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Author: Annika A. Culver
Publisher: Hong Kong University Press
ISBN: 9888528130
Category : History
Languages : en
Pages : 329
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Book Description
This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan’s occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo’s last living writers. “This first-rate collection offers the most comprehensive overview of Manchukuo literature in any language. Containing an abundance of very original research and analysis, with relevant references to diverse sources in Chinese, English, Japanese, Korean, and Russian, the essays will be welcomed by scholars dealing with literary, historical, political, and colonization issues in Manchukuo and its neighbors.” —Ronald Suleski, Suffolk University, Boston “Manchukuo Perspectives is an excellent contribution to the field. Manchukuo was a fascinating and fraught experiment. Colonialism, imperialism, modernism, and nationalism were just some of the many different forces at play there. With an impressive set of contributors bringing both breadth and depth to the study of these issues, this collection fills a void in our understanding of the cultural and literary production of Manchukuo wonderfully.” —James Carter, Saint Joseph’s University
Author: Annika A. Culver
Publisher: Hong Kong University Press
ISBN: 9888528130
Category : History
Languages : en
Pages : 329
Get Book
Book Description
This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan’s occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo’s last living writers. “This first-rate collection offers the most comprehensive overview of Manchukuo literature in any language. Containing an abundance of very original research and analysis, with relevant references to diverse sources in Chinese, English, Japanese, Korean, and Russian, the essays will be welcomed by scholars dealing with literary, historical, political, and colonization issues in Manchukuo and its neighbors.” —Ronald Suleski, Suffolk University, Boston “Manchukuo Perspectives is an excellent contribution to the field. Manchukuo was a fascinating and fraught experiment. Colonialism, imperialism, modernism, and nationalism were just some of the many different forces at play there. With an impressive set of contributors bringing both breadth and depth to the study of these issues, this collection fills a void in our understanding of the cultural and literary production of Manchukuo wonderfully.” —James Carter, Saint Joseph’s University
Author: Prasenjit Duara
Publisher: Rowman & Littlefield Publishers
ISBN: 0585463859
Category : History
Languages : en
Pages : 322
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Book Description
In this powerful and provocative book, Prasenjit Duara uses the case of Manchukuo, the Japanese puppet state in northeast China from 1932-1945, to explore how such antinomies as imperialism and nationalism, modernity and tradition, and governmentality and exploitation interacted in the post-World War I period. His study of Manchukuo, which had a population of 40 million and was three times the area of Japan, catalyzes a broader understanding of new global trends that characterized much of the twentieth century. Asking why Manchukuo so desperately sought to appear sovereign, Duara examines the cultural and political resources it mobilized to make claims of sovereignty. He argues that Manchukuo, as a transparently constructed 'nation-state,' offers a unique historical laboratory for examining the utilization and transformation of circulating global forces mediated by the 'East Asian modern.' Sovereignty and AUthenticity not only shows how Manchukuo drew technologies of modern nationbuilding from China and Japan, but it provides a window into how some of these techniques and processes were obscured or naturalized in the more successful East Asian nation-states. With its sweepingly original theoretical and comparative perspectives on nationalism and imperialism, this book will be essential reading for all those interested in contemporary history.
Author: Jianda Yuan
Publisher: Taylor & Francis
ISBN: 1000869415
Category : History
Languages : en
Pages : 350
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Book Description
Drawing on historiography of the Japanese occupation in the Chinese, Japanese, and English languages, this book examines the politics of the Manchukuo puppet state from the angle of notable Chinese who cooperated with the Japanese military and headed its government institutions. The war in Asia between 1931 and 1945, and particularly the early years of the conflict from 1931 to 1937, is a topic of world history that is often glossed over or misinterpreted. Much of the research and public opinion on this period in China, Japan, and the West deem these Chinese figures to be traitors, particles of Japanese colonialism, and collaborators under occupation. In contrast, this book highlights the importance of analyzing the national ideas of Manchukuo’s Chinese government leaders as a method of understanding Manchukuo’s operating mechanisms, Sino-Japanese interactions, and China’s turbulent history in the early twentieth century. Chinese Government Leaders in Manchukuo, 1931-1937 fills a gap in this research and is an ideal resource for scholars studying wartime Asia and Europe, as well as non-specialist readers who are interested in collaboration in general.
