Author: Marcel Duchamp
Publisher: Mitchell Beazley
ISBN: 9780876332122
Category : Art
Languages : en
Pages : 0
Book Description
"Out of print for a number of years, this facsimile of Marcel Duchamp's Manual of Instructions was prepared by the artist for the disassembly of Etant donnes in his New York studio and its reassembly at the Philadelphia Museum of Art. First published more than twenty years ago, the manual has had far-reaching ramifications for the study of Etant donnes and Duchamp. Illustrated with 116 black-and-white Polaroids taken by the artist and 35 pages of his handwritten notes and sketches, the revised edition includes a new essay by Michael R. Taylor on the pivotal importance of the manual to an understanding of Duchamp's artistic practice as well as the first English translation of the artist's text." --Book Jacket.
Manual of instructions for Étant donnés
Author: Marcel Duchamp
Publisher: Mitchell Beazley
ISBN: 9780876332122
Category : Art
Languages : en
Pages : 0
Book Description
"Out of print for a number of years, this facsimile of Marcel Duchamp's Manual of Instructions was prepared by the artist for the disassembly of Etant donnes in his New York studio and its reassembly at the Philadelphia Museum of Art. First published more than twenty years ago, the manual has had far-reaching ramifications for the study of Etant donnes and Duchamp. Illustrated with 116 black-and-white Polaroids taken by the artist and 35 pages of his handwritten notes and sketches, the revised edition includes a new essay by Michael R. Taylor on the pivotal importance of the manual to an understanding of Duchamp's artistic practice as well as the first English translation of the artist's text." --Book Jacket.
Publisher: Mitchell Beazley
ISBN: 9780876332122
Category : Art
Languages : en
Pages : 0
Book Description
"Out of print for a number of years, this facsimile of Marcel Duchamp's Manual of Instructions was prepared by the artist for the disassembly of Etant donnes in his New York studio and its reassembly at the Philadelphia Museum of Art. First published more than twenty years ago, the manual has had far-reaching ramifications for the study of Etant donnes and Duchamp. Illustrated with 116 black-and-white Polaroids taken by the artist and 35 pages of his handwritten notes and sketches, the revised edition includes a new essay by Michael R. Taylor on the pivotal importance of the manual to an understanding of Duchamp's artistic practice as well as the first English translation of the artist's text." --Book Jacket.
Marcel Duchamp
Author: Michael R. Taylor
Publisher:
ISBN: 9780876332115
Category :
Languages : en
Pages : 447
Book Description
In his early thirties, Marcel Duchamp (1887-1968) convinced everyone that he had abandoned making art in favor of playing chess. But from 1946 to 1966, he was secretly at work in his studio on West 14th Street in New York City. There he produced his final masterpiece: Étant donnés: 1o la chute d'eau, 2o le gaz d'éclairage, composed of a battered wood door through which one views a prone, nude female, holding aloft an antique gas lamp against a landscape of trees, waterfall, and sky. Unveiled as a permanent installation at the Philadelphia Museum of Art in July 1969, the year after Duchamp's death, it startled the art world with its explicit eroticism and voyeurism, as well as its trompe l'oeil realism. Since its public debut, Étant donnés has been recognized as one of the most important and enigmatic works of the 20th century. Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp's provocative and challenging tableau-construction.
Publisher:
ISBN: 9780876332115
Category :
Languages : en
Pages : 447
Book Description
In his early thirties, Marcel Duchamp (1887-1968) convinced everyone that he had abandoned making art in favor of playing chess. But from 1946 to 1966, he was secretly at work in his studio on West 14th Street in New York City. There he produced his final masterpiece: Étant donnés: 1o la chute d'eau, 2o le gaz d'éclairage, composed of a battered wood door through which one views a prone, nude female, holding aloft an antique gas lamp against a landscape of trees, waterfall, and sky. Unveiled as a permanent installation at the Philadelphia Museum of Art in July 1969, the year after Duchamp's death, it startled the art world with its explicit eroticism and voyeurism, as well as its trompe l'oeil realism. Since its public debut, Étant donnés has been recognized as one of the most important and enigmatic works of the 20th century. Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp's provocative and challenging tableau-construction.
Colored Pencil Painting Bible
Author: Alyona Nickelsen
Publisher: Watson-Guptill
ISBN: 0823085570
Category : Art
Languages : en
Pages : 194
Book Description
Learn to paint with groundbreaking new techniques for a favorite medium! • Dazzling colors, incredible realism—with simple step-by-step demonstrations • Easy-to-follow instructions from a top colored-pencil artist • Master the wide range of colored pencil effects possible, including blending, layering, translucent effects, and more Radiant color…painterly finishes…astonishing realism…with colored pencils! Achieve rich, luminous color and eye-popping ultra-realistic effects. Artists of every level will be inspired by the amazing new techniques created by Alyona Nickelsen, presented in Colored Pencil Painting Bible for the very first time. Nickelsen’s innovations will delight readers and detailed you-can-do-it processes bring her striking results within reach for every artist. Take colored pencils beyond the ordinary with Colored Pencil Painting Bible!
Publisher: Watson-Guptill
ISBN: 0823085570
Category : Art
Languages : en
Pages : 194
Book Description
Learn to paint with groundbreaking new techniques for a favorite medium! • Dazzling colors, incredible realism—with simple step-by-step demonstrations • Easy-to-follow instructions from a top colored-pencil artist • Master the wide range of colored pencil effects possible, including blending, layering, translucent effects, and more Radiant color…painterly finishes…astonishing realism…with colored pencils! Achieve rich, luminous color and eye-popping ultra-realistic effects. Artists of every level will be inspired by the amazing new techniques created by Alyona Nickelsen, presented in Colored Pencil Painting Bible for the very first time. Nickelsen’s innovations will delight readers and detailed you-can-do-it processes bring her striking results within reach for every artist. Take colored pencils beyond the ordinary with Colored Pencil Painting Bible!
