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Author: John Marston
Publisher: Manchester University Press
ISBN: 9780719053641
Category : Drama
Languages : en
Pages : 148
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Book Description
The Malcontent, usually considered to be John Marston's masterpiece, is one of the most original plays of the Elizabethan theatre--complex in genre, structure, and language. A major reason for the play's preeminence lies in the balance it achieves between the opposite claims of laughter and horror. This edition has notes designed for modern undergraduate use and the introduction has been rewritten to take into account the most recent scholarship.
Author: John Marston
Publisher: Manchester University Press
ISBN: 9780719053641
Category : Drama
Languages : en
Pages : 148
Get Book Here
Book Description
The Malcontent, usually considered to be John Marston's masterpiece, is one of the most original plays of the Elizabethan theatre--complex in genre, structure, and language. A major reason for the play's preeminence lies in the balance it achieves between the opposite claims of laughter and horror. This edition has notes designed for modern undergraduate use and the introduction has been rewritten to take into account the most recent scholarship.
Author: Joe Queenan
Publisher: Running Press Book Publishers
ISBN:
Category : Literary Collections
Languages : en
Pages : 1062
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Book Description
It's no surprise that, as he claims in his thoughtful and witty introduction, humorist Queenan (Balsamic Dreams) relished the opportunity to pore over and select the hilarious and sometimes disturbing works in this anthology. As he points out, "One of the great pleasures in reading books that are hundreds and even thousands of years old is in discovering how little the targets of the satirist have changed over the centuries." The buffoonery and sometimes depravity of such targets are on full display in this volume, which features 30 works by 19 authors and includes such classics as "A Modest Proposal," Candide, and shorter pieces by Mark Twain and Flann O'Brien. Gargantua and Pantagruel and Don Quixote rollick through brief selections as well. Queenan makes a good case for the less obvious choices rounding out the collection, notably Machiavelli's The Prince and de Sade's Justine, but he fails to link the ancient with the contemporary: the last half-century of bitter and cynical writing goes disappointingly ignored. And yet, though heavily weighted toward "classic satire," this anthology is likely the best of its kind to date. Recommended for all libraries.
Author: John Marston
Publisher: A&C Black
ISBN: 1408149184
Category : Drama
Languages : en
Pages : 156
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Book Description
A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.
Author: Jean Comaroff
Publisher: University of Chicago Press
ISBN: 9780226114392
Category : Family & Relationships
Languages : en
Pages : 278
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Book Description
What role does ritual play in the everyday lives of modern Africans? How are so-called "traditional" cultural forms deployed by people seeking empowerment in a world where "modernity" has failed to deliver on its promises? Some of the essays in Modernity and Its Malcontents address familiar anthropological issues—like witchcraft, myth, and the politics of reproduction—but treat them in fresh ways, situating them amidst the polyphonies of contemporary Africa. Others explore distinctly nontraditional subjects—among them the Nigerian popular press and soul-eating in Niger—in such a way as to confront the conceptual limits of Western social science. Together they demonstrate how ritual may be powerfuly mobilized in the making of history, present, and future. Addressing challenges posed by contemporary African realities, the authors subject such concepts as modernity, ritual, power, and history to renewed critical scrutiny. Writing about a variety of phenomena, they are united by a wish to preserve the diversity and historical specificity of local signs and practices, voices and perspectives. Their work makes a substantial and original contribution toward the historical anthropology of Africa. The contributors, all from the Africanist circle at the University of Chicago, are Adeline Masquelier, Deborah Kaspin, J. Lorand Matory, Ralph A. Austen, Andrew Apter, Misty L. Bastian, Mark Auslander, and Pamela G. Schmoll.