Author: Yuxin Ma
Publisher: University of Wisconsin Pres
ISBN: 0299340201
Category : History
Languages : en
Pages : 357
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Book Description
Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan’s propaganda needs. Manchuria Film Association had two tasks: to make “national policy films” as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on the special relationship between Japan and the region, and to block the exhibition of Chinese films from Shanghai that contained anti-Japanese messages. The corporation relied on Japanese capital, technology, and film expertise, but it also employed many Chinese filmmakers. After the withdrawal of Japanese forces in 1945, many of these individuals were portrayed as either exploited victims or traitorous collaborators. Yuxin Ma seeks to move the conversation beyond such simplistic and inaccurate depictions. By focusing on the daily challenges and experiences of the Chinese workers at the corporation, Ma examines how life was actually lived by people navigating between practical and ideological concerns. She illustrates how the inhabitants of Manchukuo navigated social opportunities, economic depression, educational reforms, fascist rule, commercial interests, practical daily needs, and more—and reveals ways in which these conflicting preoccupations sometimes manifested as tension and ambiguity on screen. In the battle between repression and expression, these Chinese actors, directors, writers, and technicians adopted defensive and opportunistic tactics. They did so in colonial spaces, often rejecting modernist representations of Manchukuo in favor of venerating traditional Chinese culture and values. The expertise, skills, and professional networks they developed extended well beyond the occupation into the postwar period, and may individuals reestablished themselves as cinema professionals in the socialist era.
Author: Takarabe Toriko
Publisher: University of Hawaii Press
ISBN: 0824876385
Category : Fiction
Languages : en
Pages : 144
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Book Description
Takarabe Toriko’s autobiographical novel Heaven and Hell is a beautiful, chilling account of her childhood in Manchukuo, the puppet state established by the Japanese in northeast China in 1932. As seen through the eyes of a precocious young girl named Masuko, the frontier town of Jiamusi and its inhabitants are by turns enchanting, bemusing, and horrifying. Takarabe skillfully captures Masuko’s voice with language that savors Manchukuo’s lush forests and vast terrain, but violence and murder are ever present, as much a part of the scenery as the grand Sungari River. Masuko recounts the “Heaven” of her early life in Jiamusi, a place so cold in winter her joints freeze as she walks to school. She accepts this world, with its gentle ways and terrible brutality, because it is the only home she has known. Masuko feels at ease wandering among the street vendors hawking their hot and sticky steamed cakes or watching the cook slaughter ducks for dinner, and takes pleasure in following the routines of her Chinese, Russian, and Japanese neighbors. Her world is shattered in 1945, when she and her family must flee their adopted home and struggle, along with other Japanese settlers, to return to Japan. This second half of the book, the “Hell” of refugee life, is heartbreaking and disturbing, yet described with ferocious honesty.
Author: Norman Smith
Publisher: Taylor & Francis
ISBN: 1000873919
Category : History
Languages : en
Pages : 263
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Book Description
Writing Manchuria details the lives and translates a selection of fiction from one of the mid-twentieth century’s "four famous husband-wife writers" of China’s Northeast, who lived in the Japanese puppet state of Manchukuo: Li Zhengzhong (1921–2020) and Zhu Ti (1923–2012). The writings herein were published from the late 1930s to the mid-1940s, in Manchukuo, north China, and Japan; their writings appeared in the most prominent Japanese-owned, Chinese-language journals and newspapers. This volume includes materials that were censored or banned by the Manchukuo authorities: Li Zhengzhong’s "Temptation" and "Frost Flowers," and Zhu Ti’s "Cross the Bo Sea" and "Little Linzi and her Family." Li Zhengzhong has been characterized as "an angry youth" while Zhu Ti’s work questioned contemporary gender ideals and the subjugation of women. Their writings – those that were censored or banned and those published – shed important light on Japanese imperialism and the Chinese literature that was produced in different regions, reflecting both official support and suppression. Writing Manchuria is the first English-language translation of their writings, and it will appeal to those interested in Chinese wartime literature, as well as contribute to understandings of imperialism and the varied forms it took across Japan’s vast war-time empire.
