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Author: Narendra Kaushik
Publisher: Cambridge Scholars Publishing
ISBN: 1527549607
Category : Language Arts & Disciplines
Languages : en
Pages : 259
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Book Description
This book analyses 100 years of Hindi cinema, India’s principal film industry, to explore how much space it has given to Mahatma Gandhi, the most prominent leader of the Indian struggle for freedom, and his principles. It compares films on Gandhi with the written literature on him, and juxtaposes the celluloid Gandhi with the man who walked on the earth ‘ever in flesh and blood’. From his childhood through his legal practice in South Africa to his non-violent struggle against the British Empire in India, the book covers all major events of his life and their portrayal on the silver screen.
Author: Narendra Kaushik
Publisher: Cambridge Scholars Publishing
ISBN: 1527549607
Category : Language Arts & Disciplines
Languages : en
Pages : 259
Get Book Here
Book Description
This book analyses 100 years of Hindi cinema, India’s principal film industry, to explore how much space it has given to Mahatma Gandhi, the most prominent leader of the Indian struggle for freedom, and his principles. It compares films on Gandhi with the written literature on him, and juxtaposes the celluloid Gandhi with the man who walked on the earth ‘ever in flesh and blood’. From his childhood through his legal practice in South Africa to his non-violent struggle against the British Empire in India, the book covers all major events of his life and their portrayal on the silver screen.
Author: Sanjay Suri
Publisher: Harper Collins
ISBN: 9353570816
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
Hindi cinema, ever since Independence, has revolved almost entirely around issues of sex and money. This may seem odd given the conservative taste of the times. But that we do not 'see' sex does not hide just how much sex there is in the cinema. As for money, a nagging theme is the impact of money - or the lack of it - on sex. Sanjay Suri argues that Hindi cinema was an unlikely offspring of the Father of the Nation - the product of Gandhi's celibacy and austerity. His heroic retreat from wealth and sexuality was written into the cinema and then elaborately filmed shot by shot. Suri draws on numerous examples - from Mother India to Do Bigha Zameen; Shree 420 to Pyaasa; Sahib, Bibi aur Ghulam to Guide; and Dilwale Dulhania Le Jayenge to Lage Raho Munnabhai - to show how cinema was made within well-defined moral fences that were built with dos and don'ts about sex and money. A Gandhian Affair is a history of India through the preoccupations of its cinema.
Author: Gautam Kaul
Publisher:
ISBN:
Category : History
Languages : en
Pages : 338
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Book Description
Author: Richard Grenier
Publisher:
ISBN: 9780840753793
Category : Biography & Autobiography
Languages : en
Pages : 124
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Book Description
Author: Madhu Jain
Publisher: Penguin UK
ISBN: 8184758138
Category : Business & Economics
Languages : en
Pages : 436
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Book Description
‘We are like the Corleones in The Godfather’—Randhir Kapoor There is no film family quite like the Kapoors. A family of professional actors and directors, they span almost eighty years of film-making in India, from the 1920s to the present. Each decade in the history of Hindi films has had at least one Kapoor—if not more—playing a large part in defining it. Never before have four generations of this family—or five, if you include Bashesharnath Kapoor, Prithviraj Kapoor’s father, who played the judge in Awara—been brought together in one book. The Kapoors details the professional careers and personal lives of each generation—box-office successes and failures, the ideologies that informed their work, the larger-than-life Kapoor weddings and Holi celebrations, their extraordinary romantic liaisons and family relationships, their love for food and their dark passages with alcohol. Based on extensive personal interviews conducted over seven years with family members and friends, Madhu Jain goes behind the façade of each member of the Kapoor clan to reveal what makes them tick. The Kapoors resembles the films that the great showman Raj Kapoor made: grand and sweeping, with moments of high drama and touching emotion. ‘Few books on Indian cinema have been written with such wit, clarity and sparkle’—Outlook ‘Jain writes in a language that is simple and pithy. . . it will keep alive public interest in the Kapoors who refuse to call it a day’—Telegraph ‘Immensely readable...will surely find a place in the Indian cineaste’s library’—Biblio
Author: Chitra Soundar
Publisher: Penguin UK
ISBN: 0241375479
Category : Juvenile Nonfiction
Languages : en
Pages : 129
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Book Description
From growing up in India and studying in London to becoming a political activist in South Africa and taking on the battle for independence in India, Mahatma Gandhi's legacy has lived on well beyond his years. Read the life story of this brilliant, strong-willed and influential man in this beautifully illustrated book, complete with real-life stories, timelines and facts.
Author: Richard Attenborough
Publisher: MacMillan Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
Author: Piyush Roy
Publisher: Rowman & Littlefield
ISBN: 1493050834
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Bollywood, a popular nomenclature for India's “national” film industry in the Hindi language, along with the Taj Mahal, yoga, Buddha, and Mahatma Gandhi, is one of the best-known introductions and universally recognized associations with India across the world today. Despite its predominant narrative styles not confirming to the First World European and/or American cinema structure, Indian cinema is increasingly viewed as the world's second-most important film industry, after Hollywood, with box-office influence crossing over with European cinema. Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi-emotional universe of the world's most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). Bollywood blockbusters are simultaneously screened in theaters and cinemas in over 100 nations from the USA to Japan, New Zealand to the Netherlands, and Peru to Pakistan. Every major Hollywood studio (Warner Bros., Fox Star, Disney, Sony Pictures, and Viacom 18) is now making or distributing Bollywood films. Yet much of Indian cinema continues to amuse and confuse audiences and critics outside of India, including during their first/occasional introductions to its, in the words of Salman Rushdie, “epico-mythico-tragico-comico-super-sexy-high-masala-art form in which the unifying principle is a techni-color-storyline.” Bollywood FAQ explains and explores the above myths and magic. It introduces India's maharajah-like stars and their cult-commanding stardom. Movie buffs will find a ready reckoner on iconic Bollywood films, with a bonus must-watch listing of the cinema's most spectacular song-and-dance moments, highlighting the pleasures and popularity of a national cinema that has come to be a genre in itself. This book is a reader-friendly reference to everything one has ever wanted to know about the spectacular, robust, humongous, colorful, and dramatic multi-generic cinematic being called Bollywood. The narrative is enriched with insider insights culled from its author's long career as a film writer and critic in the city of Bollywood, Bombay (now Mumbai).
Author: Rachel Dwyer
Publisher: Reaktion Books
ISBN: 1780233043
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Bollywood movies have long been known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But these exciting and often amusing films rarely reflect the reality of life on the Indian subcontinent. Exploring the nature of mainstream Hindi cinema, the strikingly illustrated Bollywood’s Indiaexamines its nonrealistic depictions of everyday life in India and what it reveals about Indian society. Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.
Author: Rochona Majumdar
Publisher: Columbia University Press
ISBN: 0231553900
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