Author: Foz Meadows
Publisher: Tor Books
ISBN: 1250829143
Category : Fiction
Languages : en
Pages : 453
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Book Description
“Many a reader longing for a sense of homecoming in the realm of romantic fantasy will find it in A Strange and Stubborn Endurance.”—Jacqueline Carey “Stolen me? As soon to say a caged bird can be stolen by the sky.” Velasin vin Aaro never planned to marry at all, let alone a girl from neighboring Tithena. When an ugly confrontation reveals his preference for men, Vel fears he’s ruined the diplomatic union before it can even begin. But while his family is ready to disown him, the Tithenai envoy has a different solution: for Vel to marry his former intended’s brother instead. Caethari Aeduria always knew he might end up in a political marriage, but his sudden betrothal to a man from Ralia, where such relationships are forbidden, comes as a shock. With an unknown faction willing to kill to end their new alliance, Vel and Cae have no choice but to trust each other. Survival is one thing, but love—as both will learn—is quite another. Byzantine politics, lush sexual energy, and a queer love story that is by turns sweet and sultry, Foz Meadows' A Strange and Stubborn Endurance is an exploration of gender, identity, and self-worth. It is a book that will live in your heart long after you turn the last page. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: C.P. Snow
Publisher: House of Stratus
ISBN: 0755120159
Category : Fiction
Languages : en
Pages : 167
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Book Description
Thomas Freer is a prosperous solicitor who is also the Registrar responsible for his cathedral’s legal business. His son Stephen is one of a secret group known as the core. When Stephen’s group activities land them in terrible trouble, no one guesses that the consequences will lead to a death and more.
Author: Chris Grosz
Publisher:
ISBN: 9781869795160
Category : Military deserters
Languages : en
Pages : 72
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Book Description
Chris Grosz captures in words and pictures the adventuring life of sailor, soldier, deserter, outlaw and Hau Hau slave, Kimball Bent. After signing up for the Queen's shilling, Bent was sent to New Zealand in the 1860s, on the eve of the tumultuous Taranaki land wars. An act of defiance saw Bent deserting the army, and his eventual adoption by Maori tribes. Kimball Bent: Malcontent illustrates Bent's life as a Pakeha Maori, his assimilation into tribal life, his observation of secret war rites, including cannibalism, and being on the side of the Hau Hau at the famous battle at Te Ngutu o Manu where Gustav von Tempsky was killed. One of New Zealand's folk heroes, Bent's story encompasses romance, bloodshed and mayhem. His story has been recorded by James Cowan and fictionalised by Maurice Shadbolt. Rendered in scraperboard style, this graphic novel will have crossover appeal for teenagers and adults alike, bringing Bent's story to a new generation of New Zealanders.
Author: Andrew Bozio
Publisher: Oxford University Press
ISBN: 0192585711
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.
Author: Susan R. Matthews
Publisher: Baen Publishing Enterprises
ISBN: 1625792611
Category : Fiction
Languages : en
Pages : 381
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Book Description
Andrej Koscuisko, the Ragnaroks Ship's Inquisitor, is going home on leave. His ship of assignment is participating in training exercises, and when an observer station unexpectedly explodes _- killing the Ragnaroks captain -_ Pesadie Training Command has to come up with a cover story in a hurry or risk exposure of its black-market profiteering. There is a conveniently obvious explanation: the Ragnarok did it on purpose. All Pesadie needs are a few confessions -- obtained by judicial torture, which creates its own truth. And a bitter enemy from Andrejs earliest days in Fleet has been waiting for just such an opportunity to set a trap and bait it with the lives of people Andrej loves. Andrej will have to fight Fleet itself to bring the Ragnarok the only thing that can save the ship and crew from destruction _- a single piece of evidence with the potential to change the course of the history of Jurisdiction Space forever. At the publisher's request, this title is sold without DRM (Digital Rights Management). A tightly woven space opera full of grand heroic gestures and characters strong enough to sustain all the action. -Booklist Matthews' work here -- of projecting a concentrated vision of the horrors of the last hundred years into a space-operatic future -- is extraordinarily risky and emotionally difficult, but now that she has shown that the Judiciary universe holds hope as well as pathology and pain, I will be able to follow Koscuisko to whatever fate awaits him with an easier mind. -Locus Magazine
Author: Kevin A. Quarmby
Publisher: Routledge
ISBN: 1317035550
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.
