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Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811214513
Category : Literary Collections
Languages : en
Pages : 164
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Book Description
A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders.
Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811214513
Category : Literary Collections
Languages : en
Pages : 164
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Book Description
A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders.
Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811208239
Category : Literary Collections
Languages : en
Pages : 148
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Book Description
The essential work of Mallarmé, collected in a bilingual French and English edition.
Author: Stéphane Mallarmé
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 202
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Book Description
Author: Stéphane Mallarmé
Publisher: OUP Oxford
ISBN: 0191623091
Category : Poetry
Languages : en
Pages : 316
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Book Description
'sense too definite cancels your indistinct literature' Stéphane Mallarmé was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarmé's poetry ever published in English, and the only edition in any language that presents his Poésies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de dés... (A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Malcolm Bowie
Publisher: Cambridge University Press
ISBN: 0521218136
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Mallarmé is widely regarded as one of the most original and distinctively modern writers of the late nineteenth century. At the same time, his fame is accompanied by a certain notoriety, and his works are often thought of as unnecessarily complicated. In this study Malcolm Bowie shows that difficulty is of the essence in a number of Mallarmé's major works, notably 'Prose pour des Esseintes' and Un Coup de dés jamais n'abolira le hasard. He argues that the poems are difficult because they are concerned with complex metaphysical questions and with speculative states of mind. Their closely interwoven multiple meanings, their intricate word-play and sound-patterning invite us to read inventively on many levels at once. Professor Bowie discusses difficulty as a general critical problem, analyses several major poems in detail, and calls attention to a number of techniques for the analysis of verse. He directs the reader away from the question 'What does this poem mean?' and towards the question 'How can this poem be read fully and with enjoyment?'. The book contains the complete text of the main poems discussed.
Author: Marian Zwerling Sugano
Publisher: Stanford University Press
ISBN: 9780804719469
Category : Poetry
Languages : en
Pages : 300
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Book Description
"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Anna Sigrídur Arnar
Publisher:
ISBN: 9780226027012
Category : Artists' books
Languages : en
Pages : 0
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Book Description
Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informed later 20-century developments such as conceptual and performance art.
Author: Stéphane Mallarmé
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Author: Stéphane Mallarmé
Publisher: Routledge
ISBN: 9780415967679
Category :
Languages : en
Pages : 0
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Book Description
"In October 1879 Stephane Mallarme's eight-year-old son Anatole died after several months of illness. Mallarme (1842-1898), the great poet of French Symbolism, heir of Baudelaire and one of the founders of modern poetry, made notes towards a poem that was to become the Tombeau d'Anatole - Anatole's Tomb. The poem was never written, and Mallarme makes no reference to the project in his correspondence. When they were first published in French in 1961, the notes revealed a largely unknown side of Mallarme, which even now disturbs the idea of the poet of pristine impersonality and detachment. In the Tombeau d'Anatole he expresses his 'fury against the formless'; the consolations - and inconsolability - of bereavement."--BOOK JACKET.
Author: Stéphane Mallarmé
Publisher:
ISBN: 9780692640968
Category :
Languages : en
Pages : 148
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Book Description
I started to translate Mallarmé's poems because I wasn't content with the English versions I could find. In translation, poets who preceded and followed Mallarmé are accessible to us. Baudelaire is accessible to us, Apollinaire is accessible to us. I couldn't find a way into Mallarmé in the English versions I found, and I suspected it wasn't his fault. Mallarmé was an English teacher, and he did translations of the poems of his beloved Edgar Allan Poe, in prose, of course. But his poems in French were metrical and rhymed. Sometimes the meaning of his poems is guided, let us say, by the rhyme and meter he chose, "ceding the initiative to words" as he wrote in "Variations sur un sujet". There are alternate homophonic readings of some of his lines as well, that could never be rendered into another language as poetry, only as notes. My inability to reproduce the multiple layers of Mallarmé's poems in French into American verse is a disappointment, but an inevitable one. Those layers rely on sound similarities that aren't available in our language.Most translations of Mallarmé into English rhyme and use traditional meters. This seemed to me to be the wrong approach. We have seen how Mallarmé approached translating Poe, after all. Mallarmé translated this way moves even further away from the meaning of the poem as a second rhyme scheme, this time in English, imposes an alien framework over the poem. These translations, no matter how carefully constructed, often sound academic to me.I come from a poetry tradition that learned a great deal from 20th century French poetry, Apollinaire, Reverdy, Desnos and all the rest of them. Some of the great pleasures in music in 20th century American poetry come from responses to French poetry, for instance, John Ashbery's "The Tennis Court Oath", or Charles Olson's Rimbaud takeoff "Variations done for Gerald Van Der Wiele", or Ted Berrigan's translations of French poetry in "Bean Spasms". Hopefully the music I heard there echoes a little in these versions.