The Optical Unconscious
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Duchamp
Author: Juan Ramírez
Publisher: Reaktion Books
ISBN: 1780231571
Category : Art
Languages : en
Pages : 295
Book Description
Marcel Duchamp's stature in the history of art has grown steadily since the 1950s, as several artistic movements have embraced him as their founding father. But although his influence is comparable only to Picasso's, Duchamp continues to be relatively unknown outside his narrow circle of followers. This book seeks to explain his oeuvre, which has been shrouded with mystery. Duchamp's two great preoccupations were the nature of scientific truth and a feeling for love with its natural limit, death. His works all speak of eroticism in a way that pushes the socially acceptable to its outer limits. Juan Antonio Ramirez addresses such questions as the meaning of the artist's ground-breaking ready-mades and his famous installation Etant donnés; his passionate essay reproduces all of Duchamp's important works, in addition to numerous previously unpublished visual sources. Duchamp: Love and Death, even is a seminal monograph for understanding this crucial figure of modern art.
Publisher: Reaktion Books
ISBN: 1780231571
Category : Art
Languages : en
Pages : 295
Book Description
Marcel Duchamp's stature in the history of art has grown steadily since the 1950s, as several artistic movements have embraced him as their founding father. But although his influence is comparable only to Picasso's, Duchamp continues to be relatively unknown outside his narrow circle of followers. This book seeks to explain his oeuvre, which has been shrouded with mystery. Duchamp's two great preoccupations were the nature of scientific truth and a feeling for love with its natural limit, death. His works all speak of eroticism in a way that pushes the socially acceptable to its outer limits. Juan Antonio Ramirez addresses such questions as the meaning of the artist's ground-breaking ready-mades and his famous installation Etant donnés; his passionate essay reproduces all of Duchamp's important works, in addition to numerous previously unpublished visual sources. Duchamp: Love and Death, even is a seminal monograph for understanding this crucial figure of modern art.
Marcel Duchamp
Author: Marcel Duchamp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
The Last Hostage
Author: John J. Nance
Publisher: Open Road Media
ISBN: 1504027965
Category : Fiction
Languages : en
Pages : 387
Book Description
An FBI hostage negotiator confronts a commercial pilot who has hijacked his own plane in this spellbinding thriller from New York Times–bestselling author John J. Nance Airline pilot Ken Wolfe does not rattle easily. But when he learns that Rudolph Bostich is on his flight, his face goes pale. Bostich, the presumptive nominee for US Attorney General, bungled the case against the man who kidnapped and killed Wolfe’s daughter. The pilot is prepared to do whatever it takes to get revenge—even setting off a bomb on a plane full of passengers. FBI agent, psychologist, and rookie hostage negotiator Kat Bronsky now has one hundred and thirty lives riding on her every word. As Bronsky speaks with the volatile Wolfe, she realizes she must solve the mystery of an eleven-year-old girl’s murder—in a matter of hours—to avert disaster.
Publisher: Open Road Media
ISBN: 1504027965
Category : Fiction
Languages : en
Pages : 387
Book Description
An FBI hostage negotiator confronts a commercial pilot who has hijacked his own plane in this spellbinding thriller from New York Times–bestselling author John J. Nance Airline pilot Ken Wolfe does not rattle easily. But when he learns that Rudolph Bostich is on his flight, his face goes pale. Bostich, the presumptive nominee for US Attorney General, bungled the case against the man who kidnapped and killed Wolfe’s daughter. The pilot is prepared to do whatever it takes to get revenge—even setting off a bomb on a plane full of passengers. FBI agent, psychologist, and rookie hostage negotiator Kat Bronsky now has one hundred and thirty lives riding on her every word. As Bronsky speaks with the volatile Wolfe, she realizes she must solve the mystery of an eleven-year-old girl’s murder—in a matter of hours—to avert disaster.
Principles of Political Economy Considered with a View to Their Practical Application
Author: Thomas Robert Malthus
Publisher:
ISBN:
Category : Blake
Languages : en
Pages : 616
Book Description
Malthus has prepared in this work the general rules of political economy. He calls into question some of the reasonings of Ricardo and attempts to defend Adam Smith.
Publisher:
ISBN:
Category : Blake
Languages : en
Pages : 616
Book Description
Malthus has prepared in this work the general rules of political economy. He calls into question some of the reasonings of Ricardo and attempts to defend Adam Smith.
The Essential Duchamp
Author: Matthew Affron
Publisher: Philadelphia Museum Of Art (Yale)
ISBN: 9780300233117
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition The Essential Duchamp, Tokyo National Museum, October 2-December 9, 2018; National Museum of Modern and Contemporary Art, Seoul, December 22, 2018-April 7, 2019; Art Gallery of New South Wales, Sydney, April-August 2019"--Colophon.
Publisher: Philadelphia Museum Of Art (Yale)
ISBN: 9780300233117
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition The Essential Duchamp, Tokyo National Museum, October 2-December 9, 2018; National Museum of Modern and Contemporary Art, Seoul, December 22, 2018-April 7, 2019; Art Gallery of New South Wales, Sydney, April-August 2019"--Colophon.
Historical Essays & Studies
Author: John Emerich Edward Dalberg Acton Baron Acton
Publisher:
ISBN:
Category : History
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 564
Book Description