Author: Norman Smith
Publisher: UBC Press
ISBN: 0774841125
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
The first book in English on women’s history in twentieth-century Manchuria, Resisting Manchukuo adds to a growing literature that challenges traditional understandings of Japanese colonialism. Norman Smith reveals the literary world of Japanese-occupied Manchuria (Manchukuo, 1932-45) and examines the lives, careers, and literary legacies of seven prolific Chinese women writers during the period. He shows how a complex blend of fear and freedom produced an environment in which Chinese women writers could articulate dissatisfaction with the overtly patriarchal and imperialist nature of the Japanese cultural agenda while working in close association with colonial institutions.
Author: Mariko Asano Tamanoi
Publisher: University of Hawaii Press
ISBN: 0824863593
Category : History
Languages : en
Pages : 225
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Book Description
Between 1932 and 1945, more than 320,000 Japanese emigrated to Manchuria in northeast China with the dream of becoming land-owning farmers. Following the Soviet invasion of Manchuria and Japan’s surrender in August 1945, their dream turned into a nightmare. Since the late 1980s, popular Japanese conceptions have overlooked the disastrous impact of colonization and resurrected the utopian justification for creating Manchukuo, as the puppet state was known. This re-remembering, Mariko Tamanoi argues, constitutes a source of friction between China and Japan today. Memory Maps tells the compelling story of both the promise of a utopia and the tragic aftermath of its failure. An anthropologist, Tamanoi approaches her investigation of Manchuria’s colonization and collapse as a complex "history of the present," which in postcolonial studies refers to the examination of popular memory of past colonial relations of power. To mitigate this complexity, she has created four "memory maps" that draw on the recollections of former Japanese settlers, their children who were left in China and later repatriated, and Chinese who lived under Japanese rule in Manchuria. The first map presents the oral histories of farmers who emigrated from Nagano, Japan, to Manchuria between 1932 and 1945 and returned home after the war. Interviewees were asked to remember the colonization of Manchuria during Japan’s age of empire. Hikiage-mono (autobiographies) make up the second map. These are written memories of repatriation from the Soviet invasion to some time between 1946 and 1949. The third memory map is entitled "Orphans’ Voices." It examines the oral and written memories of the children of Japanese settlers who were left behind at the war’s end but returned to Japan after relations between China and Japan were normalized in 1972. The memories of Chinese who lived the age of empire in Manchuria make up the fourth map. This map also includes the memories of Chinese couples who adopted the abandoned children of Japanese settlers as well as the children themselves, who renounced their Japanese nationality and chose to remain in China. In the final chapter, Tamanoi considers theoretical questions of "the state" and the relationship between place, voice, and nostalgia. She also attempts to integrate the four memory maps in the transnational space covering Japan and China. Both fastidious in dealing with theoretical questions and engagingly written, Memory Maps contributes not only to the empirical study of the Japanese empire and its effects on the daily lives of Japanese and Chinese, but also to postcolonial theory as it applies to the use of memory.
Author: Mark C. Elliott
Publisher: Stanford University Press
ISBN: 9780804746847
Category : History
Languages : en
Pages : 612
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Book Description
In 1644, the Manchus, a relatively unknown people inhabiting China's northeastern frontier, overthrew the Ming, Asia's mightiest rulers, and established the Qing dynasty, This book supplies a radically new perspective on the formative period of the modern Chinese nation.
Author: Jonathan Henshaw
Publisher: UBC Press
ISBN: 0774864494
Category : History
Languages : en
Pages : 481
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Book Description
From 1931 to 1945, Chinese citizens were subjugated to Japanese imperialism. Despite the enduring historical importance of the occupation, Translating the Occupation is the first English-language volume to provide such a diverse selection of important primary sources from this period. Contributors have translated Chinese, Japanese, and Korean texts on a wide range of subjects, focusing on writers who have long been considered problematic or outright traitorous. This volume offers a practical, accessible sourcebook from which to challenge standard narratives. It deepens our understanding of the myriad tensions and transformations at work in Chinese wartime society.
