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Author: James V. Mirollo
Publisher: New Haven : Yale University Press
ISBN: 9780300032277
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini’s Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets—Italian, French, Spanish, and English—treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems.
Author: James V. Mirollo
Publisher: New Haven : Yale University Press
ISBN: 9780300032277
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini’s Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets—Italian, French, Spanish, and English—treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems.
Author: L. E. Semler
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637593
Category : Art
Languages : en
Pages : 298
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Book Description
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
Author: John M. Steadman
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
A study questioning current assumptions concerning the inter- relationships between concepts of historical periods and the criteria commonly employed to define and differentiate varieties of literary style. Of particular concern is the application (or, frequently, misapplication) of terms and values derived from the visual arts to the arts of discourse, where they are often used so loosely that they become meaningless.
Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Maria Rika Maniates
Publisher: Manchester University Press
ISBN: 9780719007378
Category : Music
Languages : en
Pages : 714
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Book Description
Author: Sam Ladkin
Publisher: Oxford University Press
ISBN: 0192692046
Category : Poetry
Languages : en
Pages : 377
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Book Description
Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
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Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Author: Michael Adams
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
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Book Description
In 1527 Wyatt encountered Mannerist art in Italy and translated the techniques of Mannerist painting into poetic techniques: he developed a Mannerist poetic line and within poems challenged space, confounded order and harmony much as Italian Mannerist painters do in the 1520s and 1530s.
Author: Walter Pater
Publisher: BoD – Books on Demand
ISBN: 3387030657
Category : Fiction
Languages : en
Pages : 242
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
