Maori music &– the instruments played, the songs and dance styles and what they were used for, performance, composition, teaching, etc. Based on 30 years of fieldwork that yielded 1300 recorded songs and hundred of pages of interviews and eyewitness accounts, this is a classic book.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 9781869403065
Category : Biography & Autobiography
Languages : en
Pages : 214
Get Book Here
Book Description
These recordings have been of great importance in revitalising Maori music in many tribal areas and have preserved the songs and the voices of many great kaumatua. McLean travelled throughout New Zealand, often in primitive conditions, showing extraordinary dedication and painstaking care in his important task and meeting and working with most of the Maori leaders of the period. To Tatau Waka includes over 80 photographs, two maps, a glossary of song types, and an index of names. Sensitive writing and attention to the challenges of anthropological fieldwork gives this work wide appeal. It will be of particular interest to Maori, to anthropologists and to all those with an interest in Maori and indigenous cultures or world music.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 1775582264
Category : Music
Languages : en
Pages : 687
Get Book Here
Book Description
This classic study of indigenous Polynesian music, conducted in the 1960s, includes a survey of traditional songs in different styles that embody the fundamental values of Maori culture in New Zealand. Musical transcriptions, Maori texts, English translations, and extensive notes on more than 50 traditional Maori songs are included. Common ceremonial songs are represented, including elaborate laments, love songs, war chants, songs of welcome, and witty occasional songs.
Author: Enrico Bonadio
Publisher: Bloomsbury Publishing
ISBN: 1509949399
Category : Law
Languages : en
Pages : 485
Get Book Here
Book Description
This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
Author: Harry Tekell
Publisher: Richards Education
ISBN:
Category : Music
Languages : en
Pages : 146
Get Book Here
Book Description
Folk Music Traditions: Stories from Around the World takes readers on a captivating journey through the rich and diverse world of folk music. This comprehensive guide explores the origins, evolution, and cultural significance of folk music across continents, from the ancient melodies of Europe to the vibrant rhythms of Africa and beyond. Each chapter delves into regional traditions, the instruments that define them, and the stories that have been passed down through generations. Discover how folk music has shaped social movements, influenced modern genres, and continues to thrive in the digital age. With detailed insights into the preservation and promotion of folk traditions, this book is an essential resource for music enthusiasts, scholars, and anyone interested in the powerful role of music in human history. Dive into the heart of folk music and uncover the stories behind the songs that connect us all.
Author: Shane Homan
Publisher: Routledge
ISBN: 1135048908
Category : Music
Languages : en
Pages : 402
Get Book Here
Book Description
This volume studies the relationships between government and the popular music industries, comparing three Anglophone nations: Scotland, New Zealand and Australia. At a time when issues of globalization and locality are seldom out of the news, musicians, fans, governments, and industries are forced to reconsider older certainties about popular music activity and their roles in production and consumption circuits. The decline of multinational recording companies, and the accompanying rise of promotion firms such as Live Nation, exemplifies global shifts in infrastructure, profits and power. Popular music provides a focus for many of these topics—and popular music policy a lens through which to view them. The book has four central themes: the (changing) role of states and industries in popular music activity; assessment of the central challenges facing smaller nations competing within larger, global music-media markets; comparative analysis of music policies and debates between nations (and also between organizations and popular music sectors); analysis of where and why the state intervenes in popular music activity; and how (and whether) music fits within the ‘turn to culture’ in policy-making over the last twenty years. Where appropriate, brief nation-specific case studies are highlighted as a means of illuminating broader global debates.
Author: Vesa Kurkela
Publisher: Routledge
ISBN: 1317157206
Category : Music
Languages : en
Pages : 365
Get Book Here
Book Description
During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ’postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has led to a radical conclusion of the ’end of history’ in the work of postmodern scholars such as Jean Baudrillard and Francis Fukuyama. The contributors to Critical Music Historiography take a step back and argue that the radical view of the ’impossibility of history’, as well as the unavoidable ideology of any history, are counter-productive points of departure for historical scholarship. It is argued that metanarratives in history are still possible and welcome, even if their limitations are acknowledged. Foucault, Lyotard and others should be taken into account but systematized viewpoints and methods for a more critical and multi-faceted re-evaluation of the past through research are needed. As to the metanarratives of music history, they must avoid the pitfalls of evolutionism, hagiography, and teleology, all hallmarks of traditional historiography. In this volume the contributors put these methods and principles into practice. The chapters tackle under-researched and non-conventional domains of music history as well as rethinking older historiographical concepts such as orientalism and nationalism, and consequently introduce new concepts such as occidentalism and transnationalism. The volume is a challenging collection of work that stakes out a unique territory for itself among the growing body of work on critical music history.
Author: Tony Mitchell
Publisher: Wesleyan University Press
ISBN: 9780819565020
Category : Music
Languages : en
Pages : 356
Get Book Here
Book Description
International scholars explore the hip hop scenes of Europe, Canada, Japan and Australia.
Author: Henry Johnson
Publisher: Cambridge Scholars Publishing
ISBN: 1443821829
Category : Music
Languages : en
Pages : 180
Get Book Here
Book Description
This collection of fourteen essays provides a starting point to re-think music and national identity in Aotearoa/New Zealand. The papers offer various perspectives on the interconnections between music and identity, while providing case-studies on diverse topics including performance, composition, and musical styles. Based on a conference held at the University of Otago, the book covers three broad themes: Cultural Diversity; Popular Culture; and, Education and High-Art. Within any nation, individuals might have a cultural identity that is related to notions of being or becoming, or they may live transcultural lives. One consequence of the nation-state is that notions of national identity are often challenged and continually changing, often brought about by social and cultural flows such as those connected with music. The intention of this book is to open up critical discourse on the many musics of Aotearoa/New Zealand. The papers represent a few sounds of a diverse nation, and sounds that do much to represent place, very often Aotearoa/New Zealand and beyond. The papers cannot cover everything, but what they can offer will hopefully open up further research on the many voices of those who call Aotearoa/New Zealand home.
