Making Contemporary Sculpture PDF Download
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Author: Ian Dawson
Publisher: Crowood Press (UK)
ISBN: 9781847974303
Category : Sculptors
Languages : en
Pages : 0
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Book Description
Ian Dawson is a practising sculptor, who first came to prominence in the 1990s with a series of large-scale melted plastic sculptures that celebrated creativity through the destructive act. His practice remains intensely experimental, involving different processes and diverse materials. Ian has exhibited internationally and his work is held in both public and private collections worldwide.
Author: Ian Dawson
Publisher: Crowood Press (UK)
ISBN: 9781847974303
Category : Sculptors
Languages : en
Pages : 0
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Book Description
Ian Dawson is a practising sculptor, who first came to prominence in the 1990s with a series of large-scale melted plastic sculptures that celebrated creativity through the destructive act. His practice remains intensely experimental, involving different processes and diverse materials. Ian has exhibited internationally and his work is held in both public and private collections worldwide.
Author: Mahmoud Farag
Publisher: Cambridge Scholars Publishing
ISBN: 1527545806
Category : Art
Languages : en
Pages : 302
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Book Description
Creating a successful sculpture requires an imaginative concept and a sound design that utilize the potential and avoid the limitations of the material and the process used in making it. Prior to a few decades ago, most sculptors were restricted to carving stone and wood or casting plaster, ceramics and bronze for their creations. Contemporary sculptors, however, are no longer bound by the limitations of these traditional materials and processes, and can now create works in sizes, forms and textures that could not have been achieved previously. Many modern sculptures are now made from materials ranging from steel and aluminum to plastics and composites using processes ranging from welding and adhesive bonding to molding and 3D printing. To fully utilize the full potential of such new materials, the sculptor needs to understand their points of strength, their limitations, and the most effective way of shaping them to achieve a given design. Although this book is written by a materials engineer, the subject matter is presented from the point of view of the sculptor with emphasis on the strengths and weaknesses of different materials, their resistance to weather conditions, natural color and possible surface textures, possible methods of shaping and joining, tools and equipment needed, and safety measures to take. Whenever possible, case studies are used to illustrate the sequence of processes and the cost elements involved in shaping a given material to create an actual work of sculpture.
Author: Martin Herbert
Publisher: Black Dog Pub Limited
ISBN: 9781908966049
Category : Art
Languages : en
Pages : 191
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Book Description
The sculptural object has spent much of the recent past being made to disappear from view. The word sculpture might still carry connotations of weight, scale and material, yet none of these things may necessarily be present in any particular work. Whether lost into a void, left behind in an expanded field or exploded to occupy the architectural space that once simply contained it, the sculptural object as the flotsam of an artist's engagement with process and materials, seems to have been in a continual state of crisis since first becoming detached from its plinth. As for the sculptor, the artist as maker, they can often be seen performing as magician, orchestrating events and actions which culminate in the object of our desire, the decorative assistant, simply vanishing from the stage. This book questions both the presence and absence of the object and its maker within contemporary British sculpture.
Author: KelleyHelmstutler DiDio
Publisher: Routledge
ISBN: 1351559516
Category : Art
Languages : en
Pages : 275
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Book Description
In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.
Author: Steven A. Nash
Publisher: Rizzoli International Publications
ISBN: 178551105X
Category : Art
Languages : en
Pages : 0
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Book Description
The first book on the Meadows Museum's outstanding collection of Modernist sculptures, bringing them to life in colour photography and with an elegant design. The world's most renowned sculptors are featured. Featuring works by many of the leading twentieth-century Modernists, the sculpture collection of the Meadows Museum in Dallas, Texas, is an American gem. Large- and small-scale works by renowned artists such as Jacques Lipchitz, Henry Moore, Isamu Noguchi and Claes Oldenburg can be seen on the Museum's welcoming outdoor plaza, while important figural sculptures by Auguste Rodin, Aristide Maillol and Alberto Giacometti are on display within the Museum. This elegantly designed book is the first publication on this outstanding collection, offering photography by Laura Wilson and new scholarship by Steven A. Nash on works by some of the most accomplished artists to work in three dimensions. Follow @MeadowsMuseum on Twitter (1630 followers).
Author: Dan Adler
Publisher: Routledge
ISBN: 135104916X
Category : Art
Languages : en
Pages : 190
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Book Description
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road, according to the logic and progress of the capitalist machine – and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
Author: Glenn Harper
Publisher: Isc Press
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Sculpture parks and gardens, whether woodland sanctuaries or urban retreats, sprawling sites or intimate oases, offer sculpture lovers and artists alike unique ways to experience the outdoors, sculpture, and the intersections between nature and culture. Since the mid-20th century, these venues have become important tourist destinations and essential aspects of public life in cities such as Chicago, Minneapolis, and Seattle and regions such as Yorkshire in England and the Hudson Highlands in New York. Landscapes for Art: Contemporary Sculpture Parks surveys a wide range of sculpture parks and gardens that focus on contemporary art--from well-established, museum-type institutions to small-scale, non-collecting, experimental programs. The book includes profiles of sculpture parks in the U.S., U.K., Japan, Australia, Lithuania, China, Italy, Canada, the Netherlands, Belgium, India, Latvia, Sweden, and Finland (among others). There are articles on key topics by art critics, landscape architects, and sculpture park professionals and interviews with Isamu Noguchi, Martin Friedman, and Alfio Bonanno.
Author:
Publisher: Chronicle Books
ISBN: 1452129460
Category : Art
Languages : en
Pages : 177
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Book Description
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Author: Marjorie Trusted
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
This is an accessible historical and technical guide to the materials and techniques of European sculpture, based on the collections at the V&A. Casting, carving, and modeling practices are explored from medieval times onwards. Each chapter concentrates on a specific material or category. Beautiful color photography highlights the works and illustrates contemporary workshop practices.
Author: Emily Rothrum
Publisher: Skira Editore
ISBN: 9788857230658
Category : Sculpture, Abstract
Languages : en
Pages : 256
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Book Description
Half theWorld traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice, tactility and the artist's hand. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space. The catalogue begins in the immediate post-war era, with the first section spanning the late 1950s through the 1950s. Featuring historically important predecessors including Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, this section examines abstraction based on the human figure and the influence of the unconscious. The second section covers the decades of the 1960s and 1970s, and includes Magdalena Abakanowicz, Lynda Benglis, Heidi Bucher, Gego, François Grossen, Eva Hesse, Sheila Hicks, Marisa Merz, Mira Schendel, Michelle Stuart, Hannah Wilke, and Jackie Winsor, a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods. In the 1980s and 1990s, the period explored in the third section, artists Phyllida Barlow, Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Senga Nengudi, and Ursula von Rydingsvard moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design. The final section is comprised of post-2000 works by artists Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, and Jessica Stockholder, artists who create installation-based environments, embracing domestic materials and craft as an embedded discourse.
