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Author: Ben Stoltzfus
Publisher: Leuven University Press
ISBN: 9058679608
Category : Art
Languages : en
Pages : 1
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Book Description
The Belgian surrealist artist René Magritte (1898–1967) is well known for his thought-provoking and witty images that challenge the observer’s preconditioned perceptions of reality. Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheimare representative examples of Magritte's interarts dialog with literary figures. Despite these convergences the titles subvert the images in his paintings. It is the two images together, the image in the painting and the image in the title, that expresses the aesthetics of Surrealism -- sparked by the juxtaposition of unrelated objects. Magritte's challenge to representation compares with metafiction's challenge to classic realism, Les Chants de Maldoror for example, and the intersecting space between art and writing, sometimes referred to as the iconotext, manifests itself whenever Magritte borrows a literary title for a painting. His strategy is to paint visible thought, and this reverse ekphrasis, the opposite of a rhetorical description of a painting, undermines the written text. When he succeeds, the effect is poetry.
Author: Ben Stoltzfus
Publisher: Leuven University Press
ISBN: 9058679608
Category : Art
Languages : en
Pages : 1
Get Book Here
Book Description
The Belgian surrealist artist René Magritte (1898–1967) is well known for his thought-provoking and witty images that challenge the observer’s preconditioned perceptions of reality. Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheimare representative examples of Magritte's interarts dialog with literary figures. Despite these convergences the titles subvert the images in his paintings. It is the two images together, the image in the painting and the image in the title, that expresses the aesthetics of Surrealism -- sparked by the juxtaposition of unrelated objects. Magritte's challenge to representation compares with metafiction's challenge to classic realism, Les Chants de Maldoror for example, and the intersecting space between art and writing, sometimes referred to as the iconotext, manifests itself whenever Magritte borrows a literary title for a painting. His strategy is to paint visible thought, and this reverse ekphrasis, the opposite of a rhetorical description of a painting, undermines the written text. When he succeeds, the effect is poetry.
Author: Alex Danchev
Publisher: Pantheon
ISBN: 0307908194
Category : Biography & Autobiography
Languages : en
Pages : 513
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Book Description
The first major biography of the pathbreaking, perpetually influential surrealist artist and iconoclast whose inspiration can be seen in everyone from Jasper Johns to Beyoncé—by the celebrated biographer of Cézanne and Braque In this thought-provoking life of René Magritte (1898-1967), Alex Danchev makes a compelling case for Magritte as the single most significant purveyor of images to the modern world. Magritte’s surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have become an inescapable part of our visual landscape, through such legendary works as The Treachery of Images (Ceci n’est pas une pipe) and his celebrated iterations of Man in a Bowler Hat. Danchev explores the path of this highly unconventional artist from his middle-class Belgian beginnings to the years during which he led a small, brilliant band of surrealists (and famously clashed with André Breton) to his first major retrospective, which traveled to the United States in 1965 and gave rise to his international reputation. Using 50 color images and more than 160 black-and-white illustrations, Danchev delves deeply into Magritte’s artistic development and the profound questions he raised in his work about the very nature of authenticity. This is a vital biography for our time that plumbs the mystery of an iconoclast whose influence can be seen in everyone from Jasper Johns to Beyoncé.
Author: D.B. Johnson
Publisher: HarperCollins
ISBN: 0547822448
Category : Juvenile Fiction
Languages : en
Pages : 43
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Book Description
"Everything we see hides another thing, we always want to see what is hidden by what we see." —Rene Magritte D.B. Johnson writes and illustrates the surreal story of famous surrealist painter Rene Magritte and his very mysterious (and mischievous!) hat. While the art reflects some of Magritte's own work, the text sets readers on a fun and accessible path to learning about the simpler concepts behind Mr. Magritte's work. This delightful picture book captures the playfulness and the wonderment of surrealist art.
Author: René Magritte
Publisher:
ISBN: 9781517901233
Category : Art
Languages : en
Pages : 0
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Book Description
Available for the first time in an English translation, this selection of Ren� Magritte's writings gives non-Francophone readers the chance to encounter the many incarnations of the renowned Belgian painter--the artist, the man, the aspiring noirist, the fire-breathing theorist--in his own words. Through whimsical personal letters, biting apologia, appreciations of fellow artists, pugnacious interviews, farcical film scripts, prose poems, manifestos, and much more, a new Magritte emerges: part Surrealist, part literalist, part celebrity, part rascal.While this book is sure to appeal to admirers of Magritte's art and those who are curious about his personal life, there is also much to delight readers interested in the history and theory of art, philosophy and politics, as well as lovers of creativity and the inner workings of a probing, inquisitive mind unrestricted by genre, medium, or fashion.
Author: Lisa Lipinski
Publisher: Routledge
ISBN: 1351626434
Category : Art
Languages : en
Pages : 321
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Book Description
For René Magritte, painting was a form of thinking. Through paintings of ordinary objects rendered with illusionism, Magritte probed the limits of our perception—what we see and cannot see, the nature of representation—as a philosophical system for presenting ideas, and explored perspective as a method of visual argumentation. This book makes the claim that Magritte’s painting is about vision and the act of viewing, of perception itself, and the process of how we see and experience things in the world, including paintings as things.
Author: René Magritte
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
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Book Description
Author: Klaas Verplancke
Publisher: Museum of Modern Art
ISBN: 9781633450165
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
A man named Ren floats through the world of his dreams and imagination, fulfilling his desire to become a painter--of apples and hats, apple hats, apple-these and apple-thats. In his paintings, leaves are lips, baguettes are noses, the right side is never up, and the upside is never down. Award-winning author Klaas Verplancke mashes everyday objects and words together in ways that are guaranteed to make kids laugh and think. Ren Magritte (Belgian, 1898-1967), one of the world's most beloved artists, created whimsical, subversive paintings that helped launch the popularity of surrealism. His works combined words and images in novel, thought-provoking ways, and used humor and ordinary subjects to inspire viewers to question the world around them.
Author: Shun-Liang Chao
Publisher: Routledge
ISBN: 1351551140
Category : Foreign Language Study
Languages : en
Pages : 196
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Book Description
How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.
Author: Miguel Tamen
Publisher: Harvard University Press
ISBN: 0674067959
Category : Philosophy
Languages : en
Pages : 128
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Book Description
This comic, serious inquiry into the nature of art takes its technical vocabulary from Alice’s Adventures in Wonderland and Through the Looking-Glass. It is ridiculous to think of poems, paintings, or films as distinct from other things in the world, including people. Talking about art should be contiguous with talking about other relevant matters.
Author: Jennifer Anna Gosetti-Ferencei
Publisher: Penn State Press
ISBN: 0271045833
Category : Philosophy
Languages : en
Pages : 280
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Book Description
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.
