Author: Robert Boncardo
Publisher: Edinburgh University Press
ISBN: 1474429548
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
A radically new philosophy of experience and speculation, based on a reading of Whitehead's Process and Reality.
Mallarme and the Politics of Literature
Author: Robert Boncardo
Publisher: Edinburgh University Press
ISBN: 1474429548
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
A radically new philosophy of experience and speculation, based on a reading of Whitehead's Process and Reality.
Publisher: Edinburgh University Press
ISBN: 1474429548
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
A radically new philosophy of experience and speculation, based on a reading of Whitehead's Process and Reality.
Mallarmé and the Poetics of Everyday Life
Author: Hélène Stafford
Publisher: BRILL
ISBN: 9004456015
Category : Social Science
Languages : en
Pages : 244
Book Description
This book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé’s oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé’s work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé’s oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
Publisher: BRILL
ISBN: 9004456015
Category : Social Science
Languages : en
Pages : 244
Book Description
This book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé’s oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé’s work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé’s oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
The Number and the Siren
Author: Quentin Meillassoux
Publisher: National Geographic Books
ISBN: 0983216924
Category : Philosophy
Languages : en
Pages : 0
Book Description
A philosophical interrogation of the concepts of chance, contingency, and eternity through a concentrated study of Mallarmé's poem “Un Coup de Dés.” A meticulous literary study, a detective story à la Edgar Allan Poe, a treasure-hunt worthy of an adventure novel—such is the register in which can be deciphered the hidden secrets of a poem like no other. Quentin Meillassoux, author of After Finitude, continues his philosophical interrogation of the concepts of chance, contingency, infinity, and eternity through a concentrated study of Mallarmé's poem “Un Coup de Dés,” patiently deciphering its enigmatic meaning on the basis of a dazzlingly simple and lucid insight with regard to Mallarmé's “unique Number.” The decisive point of the investigation proposed by Meillassoux comes with a discovery, unsettling and yet as simple as a child's game. The Number that “can be no other” can only be revealed to us via a secret code, hidden in the “Coup de dés” like a key that finally unlocks every one of its poetic devices. Thus is also unveiled the meaning of that siren, emerging for a lightning-flash amongst the debris of the shipwreck: as the living heart of a drama that is still unfolding. With this bold new interpretation of Mallarmé's work, Meillassoux offers brilliant insights into modernity, poetics, secularism, and religion, and opens a new chapter in his philosophy of radical contingency. The volume contains the entire text of the “Coup de dés” and three other poems, with new English translations.
Publisher: National Geographic Books
ISBN: 0983216924
Category : Philosophy
Languages : en
Pages : 0
Book Description
A philosophical interrogation of the concepts of chance, contingency, and eternity through a concentrated study of Mallarmé's poem “Un Coup de Dés.” A meticulous literary study, a detective story à la Edgar Allan Poe, a treasure-hunt worthy of an adventure novel—such is the register in which can be deciphered the hidden secrets of a poem like no other. Quentin Meillassoux, author of After Finitude, continues his philosophical interrogation of the concepts of chance, contingency, infinity, and eternity through a concentrated study of Mallarmé's poem “Un Coup de Dés,” patiently deciphering its enigmatic meaning on the basis of a dazzlingly simple and lucid insight with regard to Mallarmé's “unique Number.” The decisive point of the investigation proposed by Meillassoux comes with a discovery, unsettling and yet as simple as a child's game. The Number that “can be no other” can only be revealed to us via a secret code, hidden in the “Coup de dés” like a key that finally unlocks every one of its poetic devices. Thus is also unveiled the meaning of that siren, emerging for a lightning-flash amongst the debris of the shipwreck: as the living heart of a drama that is still unfolding. With this bold new interpretation of Mallarmé's work, Meillassoux offers brilliant insights into modernity, poetics, secularism, and religion, and opens a new chapter in his philosophy of radical contingency. The volume contains the entire text of the “Coup de dés” and three other poems, with new English translations.
Collected Poems
Author: Stéphane Mallarmé
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Between Baudelaire and Mallarmé
Author: Helen Abbott
Publisher: Routledge
ISBN: 1317175069
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Publisher: Routledge
ISBN: 1317175069
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Mallarmé Wagner: Music and Poetic Language
Author: Heath Lees
Publisher: Routledge
ISBN: 1351559486
Category : Music
Languages : en
Pages : 272
Book Description
This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Publisher: Routledge
ISBN: 1351559486
Category : Music
Languages : en
Pages : 272
Book Description
This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Mallarmé in the Twentieth Century
Author: Robert Greer Cohn
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637951
Category : Literary Collections
Languages : en
Pages : 316
Book Description
Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637951
Category : Literary Collections
Languages : en
Pages : 316
Book Description
Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).
Mallarmé, Or, The Poet of Nothingness
Author: Jean-Paul Sartre
Publisher: University Park : Pennsylvania State University Press
ISBN: 9780271004983
Category : French literature
Languages : en
Pages : 192
Book Description
Publisher: University Park : Pennsylvania State University Press
ISBN: 9780271004983
Category : French literature
Languages : en
Pages : 192
Book Description
The Crisis of French Symbolism
Author: Laurence Porter
Publisher: Cornell University Press
ISBN: 1501746170
Category : History
Languages : en
Pages : 287
Book Description
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Publisher: Cornell University Press
ISBN: 1501746170
Category : History
Languages : en
Pages : 287
Book Description
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Introduction to the Psychoanalysis of Mallarme
Author: Charles Mauron
Publisher: University of California Press
ISBN: 0520331176
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Publisher: University of California Press
ISBN: 0520331176
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.