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Author: Willard Spiegelman
Publisher: Univ of California Press
ISBN: 0520338960
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Author: Willard Spiegelman
Publisher: Univ of California Press
ISBN: 0520338960
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Author: Bob Lancer
Publisher: GDG Publishing
ISBN: 9780979662546
Category : Self-Help
Languages : en
Pages : 204
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Book Description
Wouldn't you love to learn how to lose worry and the false sense of unworthiness to make your greatest dreams come true? Learn how to harness the power of happiness to create the life you want. Learn how to free yourself from anxiety and depression and live in freedom and abundance from now on. You will even learn the secret solution to every problem! It's packed with powerful, self-liberatng truths.
Author: Gary Schmidgall
Publisher: Oxford University Press
ISBN: 0199374422
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Walt Whitman burst onto the literary stage raring for a fight with his transatlantic forebears. With the unmetered and unrhymed long lines of Leaves of Grass, he blithely forsook "the old models" declaring that "poems distilled from other poems will probably pass away." In a self-authored but unsigned review of the inaugural 1855 edition, Whitman boasted that its influence-free author "makes no allusions to books or writers; their spirits do not seem to have touched him." There was more than a hint here of a party-crasher's bravado or a new-comer's anxiety about being perceived as derivative. But the giants of British literature were too well established in America to be toppled by Whitman's patronizing "that wonderful little island," he called England-or his frequent assertions that Old World literature was non grata on American soil. As Gary Schmidgall demonstrates, the American bard's manuscripts, letters, prose criticism, and private conversations all reveal that Whitman's negotiation with the literary "big fellows" across the Atlantic was much more nuanced and contradictory than might be supposed. His hostile posture also changed over the decades as the gymnastic rebel transformed into Good Gray Poet, though even late in life he could still crow that his masterwork Leaves of Grass "is an iconoclasm, it starts out to shatter the idols of porcelain." Containing Multitudes explores Whitman's often uneasy embrace of five members of the British literary pantheon: Shakespeare, Milton, Burns, Blake, and Wordsworth (five others are treated more briefly: Scott, Carlyle, Tennyson, Wilde, and Swinburne). It also considers how the arcs of their creative careers are often similar to the arc of Whitman's own fifty years of poem-making. Finally, it seeks to illuminate the sometimes striking affinities between the views of these authors and Whitman on human nature and society. Though he was loath to admit it, these authors anticipated much that we now see as quintessentially Whitmanic.
Author: Carrie Smith
Publisher: Liverpool University Press
ISBN: 1800857551
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Does it matter when and where a poem was written? Or on what kind of paper? How do the author’s ideas about inspiration or how a poem should be written precondition the moment of putting pen to paper? This monograph explores these questions in offering the first full-length study of Ted Hughes’s poetic process. Hughes’s extensive archives held in the UK and US form the basis of the book’s unique exploration of his writing process. It analyses Hughes’s techniques throughout his career, arguing that his self-conscious experimentation with the processes by which he wrote profoundly affected both the style and subject matter of his work. The book considers Hughes’s changing ideas about how poetry ‘ought’ to be written, discussing how these affect his creative process. It presents a fresh exploration of Hughes’s major collections across the span of his career to build a detailed illustration of how his writing methods altered. The book thus restores the materiality of paper and ink to Hughes’s poems, reading their histories, the stories they tell of their composition, and of the intellectual and creative environments in which they were gestated, born and matured. In the process, it offers a template for new approaches in authorship studies, reframing one of the twentieth century’s most iconic literary figures through the unseen histories of his creative process.
Author: Willard Spiegelman
Publisher: Farrar, Straus and Giroux
ISBN: 0374712999
Category : Self-Help
Languages : en
Pages : 209
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Book Description
A moving collection of essays on aging and happiness Drawing on more than six decades' worth of lessons from his storied career as a writer and professor, Willard Spiegelman reflects with candid humor and sophistication on growing old. Senior Moments is a series of discrete essays that, when taken together, constitute the life of a man who, despite Western cultural notions of aging as something to be denied, overcome, and resisted, has continued to relish the simplest of pleasures: reading, looking at art, talking, and indulging in occasional fits of nostalgia while also welcoming what inevitably lies ahead. Spiegelman's expertly crafted book considers, with wisdom and elegance, how to be alert to the joys that brim from unexpected places even as death draws near. Senior Moments is a foray into the felicity and follies that age brings; a consideration of how and what one reads or rereads in late adulthood; the eagerness for, and disappointment in, long-awaited reunions, at which the past comes alive in the present. A clear-eyed book of memories, written in eight searching and courageously honest essays, Senior Moments is guaranteed to stimulate, stir, and restore.
Author: John Dennis
Publisher:
ISBN:
Category : Pastoral poetry, English
Languages : en
Pages : 344
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Book Description
Author: S. White
Publisher: Springer
ISBN: 1137281790
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
The proper organisation of rural communities was central to political and social debates at the turn of the eighteenth century, and featured strongly in the 1790s political polemic that influenced so many Romantic poets and novelists. This book investigates the representation of the rural village and country town in a range of Romantic texts.
Author: Julia Prewitt Brown
Publisher: University of Virginia Press
ISBN: 9780813918884
Category : Art
Languages : en
Pages : 164
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Book Description
Brown (English, Boston U.) places Wilde in the continuum of continental philosophy from Kant and Schiller through Kierkegaard and Nietzsche to Benjamin and Adorno, discussing his conception of art, its meaning, and the contradictory relations between art and the sphere of the ethical everyday. Annotation copyrighted by Book News, Inc., Portland, OR
Author: William Wordsworth
Publisher: Humanities-Ebooks
ISBN: 1847600867
Category : Poetry
Languages : en
Pages : 782
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Book Description
This is a collection of William Wordsworth's poetry.
Author: C. Mahoney
Publisher: Springer
ISBN: 0230597629
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Romantics and Renegades examines the abiding crux of romantic criticism: the political apostasies of the Lake poets (Wordsworth, Coleridge, and Southey) as they renounced the revolutionary Jacobinism of their youth in the 1790s in order to claim the high ground of Regency Toryism in the 1810s. Central to this scandal is the figure of William Hazlitt, the literary critic who policed their betrayals in his vigilant exposure of their political and poetical inconsistencies. Mahoney's analysis provides new insight into this abiding critical riddle through close historical and figural readings of the rhetoric of romantic apostasy.
