Author: Josephine Kermode
Publisher:
ISBN:
Category : Isle of Man
Languages : en
Pages : 106
Book Description
Manx Melodies
Author: Josephine Kermode
Publisher:
ISBN:
Category : Isle of Man
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Isle of Man
Languages : en
Pages : 106
Book Description
Manx Ballads and Music
Author: Arthur William Moore
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 352
Book Description
Manx National Songs
Author: William Henry Gill
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 168
Book Description
Manx ballads & music
Author: Arthur William Moore
Publisher:
ISBN:
Category : Ballads, Manx
Languages : en
Pages : 314
Book Description
Publisher:
ISBN:
Category : Ballads, Manx
Languages : en
Pages : 314
Book Description
A New History of the Isle of Man, Vol. 5
Author: John Belchem
Publisher: Liverpool University Press
ISBN: 1781387788
Category : History
Languages : en
Pages : 484
Book Description
A New History of the Isle of Man will provide a new benchmark for the study of the island’s history. In five volumes, it will survey all aspects of the history of the Isle of Man, from the evolution of the natural landscape through prehistory to modern times. The Modern Period is the first volume to be published. Wide in coverage, embracing political, constitutional, economic, labour, social and cultural developments in the nineteenth and twentieth centuries, the volume is particularly concerned with issues of image, identity and representation. From a variety of angles and perspectives, contributors explore the ways in which a sense of Manxness was constructed, contested, continued and amended as the little Manx nation underwent unprecedented change from debtors’ retreat through holiday playground to offshore international financial centre.
Publisher: Liverpool University Press
ISBN: 1781387788
Category : History
Languages : en
Pages : 484
Book Description
A New History of the Isle of Man will provide a new benchmark for the study of the island’s history. In five volumes, it will survey all aspects of the history of the Isle of Man, from the evolution of the natural landscape through prehistory to modern times. The Modern Period is the first volume to be published. Wide in coverage, embracing political, constitutional, economic, labour, social and cultural developments in the nineteenth and twentieth centuries, the volume is particularly concerned with issues of image, identity and representation. From a variety of angles and perspectives, contributors explore the ways in which a sense of Manxness was constructed, contested, continued and amended as the little Manx nation underwent unprecedented change from debtors’ retreat through holiday playground to offshore international financial centre.
The Celtic Song Book
Author: Alfred Perceval Graves
Publisher: [London] : E. Benn
ISBN:
Category : Celtic music
Languages : en
Pages : 348
Book Description
Publisher: [London] : E. Benn
ISBN:
Category : Celtic music
Languages : en
Pages : 348
Book Description
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 750
Book Description
A Dictionary of Music and Musicians: T-Z and appendix
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 746
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 746
Book Description
Journal of the Folk-Song Society
Author: Folk-Song Society (Great Britain)
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 362
Book Description
List of members in each volume.
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 362
Book Description
List of members in each volume.
England’s Folk Revival and the Problem of Identity in Traditional Music
Author: Joseph Williams
Publisher: Taylor & Francis
ISBN: 1000582604
Category : Music
Languages : en
Pages : 219
Book Description
Establishing an intersection between the fields of traditional music studies, English folk music history and the philosophy of Gilles Deleuze and Félix Guattari, this book responds to the problematic emphasis on cultural identity in the way traditional music is understood and valued. Williams locates the roots of contemporary definitions of traditional music, including UNESCO-designated intangible cultural heritage, in the theory of English folk music developed in 1907 by Cecil Sharp. Through a combination of Deleuzian philosophical analysis and historical revision of England’s folk revival of the Victorian and Edwardian eras, Williams makes a compelling argument that identity is a restrictive ideology that runs counter to the material processes of traditional music’s production. Williams reimagines Sharp’s appropriation of Darwinian evolutionary concepts, asking what it would mean today to say that traditional music ‘evolves’, in light of recent advances in evolutionary theory. The book ultimately advances a concept of traditional music that eschews the term’s long-standing ontological and axiological foundations in the principle of identity. For scholars and graduate students in musicology, cultural studies, and ethnomusicology, the book is an ambitious and provocative challenge to entrenched habits of thought in the study of traditional music and the historiography of England’s folk revival.
Publisher: Taylor & Francis
ISBN: 1000582604
Category : Music
Languages : en
Pages : 219
Book Description
Establishing an intersection between the fields of traditional music studies, English folk music history and the philosophy of Gilles Deleuze and Félix Guattari, this book responds to the problematic emphasis on cultural identity in the way traditional music is understood and valued. Williams locates the roots of contemporary definitions of traditional music, including UNESCO-designated intangible cultural heritage, in the theory of English folk music developed in 1907 by Cecil Sharp. Through a combination of Deleuzian philosophical analysis and historical revision of England’s folk revival of the Victorian and Edwardian eras, Williams makes a compelling argument that identity is a restrictive ideology that runs counter to the material processes of traditional music’s production. Williams reimagines Sharp’s appropriation of Darwinian evolutionary concepts, asking what it would mean today to say that traditional music ‘evolves’, in light of recent advances in evolutionary theory. The book ultimately advances a concept of traditional music that eschews the term’s long-standing ontological and axiological foundations in the principle of identity. For scholars and graduate students in musicology, cultural studies, and ethnomusicology, the book is an ambitious and provocative challenge to entrenched habits of thought in the study of traditional music and the historiography of England’s folk revival.